汉语
曲名:芒种
《芒种》是由赵方婧和音阙诗听演唱的歌曲,于2019年6月6日以单曲形式发行,后收录于音阙诗听2020年4月4日发行的专辑《二十四节气》中。2020年1月11日,该歌曲获得2019年度流行金曲排行榜最受欢迎国风单曲奖。
鉴赏:
《芒种》将传统民乐与流行电音相融合,婉转的女声真假音切换自如。歌曲一开头跳跃轻盈的女声吟唱十分抓耳,而间奏部分一段小提琴与古筝的对话,更是为作品增色不少。创作者在欧美日韩文化影响下的流行音乐之中,融入民乐、古乐等中国元素,使其更符合浸润于传统诗词古典文化的中国人审美。歌曲浓郁的中国风旋律十分洗脑,令人忍不住跟着哼唱 。
作者:假寐作词,殇小谨作曲
《芒种》是音阙诗听发行的二十四节气系列歌曲中的其中一首。制作人殇小谨在歌曲的人声演唱后加入了一大段古筝独奏,让传统民乐成为主角。在保留中国音韵的基础上,殇小谨还追求词作的通俗化、故事化,他将虚构的故事融入二十四节气,提醒听众特定节令的到来 [3]。歌曲由音阙诗听音乐社团主唱之一的赵方婧演唱,彼时的赵方婧还是华中科技大学同济医学院的学生,她趁着室友们出去吃饭的时间在寝室里录制《芒种》。在没有专业录制环境的条件下,赵方婧就用简陋的设备,一遍一遍地录制,用远程的方式和制作人殇小谨讨论歌曲该如何演唱。
歌词:
一想到你我,Wu,空恨别梦久,Wu, 烧去纸灰埋烟柳,于鲜活的枝丫,凋零下的无暇
是收获谜底的代价,余晖沾上,远行人的发,他洒下手中牵挂,于桥下,前世迟来者
擦肩而过,掌心刻,来生记得,你眼中烟波滴落一滴墨,Wo,若佛说,无牵无挂,放下执着,无相无色,我怎能,波澜不惊,去附和,一想到你我就,Wu, 恨情不寿,总于苦海囚
Wu,新翠徒留,落花影中游,Wu,相思无用,才笑山盟旧,Wu,谓我何求, 谓我何求
种一万朵莲花, 在众生中发芽,等红尘一万种解答,念珠落进,时间的泥沙,待割舍诠释慈悲的读法,前世迟来者,擦肩而过,掌心刻,来生记得,你眼中烟波滴落一滴墨,
Wo,若佛说,无牵无挂,放下执着,无相无色,我怎能,波澜不惊,去附和,一想到你我就,Wu,恨情不寿,总于苦海囚,Wu,新翠徒留,落花影中游,Wu,相思无用,才笑山盟旧,Wu,谓我何求,谓我何求,
古筝琴谱下载 : www.guzheng.cn/qupu/5584.html
English
Title: “Mang Zhong‘
Mang Zhong refers to the ninth of twenty-four solar terms in the Chinese calendar year 安定it marks the period for seed sowing.
"Mang Zhong" is a song sung by Zhao Fangjing and Yinque Shiting. It was released as a single on June 6, 2019, and was later included in the album "Twenty-Four Solar Terms" released by Yinque Shiting on April 4, 2020. . On January 11, 2020, the song won the Most Popular Chinese Single Award on the 2019 Pop Golden Songs Chart.
Appreciation:
"Mang Zhong" combines traditional folk music with popular electronic music, and the melodious female voice switches between real and false sounds freely. The jumping and light female voice singing at the beginning of the song is very catchy, and the dialogue between the violin and the guzheng in the interlude adds a lot to the work. The creators incorporate Chinese elements such as folk music and ancient music into popular music influenced by European, American, Japanese and Korean culture, making it more in line with the Chinese aesthetic immersed in traditional poetry and classical culture. The song's rich Chinese style melody is so brain-washing that you can't help but hum along.
Author: Lyrics written by Jie Meni, music composed by Shang Xiaojin
"Mang Zhong" is one of the songs in the Twenty-Four Solar Terms series released by Yinque Shiting. Producer Shang Xiaojin added a long guzheng solo after the vocals of the song, making traditional folk music the protagonist. On the basis of retaining Chinese phonology, Shang Xiaojin also pursued the popularization and storytelling of his lyrics. He integrated fictional stories into the twenty-four solar terms to remind the audience of the arrival of specific seasons [3]. The song was sung by Zhao Fangjing, one of the lead singers of the Yinque Poetry Music Club. At that time, Zhao Fangjing was still a student at Tongji Medical College of Huazhong University of Science and Technology. She recorded "Grand Ear" in her dormitory while her roommates went out to eat. In the absence of a professional recording environment, Zhao Fangjing used simple equipment to record over and over again, and discussed how to sing the song with producer Shang Xiaojin remotely.
Guzheng score website: www.guzheng.cn/qupu/5584.html
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