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@FalkomMusic
8 ай бұрын
and For VideoClips?
@HighRoadMusicTutorials
8 ай бұрын
I suppose so yes. That's a tricky one because if you're recording a song, it's going to be made available as a pure audio file (Spotify, streaming etc) as well as a video (KZitem, Vimeo etc) so you'd have to decide which is the priority 44.1khz or 48khz. It probably doesn't matter too much as you can convert it either way afterwards. Personally I still record everything in 44.1khz and convert later for video purposes.
@RusticRockMusic
10 ай бұрын
Are people able to hear/detect, the difference? For example, record a song at 44.1KHz and the same song again at 48KHz. Play the two back to back, can the listener tell the difference?
@HighRoadMusicTutorials
10 ай бұрын
Essentially no, many blind test studies have been done and no one can reliably hear the difference. Not even experts. However, for arguments sake, it’s possible that the difference can be detected under certain conditions. For instance, I know of an anecdotal story where a classical guitarist was able to detect a 48khz recording from 44.1khz. She said that there was a slight difference in the sound of her nail leaving the string in the recording. not “better or worse” just different. She had to sit in front of studio monitors for a while switching back and forth from one to the other before she started to hear it. She was also able to hear a difference between 44.1khz and 88.2khz with focused practice under these conditions. But that’s a very unrealistic scenario with a lot of variables that weren’t controlled. She also wasn’t able to identify 48 from 44.1 specifically, she was just able to detect version “A” from “B” and was told afterwards which was which. There is however, an argument for recording or mastering at double the intended sampling rate. So, if you intend your final master to be 44.1, then record it at 88.2. If you intend 48, then record at 96khz. That way, you are less likely to induce losses or artefacts from plugin processing or editing done within the DAW at the mixing stage. Then, the down-sampljng done when exporting is able to mathematically halve the sample rate which is the least likely to induce distortion or loss. But to answer your question, if all things are equal, if all variables have been controlled, no, no one can reliably hear the difference between 44.1 and 48khz. If you’re going to choose one, make the decision based on final its intended use, audio or film. Even then, it doesn’t really matter.
@RusticRockMusic
10 ай бұрын
@@HighRoadMusicTutorials Your reply is educating, thanks for the run down. Interesting to record at double the intended sampling rate. Then mix and master at double rate, and bounce your mixes at half rate. To mitigate noise from the plug ins and processing
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