Never, never has a film amazed and fascinated me like this one. We are here in a parallel world where all appearances are the windows of our most blinding desires and troubles. All distances are abolished and bring us back to the origins of our translucent illusions. I would like to lose myself definitively in all these looks, these gardens, these woodwork and these lines of leaks. Unparalleled work of implosive beauty
@mohammadnasibzadeh2506
Жыл бұрын
I can confidently say that if there is a director who has made a truly magical film or has been able to capture a dream on screen, it is Alan René and the film "Marinbad." This film is incredibly strange, masterfully crafted, and presents time in a completely different way to the viewer. The combination of love, silence, time, and a magical space makes it, in my personal opinion, the most unique and perhaps the best film in the world
@Autostade67
Жыл бұрын
For many years this singular piece of Modern cinema held the second spot (it might have been third after 'L'Avventura' - but I'm fairly sure it was second) after 'Citizen Kane' on the Sight and Sound poll of great films; it has since been dislodged by several films, which, though excellent are, for me, not its equal. Who today could produce something of such narrative audacity and yet such formal beauty - a film which addresses not only the nature of memory, but like a double in a mirror, proposes that all narrative - even that of our consciousness of our lives themselves is but a proposition, a necessary 'lie' which may in fact be true, or, more precisely IS true because the alternative is nothingness. A testament to a time when a narrative film could address viewers with intellectual rigour on the understanding the audience might ACTUALLY take pleasure in ruminating over ambiguity, multiple meanings, the unresolved. For all our diversity and multiplicity we seem to have become one of the most monolithically minded cultures of recent centuries. To quote from Forster: 'everything exists, nothing has value', thus we demand that the 'meaning' of things be made painfully clear. For all the demands for things to be understood to be 'non-binary' we have committed ourselves to nothing but, both literally in our devoted to the recalibration of being through binary code, and figuratively in the Manichean ethos that permeates nearly everything ('"You're with with us or against us." "I just want to be on the right side of history.", etc.)
@MegaCirse
3 жыл бұрын
Un tel iconoclasme, une telle grandeur, un tel improbable paysage cosmique plein de ténèbres, de lumière, de peur et d’émerveillement et surtout de mystère, avec des déflagrations qui vous plongent dans une transe suivie de changements soudains qui vous réveillent, les yeux écarquillés, les sourcils frissonnants. Je regarde cela de temps en temps depuis des lustres et j'y vois encore de nouvelles subtilités 🐾😺
@jonathanmelia
2 жыл бұрын
The bar looks like THE SHINING. The broken glass, 2001!
@charleswatson7488
3 ай бұрын
An occurrence at Owl Street Bridge came out in 1961 and carnival of souls came out in 1962
@thesweetnotes
2 жыл бұрын
I need to watch this at some point..It's so familiar its scary
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