Analysis: EXPOSITION 00:01 - Theme 1 in the home key (labeled "quasi-trombe") opens the piece. Deceptive and slightly sarcastic. 00:46 - Theme 2 in E Major. More lyrical and tender in nature than Theme 1. Modulates by an interval of a third higher to G# Minor 01:22 - Transition, in Eb Minor 01:34 - Theme 3 in Eb Major, very heroic. Almost instantly shifts back to the parellel minor 01:57 - Tremolo passage, derived from Theme 1 02:24 - Brief Transition, with Theme 1 in the left hand 03:11 - Theme 4 in G# Minor. Chopinesque in nature. 03:54 - Transition back to 04:15 - Theme 1, which continues the runs at 03:54 05:42 - Theme 2 in B Major, which undergoes development and key changes 07:18 - Theme 2 in B Minor, with agitated chords in the left hand 07:50 - Codetta 08:06 - A fiendishly difficult passage, featuring quick leaps, 5-against-2 rhythm, and grace notes. Derived from Theme 1 08:47 - Based on 02:15 09:32 - Climax. Theme 3, now violent. Colossal left hand chords bounce around the low registers 09:44 - Theme 1, with the right hand delayed by a measure, creating some interesting counterpoint 09:55 - Theme 1, inverted in the right hand 10:10 - Theme 1, labeled "Tutti" DEVELOPMENT 10:33 - Theme 5, in G Major. Similar to Theme 4 in texture and atmosphere 11:19 - Excerpt from 8:06, but one semitone lower 11:24 - Modulation to Theme 5 in Ab Major, which modulates a third higher to C Major 12:05 - Whirlwinds of arpeggios transitioning to 12:12 - Theme 1, which switches back and forth between inversion and no inversion 13:01 - Theme 2 in Eb Major, modulating to 13:13 - Theme 2 as alternating triplets, modulating from Abm -> Ebm -> Eb -> G -> Gm 14:00 - Theme 1, inverted again 14:26 - Theme 2 in the right hand, melody from 13:25 in the left hand. Starts in C Minor but shifts to the parellel of C Major 14:53 - Theme 2 in E Major 15:27 - Theme 2, with an enormously long pedal note on G#. 16:41 - Climax. Theme 2, now glorious and magnified. Modulates from Eb to G#m 17:10 - 12:05 17:20 - Transition based on an inverted Theme 1 RECAPITULATION 17:50 - Theme 1, labeled "Tutti" (brief piano passage at 17:59) 18:16 - Theme 4, now in A Major 19:05 - Theme 1, in F# Minor. (Alongside 13:13 and 20:40, my favorite moment in the piece.) 19:36 and 19:47 - Based on Theme 5 20:40 - Echoing rendition of Theme 2, in G# Major 21:50 - 07:18 in C# Minor 22:33 - Small, quiet chorale, with hints of Theme 2 in the right hand. First appearance in E Major, second in G# Minor 23:37 - Codetta CODA 23:57 - Extremely long repeated note passage. Labeled "quasi-tamburo" 24:11 - A majestic Theme 1, with even more glorification at 24:19 25:02 - Theme 1, but stripped from almost all of its notes, with only a threadbare line remaining. Twirls around many registers 25:34 - Theme 2, in Ab Major 26:27 - A creepy Theme 3, with both hands playing at opposite registers of the piano 26:43 - Climax. Theme 3 in Ab Major. All hints of creepiness gone, only glory remaining 26:58 - 17:41 27:06 - Passage based on Theme 3 27:23 - Inverted Theme 1 in the parellel major of Ab 27:43 - One last echo of Theme 2, which descends to rapid octaves that transitions to 27:56 - The end. Theme 1 closes the movement.
@zzzkim9036
2 жыл бұрын
23:56
@YT_seupe
2 жыл бұрын
내가 진짜 찾던부분 23:56 이거 찾느라 죽을 뻔;;
@Andro_blackhole
2 жыл бұрын
0:49 부터 감미롭구만 내 스탈이야
@김세진-q4t
3 жыл бұрын
와.... 2시간 반동안 이걸 하셨다니ㄷㄷ
@김진우-i2e
Жыл бұрын
25:03~25:34 들을 때마다 감탄하는 파트....
@SubAccontG
8 ай бұрын
미친 연타 ㅋㅋ
@teodorb.p.composer
Жыл бұрын
This is great! My favourite interpretation of this piece on KZitem. I am addicted to this piece, it's just absolutelly stunning and awesome piece full of joy, beauty, softness, drama, pensiveness and wisdom. And this piece has great form, I (as amateurish composer) really admire Alkan's way to edit, mix and perform themes and mainly in this piece. Every theme, motive, even every note has it's own place and they perfectly simbiosis with each other! Just peak of music!
@melonica90
3 жыл бұрын
저는 개인적으로 1악장의 경우는 오케스트라의 울림을 잘 표현한거 같은 잭 기본스의 실황 연주를 가장 좋아했었는데, 2007년 음반 버젼도 그에 못지 않게 좋네요 :) 영상이 영원히 존속하기를 바라며...
Пікірлер: 21