since i watched your modes lessons im in love with music theory
@MrSupercracker1
9 ай бұрын
FINALLY somebody that explains modes correctly.. NOBODY on KZitem does.
@davidtremmel895
11 ай бұрын
Really great video. I have been watching music theory videos on KZitem for years and nobody has even come close to providing the true versatility of the m7b5 chord as you have. Great job and thank you !!
@Minnesconi
11 ай бұрын
Best channel on youtube. So much here and so well done. Thanks!
@jm100573
10 ай бұрын
Thanks for opening this Secrets Box, explain as no one else can do. Some are saying that Nobody is Pefekt but you and your way to explain Music ... you are !!! Thank you so much !
@QJamTracks
10 ай бұрын
Thank you! But also a secret... I'm far from perfect :)
@tsukayna7101
10 ай бұрын
I second this
@asarcadyn2414
10 ай бұрын
"And here is a simple musical example..." Love it 🙂
@doglegsteve8363
5 ай бұрын
brilliant info - many thanks
@TomCTHC
11 ай бұрын
Cool video. Its worth noting thay the tritone is what creates the gravity in major and ultimately defines th4 parent scale and thats why it works. This is ultimately the tension of a superinposed V>I, just off the 3 of V
@scottfriery9091
4 ай бұрын
Your explanation made things easy! Thank you!! Great playing, by the way!
@QJamTracks
4 ай бұрын
Thanks!
@danielleary7876
10 ай бұрын
I just want to say thank you very much for this video. I have been practicing min7b5 scales for a while but I've been struggling to find a way to apply them during improv. Your video really gave me a great understanding for the harmonic/modal context to apply this dissonant sounding scale in a way that really works and harmonizes well within a piece. Now I'm throwing min7b5 to my improvs in a thoughtful way and it's really adding some nice spice and flavor. I've been using your E minor gypsy jazz backing track and when play an F#minb7 in there I'm sounding like a poor mans Django. Thx again !
@hdrflow
11 ай бұрын
Fantastic channel!
@tnvalleyyoga7122
10 ай бұрын
This is a good explanation. Modes can be confusing, but this cleared up a lot of the confusion. Thank you.
@alexandercarranza1369
10 ай бұрын
I agree with all the comments.. what a great way of explaining music theory..!
@1bryser
29 күн бұрын
Thanks, great music theory videos!
@jimmyc5498
10 ай бұрын
Great clip. I’ve been using F Lydian to E7 instead of Bm7b5 into Am but I didn’t know about the characteristic note pattern. Thks
@67er_matze97
2 ай бұрын
awesome lesson !!
@cbadham
10 ай бұрын
YES!!!! I've been doing this for years but didn't know why it worked so well. Now it makes sense. Also, once you realize that the pentatonic minor scale is a min7 arpeggio, then it's easy to adjust and find the m7b5 arpeggio all over the neck.
@TheBaconWizard
11 ай бұрын
Thanks. Very useful! A nice way to get out of the pentatonic.
@GeorgeMilkasIgore
10 ай бұрын
Thank you. Really helpful theory video !!
@psilocybe_reptiliensis
10 ай бұрын
your tutorials are really high quality level... cheers!
@QJamTracks
10 ай бұрын
Thank you!
@ОлегМалков-в1е
9 ай бұрын
Спасибо!
@herveorus7432
10 ай бұрын
really big video !!!! Thanks a lot!
@armandolopez8726
10 ай бұрын
Can you please make a video on chord synonyms and chord substitutions pleaseeeee
@rustammansurov8198
10 ай бұрын
Top!
@slickwillie3376
10 ай бұрын
Awesome!
@VirtualModular
10 ай бұрын
Beautiful, thanks!
@McKefneul
10 ай бұрын
Cooool!!!! THX!!
@Pedro_MVS_Lima
10 ай бұрын
Excellent stuff and, as usual, a remarkably lovely explanation. Just a small detail at 6:15, when a "double diminished 7th degree" is mentioned. It should actually be a "double flat seventh degree", which is a diminished 7th [interval from the tonic], because a "flat seventh degree" would be a minor 7th.
@QJamTracks
10 ай бұрын
Indeed. I made a mistake there....
@st.fiacre6685
10 ай бұрын
I know this lesson is for 'superimposing' but the Half Diminished is at home in the Locrian mode, which is a big deal. lol. Its useful for outside jazz playing, which most of the students here cant relate...😨
@Dcba964
10 ай бұрын
This works with each arp of each chord of the major scale. In C major you can play a Dminor7 arp, a E minor7 arp, a F major 7 arp, a G7 arp....etc
@QJamTracks
10 ай бұрын
@vodoo57alessio18 That is true. Although I would be careful with arpeggios that contain the avoid note F (4th degree in major). And the power of the m7b5 arpeggio is that it always contains the characteristic note of the mode and it has a lot of character from itself since it is a (half) diminished chord.
@Chris-w4j
8 ай бұрын
Its worth metioning the dominant 7th of every mode does the same thing with all the modal trigger notes.
@timshadgett
10 ай бұрын
Thanks
@QJamTracks
10 ай бұрын
Thank you Tim!!. I appreciate this!
@PopovSB
10 ай бұрын
Beautifully done video, great explanation. Thank you! But in my opinion, it doesn't always sound good..... For example, Bø over Am (aeo) or over Em (phr). There is another great use of Bm7b5, and that is Db7alt.
@QJamTracks
10 ай бұрын
Sure! The half diminished chord can be used in many great ways. Sometimes it's hard and it takes a while to get the sound right, like with the altered scale for instance. Some options will sound better than other with no doubt.
@ahmetayaz41
10 ай бұрын
This video is f.. awesome. like "neo" in the matrix. i see all
@QJamTracks
10 ай бұрын
Then you took the red pill.... :)
@fanzhang5305
11 ай бұрын
cool。。。
@guenterjaklitsch6561
23 күн бұрын
Is there an e-book on this topic ?
@jcaryali
10 ай бұрын
Hello from Spain. About play in live with fractal or other modeler, and frfr, in your case with laney 112. What is your opinion to get the best sound the presets with delays, reverbs, amp and can blocks, etc Or do you play live in mono??. Your advice please. I always play with amp and now i start to play digital. THANKS
@janezimmerman7987
9 ай бұрын
7:38 itty bitty mistake Orange square at the 4th instead of the minor 6th.
@MikeyBakerMusic
11 ай бұрын
🤯
@ijulmahardika8923
10 ай бұрын
Did C min isn't C D D# F G A B C ??
@Chris-w4j
8 ай бұрын
That looks like C Melodic minor. D# should be Eb though. C Minor is C aeolian. 12b345b6b7 C D Eb F G Ab Bb C
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