Absolutely Divine Recital - Amma ravamma Ragam Kalyani Thyagarajar Krithi - Happy Navarathri May Saraswathi Kataksham be always with you All the Best Wishes 👋👌👋 Chala Chala Bhagunthamma
@mysuruvasudevacharya
4 күн бұрын
In this Krithi Thyagaraja Praises Mother Tulasi ! Mother Tulasi! Pray come and bless me, one who is ever devoted to your feet. Aware of your tranquil nature and the generosity with which you bestow temporal and spiritual blessings, father of Cupid-Lord Vishnu does not dream of separation from you. Seeing your body delicate and soft, smelling with fragrance of your own, and knowing your glory, O Lotus eyed! Intimate to Tyagaraja, who delights in wearing your feet on his head.
@mysuruvasudevacharya
4 күн бұрын
Innumerable Janya Ragas A mELa rAgam with immense scope for detailed AlApana, kalyANI is a parent scale for a huge number of janya rAgams. There are more than 120 Janya Ragams for Kalyani, but the most popular ones are: Saranga, Mohana Kalyani,Yamuna Kalyani, Hamir Kalyani, Vandanadharini,Sunadavinodini, SarangaTarangini, Amrta Behag,hamsavinOdinI, sudhA kalyANI and Bhoop Kalyani. D. Pattammal and M. Dandapani mention 122 Janya Ragams of Kalyani in their book Ragapravaham. Mohana Kalyani is a pleasing ragam obtained by fusing together Mohanam and Kalyani. There is also a Hamsa Kalyani, a creation of Ashok Madhav(Pittsburgh), which is obtained by the fusion of Hamsadhwani and Kalyani.
@MithuThushar
5 күн бұрын
Beautiful ❤❤
@aparnasrishti
5 күн бұрын
@@MithuThushar thank you for listening 🙏
@mysuruvasudevacharya
4 күн бұрын
P amma ra-amma tulasi-amma nanu palimpu-amma satatamu padamule namminanu-amma !! Oh Mother Tulasi, please come to protect me. I am always devoted to your feet AP nemmadini nIvu-iha parammulu-osaguduvu-anucu kamma viltuni tandri kalanaina bayadu-ata (amma) !! You bestow me tranquility and bliss in this temporal and as well as in the spiritual worlds. Visnu the father of Manmadha is never away from you even in His dream. C nI mrdu tanuvunu kani nI parimaLamunu kani nI mahatvamunu kani nIraja-akshi tAmarasa dala netru tyagarajuni mitru premato Siramunanu pettukonnadu-ata (amma) Seeing your delicate form, appreciating your fragrance, admiring your greatness, the lotus eyed Vishnu is very much delighted to adorn you on his head. He is very dear to Tyagaraja.
@mysuruvasudevacharya
4 күн бұрын
Prayogas/Sancharas Singing the raga, by omitting the shadja and/or panchama, gives Kalyani a special flavour. This can be heard in almost every recording featured. Janta (pair) swara combinations like r r g g m m d d n n and datu swara prayogas (phrases wherein intermediate notes are skipped deliberately) like n g” r” n d n r” n d m and g n d m g r are prominent The signature phrases of Kalyani include gmP - ddpmGr - nRgmpmgR - pmGrs - snsrgrsnd - dnsrGr - gmpdm, - dpmgR - gND - gDpmgr - gmpdNd - pdNs’ - ns’R’ - g’r’G’r’s’nd - dg’r’G’r’s’nd - mdnr’ndpmgr - nrgMGr - pmGrs. GmpdnS’ - s’ndPmgr - gmpdnDPm - pdnS’ - s’nD - dndg’r’s’nD - dns’r’s’ndPmgr - gmgnDpm - ddpmGr - nrgmPm gg rr S - ndrS. Kalyani is a major raga and is capable of being used in practically any kind of composition from common gitam taught to beginners of Carnatic music to complicated kritis, ragam-tanam-pallavis, padams and javalis etc.
@mysuruvasudevacharya
4 күн бұрын
Comments:- Siramunanu pettukonnadata - In this regard, this following verse from tuLasi upAkhyAnaM, (devi bhagavatam, 9th Canto, Chapter 25) is relevant - varam vishNOr-dadau tasyai sarva-pUjyA bhavEr-iti Siro-dharya ca sarvesham vandya manya mameti ca 29 “Vishnu bestowed boon to tulasi - You will be worshipped by everyone; You will be worn on everybody’s head; You will be worthy of my worship and respect.”
@mysuruvasudevacharya
4 күн бұрын
Differences between Kalyani and Sankarabharanam. Technically, the fundamental difference between Kalyani and Sankarabharanam is the Madhyamam. Kalyani has Prathi Madhyam or Teevra Madhyamam, whereas Sankarabahranam has Suddha Madhyamam. Both are melakartha ragas and Sankarabharanam(29th mela) is the Suddha madhyama counterpart of Kalyani, all other swaras remaining the same. Sankarabharanam has the jeeva swara as Gandharam which is as still as a rock. There is absolutely no oscillation for Gandharam in Sankarabharanam, where as Kalyani is a sarva swara Gamaka Raga (Courtesy : South Indian Music-P.Sambamoorthy) where all notes are oscillated. According to Subbarama Deekshithar G and N are the Jeeva Swaras of Kalyani with strong oscillation. These two form a set of complementary mELams are like Shakti and Shiva. If sha”nkarAbharaNam is shiva’s favourite, then, Goddess is very much pleased with kalyANi, which also bears her name! In a Lec-Dem, Prince Ramavarma quotes that ” in most ragas where there is gamakam, the rule goes that when one note is steady, the next note will oscillate. Here Kalyani and Thodi are exceptions to this rule. One of the classical examples of this gamaka pradhaana raga, is the ata thala varnam by Pallavi Gopala Iyer where all notes are oscillated. Among the prati madhyama rAgAs, it is kalyANi alone that is able to stand equal to the mighty shuddha madhyama rAgas such as Todi, Kamboji, Bhairavi and Shankarabharanam in stature. The variety, the depth and the myriad feelings it is capable of portraying has made the raga a perennial favourite of musicians for centuries.
@mysuruvasudevacharya
4 күн бұрын
Narada Muni asked Lord Narayana, “O Bhagavan! How did the pure, chaste Tulasi Devi become Your wife? Where was she born? Who was she in her previous birth? What family did she come from? And what austerities did she perform to get You as her husband-You, who are above the material energy, not subject to change, the Cosmic Self, the Supreme God, the Lord of all, omniscient, the cause of all, omnipresent, container and preserver of all. And how did Tulasi Devi, Your chief goddess, become a tree? O You who resolve all doubts, my mind is curious to know all about these points; therefore, it compels me to ask you these questions. Kindly remove these doubts from my mind.”
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