Ron Drotos: Jazz piano solo and musical/historical discussion of the jazz standard “Angel Eyes,” made famous by Ella Fitzgerald and Frank Sinatra, among others. Ella named it her favorite song!
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Going tune-by-tune through The Real Book 0:00
Various approaches to playing “torch songs” on piano 1:04
Embracing the “ballad” nature of the song 1:29
Learning the lyric to get a sense of the song’s emotional content1:42
Balancing “bluesiness” with a lyrical jazz ballad feel 1:50
The importance of learning ballads in a few different keys, especially if you accompany jazz vocalists 2:33
A harmonically-rich introduction 2:47
Implying a steady beat under the melody 3:02
Melodic embellishment 3:24
Passing chords 4:08
A relaxed, slow stride during the bridge 4:23
A stepwise alto line under repeated melody 4:35
Evoking “wind” during the improvisation 5:43
Extensively developing a motif 6:09
Bluesy phrases 6:43
Bitonality 7:06
Referring to the melody during the solo 7:33
A 2-handed pianistic flourish 7:39
Returning to the song’s melody during the last ‘A’ section 7:43
Ending out-of-tempo 8:10
Interpreting a melody in the style of saxophonists Ben Webster and Coleman Hawkins 8:39
Being inspired by Gil Evans’ arrangement of Kurt Weill’s “The Barbara Song” 8:55
Playing jazz ballads with a sense of bluesiness 10:05
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Enjoy the journey, and "let the music flow!"
Ron
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