Songs of the year 2023 Mojo
From the new album MY BACK WAS A BRIDGE FOR YOUR TO CROSS
Cast (in order of appearance):
Helen Bishop
Olivia Bailey
Leonardo Benozzi-Vogrig
Kendra Aaron
Sophie Bradley
Director: Sara Hegarty
Director of Photography: Justin Mills
Art Director: Barbara Hegarty
Assistant Producer: Ella Hegarty
Assistant Camera: Marco Benozzi
Special Thanks: Amanda Chavez-Garcia
"SCAPEGOAT" depicts a young woman contained in isolation, who retreats within her mind to a pastoral world where a mandate of care protects her, and she is free to express joy, wonderment and relief. The video asks whether such a society is within reach.
The song “SCAPEGOAT”, cowritten with producer Jimmy Hogarth, articulates the crisis experienced by those caught in cycles of persecution, lyrically interweaving the voice of a perpetrator with an omniscient perspective, perhaps of Nature Herself, as She watches on, holding empathic space for the underlying subject of assault.
“You’re so killable… disappear-able. / This one we need not protect / This one’s a freebie for our guns/ Take this one to a place/You’d better have your way / Take all of my hate into your body.” ANOHNI refers alternately to victims of sexual assault, kidnapping, murder, gun violence, and bullying, illuminating the reality that certain human bodies in our societies are designated as expendable.
In the final stanza, ANOHNI states “It doesn’t matter who you are, or where you come from / It doesn’t matter what you’ve got to give, or why you want to live / You’re my scapegoat / It’s not personal.” By stating “It’s not personal,” ANOHNI separates the dignity and the interior lives of scapegoated individuals from the violence they endure.
This is Sara Hegarty's second video working with ANOHNI; previously she made a video for "Swanights" by Antony and the Johnsons.
“On listening to the lyrics of Scapegoat, I felt the stark and naked pain of the experience of being a victim of scapegoating. My intention in making this film was to contrast this pain with a positive transformational experience, to present a path from brokenness to healing. The locations - from the derelict building at the start to the buttercup field - were carefully chosen to reflect the different stages of the journey. The end result is a film embracing a move towards the feminine, connectedness with others, and the earth.” - Sara Hegarty
“The essence of the film, in its story of moving from vulnerability and abandonment to personal power and strength, has a wider implication that is relevant to our world today. It offers a spiritual journey through darkness and despair into the joy and light of strong connection with others and the beauty and wonder of nature in all its glory. It can be seen as an expansive view of a way through individual and collective suffering.” - Barbara Hegarty.
“Life ebbs and flows. In this film I see the curious exploration of newness, a helping hand there for you if you only reach for it, joy and connection in the sunlight - even in the face of trying circumstances. This film reminds me of the importance of connection with those around me, and of the hidden talents we all have when we are given a chance to shine.” - Ella Hegarty
“The subjugation of women and the earth is one and the same. Enforce a global standard for the rights and ethical treatment of women, including the right to abortion. Relieve men of their roles as protectors and predators. Repattern societies to nurture the resurgence of biodiversity. Restore the female archetype as central to creation. Make it illegal to profit from the sale of fossil fuels, weapons, toxic chemicals, medicine, and the imprisonment of others. Dismantle obscene wealth. Criminalize the torture of animals. De-escalate the “necessity” of economic growth. Prosecute war criminals and agents of corporate ecocide. Require global referendums on the development and proliferation of new technologies. Replace all men in seats of corporate, religious, and governmental power today with women. Ask why we are more willing to succumb to the final destruction of the biosphere, the source of our lives, than explore changes such as these.” - ANOHNI Hegarty
Available now through Rough Trade and Secretly Canadian.
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