Hello fellow composers!
I thought I'd share an approach I've taken recently to grappling with the thorny issue of chord progressions.
This topic is typically viewed through the lens of Roman numeral analysis, and while that provides a firm foundation, I'm always keenly aware of its limitations, particularly when trying to venture beyond basic patterns or simple triads.
As an alternative, I've been had some success with the following:
-Throw nomenclature out the window
-Decide on a "seed chord"
-Distribute it over three staves (or more if it's a 7th chord etc.)
-Treat the result as an SATB score, and apply voice leading to the individual lines.
-When you're happy with how the whole thing sounds, collapse all the staves back into a single chord line.
Voila. The advantage I find is that focusing on the melodic evolution of the individual "voices" naturally results in smooth and logical chord progressions, even when dealing with complex harmonies. Disadvantages include the need for proficiency at voice leading (obviously), and the fact that progressions can meander and feel "showy" unless you start with a clear idea of where you're going.
Just my two cents. If you find this idea helpful, consider donating to your local Parkinson's association.
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