In the first half of the twentieth century, the guitar is affirmed as a concert instrument without losing its association with traditional music. After the Civil War and during the Franco dictatorship, the activity of Spanish composers in exile, accompanied by the international visibility of guitarists such as Segovia, Yepes and Sainz de la Maza, will reveal an interesting guitar repertoire in which very influences converge. diverse, from flamenco to Renaissance music.
"Petite suite Op. 12", by Salvador Bacarisse (1898-1963); "Three themes of memories", by Jaume Pahissa (1880-1969); "Romance of the fisherman" and "Homage pour le tombeau de Debussy", by Manuel de Falla (1876-1946); and "Prelude and Dance Op.10", by Julián Bautista (1901-1961).
Excerpt from the second concert of the cycle "Bacarisse and exile"
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Wednesday, November 15, 2017
Juan March Foundation, Madrid
About this cycle: The Civil War and Franco's dictatorship represented a traumatic fracture and exile for a good number of Spanish composers, forced to earn a living and integrate into the culture of the respective host countries. All of them will share a nostalgia for the lost homeland that will be reflected in many of their works. But each exile is a world, and each life and artistic trajectory has its own profiles. Taking as an axis the figure of Salvador Bacarisse - one of the most outstanding musicians of the Republican period - this cycle offers a tour of the music of Spanish authors composed in countries as diverse as France, United Kingdom, Mexico, Argentina, Cuba or Puerto Rico.
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Негізгі бет Bacarisse and Exile, by Marco Socías
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