Her Highness Begum Akhtar did complete justice to this beautiful rendition, and His Majesty Mirza Ghalib did not do any injustice to his superb poetry.
@pinakiify
12 жыл бұрын
gane main itna dard our itni mithas ek hi sath..........dil pighal deti hain.galib aur begham are wah wah combination.
@satishchopra33
9 жыл бұрын
The ultimate style of ghazal style of commenced by K.L.Saigal. The genre was continued by Begham Akhtar. To me, what they sang, it was singing by heart !!!
@favs1950
9 жыл бұрын
i have a sinking feeling when ever i listen to this ghazal. but that feeling of sinking is a pleasurable one in its own way. in fact i cant really describe it. AH!
Loved begum Akhter's style and singing. Its true she is a true legand. She in herself is a school for ghazal singers and listeners. KIYA BAAT HAY - WAH
@Adyamaaa
15 жыл бұрын
Aapko shukriya .... yeh meri dil ke bahot qareebi Ghazal raha hai. Long plain chalaake sunna paDta hai ... par ab ... thanks a ton!
@shuvradutta8396
5 жыл бұрын
Marham laga diya aap ki ghazal ne Begum ji!! Aap amar hai.
@vikrantpotnis9150
8 жыл бұрын
Mallika-e-Ghazal! Unsurpassed..Many attempt her Ghazals, no one even comes close.
@Elevkeven
6 жыл бұрын
Vikrant Potnis
@hbhatia17
5 жыл бұрын
Another divine ghazal singing of the great Ghalib's kalaam by the one and only Begum Akhtar///
@ZAINUKHAN
16 жыл бұрын
No one has sung Ghalib like she has. This recording was released on Ghalib Centenary. she sang 12 ghazals under Khayyam's baton. Absolutely phenominal renditon!!
@gogavet
9 жыл бұрын
dil hii to hai na sang-o-Khisht dard se bhar na aaye kyuuN roenge ham hazaar baar koii hamen sataaye kyuuN Sang: Stone, Weight Khisht: Brick Sang-o-Khisht: Brick of stone Sataana: Aggrieve, Molest, Tease, Torture Torment
@yogeshmathur11
12 жыл бұрын
No body sung ghazals as beautifully as she did
@Jmatad21
11 жыл бұрын
Salute to mother India of music, If India cant recognize her still today...????Its just a shame
@gayatriugra4380
7 жыл бұрын
Mantis commenting four years late, but could not resist informing you that not only was she recognised in India, she set benchmarks for ghazal gayaki that not a single artist has even touched to date, in India or abroad.
@somanmalik1997
5 жыл бұрын
dil hi to hai na sang-o-khisht dard se bhar na aaye kyon? royenge ham hazaar baar, koi hamein sataaye kyon? It is only a heart and not some stone and bricks. Why will it not fill up with pain I am crying endlessly for I am being subjected to torment dair nahin, haram nahin, dar nahin, aastaan nahin baithe hain rehguzar pe ham, ghair hamein uthaaye kyon? it is not a temple, nor a mosque. It is neither a door, nor a home. It is a pathway (public road) that I am sitting on, why are the others making me get up? jab woh jamaal-e-dil_faroz, soorat-e-meher-e-neem_roz aap hee ho nazzaara_soz, parde mein munh chupaaye kyon? when that beauty of yours is so brilliant that it shines up the admirer's heart. You are the one who is worth seeing, so why do you hide your face in the veil? dashna-e-ghamza jaan_sitaan, naawak-e-naaz be_panaah tera hee aks-e-rukh sahee, saamne tere aaye kyon? with those dagger pointed amorous glances that literally take one's life away with such deadly charm, even the reflection of your beautiful face can not can not afford to come before you for it will be waylaid by its bewitching glance qaid-e-hayaat-o-band-e-gham asl mein dono ek hain maut se pehle aadmee gham se nijaat paaye kyon? prison of life and the chains of sorrow are both in fact essentially the same thing. Why would man be released from pain before death? husn aur uspe husn_zan rah gayee bulhawas ki sharm apne pe 'eitmaad hai, ghair ko aazmaaye kyon? The lusty stranger was able to keep his honour and not be ashamed. There is calm confidence on oneself, but why do you want to test the other wahan wo ghuroor-e-iz'z-o-naaz yaaN yeh hijaab-e-paas-e-waz'a raah mein ham mile kahaan, bazm mein wo bulaaye kyon? there is pride and vanity over the splendor and manners/grace. While over here there is modesty made possible due the respect and upright behavior. Where would we meet on the road? Why would she call me to the social gathering that she is having. haan wo naheen khuda_parast, jaao wo be_wafa sahi jisko ho deen-o-dil 'azeez, uskee galee mein jaaye kyon? she is not God-worshiper, she is unfaithful, agreed! One who loves his faith and his heart, why would they go to her street 'ghalib'-e-khasta ke baghair kaun se kaam band hain? roiye zaar-zaar kya, keejiye haay-haay kyon? Since the wretched Ghalib is not more, what worldly activities have come to stop? Why weep bitterly? Why wail about it now? (zouve.com/forum/poetry/hindi-poetry/4336-dil-hi-to-hai-na-sang-mirza-ghalib-poem-with-english-translation)
@vijaypatil5901
5 жыл бұрын
Thanks .....
@abbuammi-od7qg
5 ай бұрын
AqilSajjad v impressed bagum akhtar
@priyankahooda4600
3 жыл бұрын
Just touched the right chord of heart ❤️
@Zafarmacci
Жыл бұрын
Begum Saheba Aap ki Awaz ke liye Roean he Hum Hazar baar koi hamen Saati kyun.
@Jmatad21
11 жыл бұрын
van gough of indian classic
@bharatbhumi101
6 жыл бұрын
ग़ालिब ए ख़स्ता के बग़ैर कौन से काम बन्द हैं रोइए ज़ार ज़ार क्या कीजिए हाए हाए क्यों
@favs1950
9 жыл бұрын
how true MAOTH SE PEHLE AADMI GHAM SE NAJAAT PA-E KYON
@nuzsufi
11 жыл бұрын
wow what a kalaam and the way Begum Akhtar sung!
@rohantara5846
7 жыл бұрын
Amazing ghazal in Raga Bihag..
@rehmat78
16 жыл бұрын
ji sahi farmaya apne ershed bhai. bahut alag hai ye music aur awaz to hai hi behad alag
really begum akhter is very nice lady she sing alot
@shanbhat
13 жыл бұрын
Jagjit's music for this ghazal is just perfect. The short pause before the "dard se bha na aaye kyon" and "koi humeysataye kyon" is brilliant and sets up the lines perfectly! This (Begum Akhtar's) is also a great composition, and the rendition cannot be faulted. However this is technically great, but not visual in nature. You cannot picturise anyone singing this, unlike Jagjit's version, which was created for the visual medium. Both are fantastic. But I didn't like Abida's version at all!
@kkhushkkhush9892
2 жыл бұрын
Very silly indeed to compare her with Jagjit Singh.
@skylight6801
5 жыл бұрын
Bahut bahut hi khub
@ASHOK-bp7mi
4 жыл бұрын
Very nice ji
@sasmitthakur6239
Жыл бұрын
Begam Sahiba ka koai bikalap nahi hua hai,na hoga.
@khalidsheikh4699
3 жыл бұрын
हिंदी में मतलब/भावार्थ: दिल ही तो है! न संगो-ख़िश्त! संगो-ख़िश्त = संग (=पत्थर) + व (=और) + ख़िश्त (=ईंट) = पत्थर और ईंट (= ईंट-पत्थर) दिल ही तो है! न संगो-ख़िश्त! दर्द से भर न आए क्यूँ?! रोएँगे हम हज़ार बार… कोई हमें सताए क्यूँ?! भावार्थ: (मेरा दिल आख़िर) दिल ही तो है! कोई पत्थर (संग) और ईंट (ख़िश्त से बनी वस्तु) नहीं; जो (प्रियतमा द्वारा तड़पाए जाने पर भी) पीड़ा से ना भर जाए। (अगर प्रियतमा हमें हज़ार बार सताएगी तो) हम हज़ार बार रोएंगे¡ (आखि़र) कोई (= प्रियतमा) हमें सताता क्यों है! …………………………………………………………………………….. (2) दैर नहीं; हरम नहीं; दर नहीं; आस्ताँ नहीं! बैठे हैं रैह्गुज़र पे हम… ग़ैर हमें उठाए क्यूँ?! भावार्थ: (जिस जगह मैं बैठा हूँ वो कोई) दैर (मंदिर) नहीं; हरम (मस्जिद) नहीं; (किसी के घर का) दर (द्वार) नहीं; (किसी सूफ़ी/संत का) आस्ताना (ड्योढ़ी या चौखट) भी नहीं! हम (तो बस) रैह्गुज़र (आम रास्ते) पे बैठे हैं! (फिर ये) ग़ैर [पराया व्यक्ति, जो असल में मेरा रक़ीब (प्रेम में मेरा प्रतिद्वंद्वी) है] हमें (आम रास्ते से) उठा क्यों रहा है। ………………………………………………………………. (3) क़ैदे-हयातो-बंदे-ग़म = क़ैदे-हयात + व (और) + बंदे-ग़म क़ैदे-हयात = वो कारावास (क़ैद) जिसे हम जीवन (हयात) कहते हैं, जीवनरूपी कारावास बंद = बंधन, फंदा, शिकंजा; Bond Fastening, Fetters, Chain बंदे-ग़म = दुख का फंदा Bond Fastening, Fetters, Chain क़ैदे-हयातो-बंदे-ग़म… अस्ल में दोनों एक हैं! मौत से पहले आदमी ग़म से निजात पाए क्यूँ?! भावार्थ: जीवन-नामक कारावास और दुखों का फंदा (क़ैदे-हयातो-बंदे-ग़म) अस्ल में दोनों एक ही हैं! मौत से पहले आदमी का दुखों (ग़म) से मुक्ति/छुटकारा (निजात) पाना असंभव है?! …………………………………………………………………………………………… (4) हाँ वो नहीं ख़ुदा-परस्त! जाओ वो बेवफ़ा सही! जिस को हो दीनो-दिल अज़ीज़... उस की गली में जाए क्यूँ?! भावार्थ: (मुझे मेरे महबूब को भूल जाने की नसीहत करनेवालों मैंने माना के) हाँ! वो ईश्वर को पूजने वाला (ख़ुदा-परस्त) नहीं; [वो मुझे अपने धर्म (दीन) से दूर कर देगा!] जाओ! (ये भी मान लिया के) वो बेवफ़ा है (एक दिन मेरा दिल तोड़ेगा!) मैं तुम्ही से पूछता हूँ के जिस को अपने धर्म और दिल (दीनो-दिल अज़ीज़) प्यारे हों... वो उस की गली में (अपने धर्म और दिल को बरबाद करने) क्यूँ जाए?! ………………………………………………………………………………… (5) ख़स्ता = दुर्दशाग्रस्त, बदहाल; Fragile, Debilitated, Unwell, Weak, Dilapidated, Decayed ज़ार-ज़ार = बहोत अधिक, फूट-फूट कर ग़ालिबे-ख़स्ता के बग़ैर कौन से काम बंद हैं रोइए ज़ार-ज़ार क्या कीजिए हाए-हाए क्यूँ?! भावार्थ: बदहाल ग़ालिब ('ग़ालिबे-ख़स्ता) की मौतपर फूट-फूट कर (ज़ार-ज़ार) रोनेवालों आख़िर उस निकम्मे, नाकारे शाइर के ना रहने से तुम्हारे कौन से काम बंद हो गये हैं के तुम फूट-फूट कर रो रहे हो और हाए-हाए किये जा रहे हो?!
@favs1950
9 жыл бұрын
wah wah wah
@adwarakanath
14 жыл бұрын
As great as this is, I still prefer Jagjit Singh's version (and Chitra's). I found the entire Mirza Ghalib album by the duo for the teleseries to be a standout feat. I've never heard these ghazals in tunes and ragas that fit them so well. The mood, the voice, the instrumentation....perfect.
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