What a loveley music! I cannot sit in my chair without dancing with my legs.
@Tuercis
12 жыл бұрын
Es ist doch immer wieder schön sich mit der Nostalgie treiben zu lassen !
@petertaylor3600
2 жыл бұрын
And does Bernhard do his thing? Bounces along with the rhythm while playing his violin. Wunderbar.
@maick-tomg.602
2 жыл бұрын
Gefällt mir ;))
@philippejenvrin2741
Жыл бұрын
Wunderlich ! Tolle Orchester Vielendanke fûr die Vidéo und Musik !❤
@womo1988
12 жыл бұрын
Tolle Aufnahme, danke.
@syncopeter
12 жыл бұрын
A superb early European swing record. Thank you for posting.
@alexanderemelin7134
4 жыл бұрын
Schoen! Danke!
@karljohn2145
12 жыл бұрын
question, what is bernhard ettes biography? I looked him up on computer,and found nothing. he seemed like he was the youngest band leader.
@klausjost2416
Жыл бұрын
Now you find it on wikipedia
@Deutschlandsender
12 жыл бұрын
Please see seperate mail.
@Recordhistorian
2 жыл бұрын
1st ...of all - ONE HURRAY for the always ambitious "Deutschlandsender"! However - here this legitimate constant praise turns out to be far more restrained. Well, because this time the talented channel operator was unfortunately not exactly squeamish in the selection of the title and the historical classification of the visual material. Such a classification or assignment does not take place anywhere here. Unfortunately, the band that played on the 1935 record is nowhere to be found. As information or evidence: The silent excerpts show the Etté orchestra in the Berlin Grand Hotel "Esplanade" in 1927 (cf. the recordings as "Jazz-Kings", freely based on Paul Whiteman, for the label "Tri-Ergon"). Another photo, taken more than a decade later, shows the Etté Orchestra at the beginning of 1938, as a stage show in the Berlin "Ka-De-Ko" (= cabaret of comedians, Lehniner Platz) with the female tap-dancer "Turvy"; she was temporarily on tour with the orchestra. A subsequent picture in turn presents the so-called "stage show orchestra" by Etté, December 1936, in the Berlin large vaudeville "Scala", formerly Martin-Luther-Strasse, and has (also according to the London "Melody Maker" 1936!) as a NEW organization at that time, little to do in terms of personnel and style with the dance band of the years before; NOTHING with the one presented here as a record example! Conclusion: It therefore remains a stale aftertaste. One hears music that has NOTHING to do with the photos and films (apparently found on the Internet), which are of course beautiful in themselves. 2. Apart from that: Anyone who has dealt with the fascinatingly vital and creative artist Etté for a long time (I have been grateful for around 40 years through record collecting and research) knows the huge shellac oeuvre of this band leader, which is unfortunately often also characterized by the commercial specifications of the record companies . Well: this recording from the end of 1935, unfortunately, is one of the weaker examples in the performance. 3. The unit manager Georg von Wysocki, the father of Harald Banter, who is still alive today in Kön), aimed for the low-cost label of the company "Lindström" (ODEON), for the GLORIA brand, at times on the safe side: with often "straight", arrangements closely tied to the melody; regardless of the more original content of the respective band-books. Thankfully, thanks to the intervention and stubbornness of band leaders and musicians, this rigid policy of artist and repertoire management changed over time. Enough: A "thank you" should be called out anyway (yes, yes: this despite all justified differentiation and criticism ... ;-)
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