Billy Stewart- "Summertime"
(b/w "To Love, To, Love")
(Gershwin; Heyward)
Chess Records single 1966 (stereo CD audio source)
Originally released in June 1966 and peaked at number 10 on the Billboard Hot 100 and number 7 on the Hot R&B Singles charts shortly thereafter.
Produced by Billy Davis and arranged by Phil Wright.
This is perhaps the most commercially successful of the thousands of renditions of this 1930s-era pop standard from the opera "Porgy and Bess" - and it happens to be a very appropriate video for the first day of summer here in the Northern Hemisphere! Not only was this a major pop and R&B hit, it's also a longtime favorite for fans of Carolina Beach Music as well!!!
Audio comes from the Rhino Records compilation box set "Soul Shots".
BACKGROUND:
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin.
The song soon became a popular and much-recorded jazz standard, described as "without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of African-Americans in the South-East United States from the early twentieth century". Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater".
Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. Gershwin had completed setting DuBose Heyward's poem to music by February 1934, and spent the next 20 months completing and orchestrating the score of the opera.
The song is sung several times throughout Porgy and Bess. Its lyrics are the first words heard in act 1 of the opera, following the communal "wa-do-wa". It is sung by Clara as a lullaby. The song theme is reprised soon after as counterpoint to the craps game scene, in act 2 in a reprise by Clara, and in act 3 by Bess, singing to Clara's now-orphaned baby after both parents died in the storm.
The song was recorded for the first time by Abbie Mitchell on July 19, 1935, with George Gershwin playing the piano and conducting the orchestra (on: George Gershwin Conducts Excerpts from Porgy & Bess, Mark 56 667).
The 1959 movie version of the musical featured Loulie Jean Norman singing the song. That rendition finished at number 52 in AFI's 100 Years...100 Songs survey of top tunes in American cinema.
Heyward's inspiration for the lyrics was the southern folk spiritual-lullaby "All My Trials", of which he had Clara sing a snippet in his play Porgy. The lyrics have been highly praised by Stephen Sondheim. Writing of the opening line, he says:
That "and" is worth a great deal of attention. I would write "Summertime when" but that "and" sets up a tone, a whole poetic tone, not to mention a whole kind of diction that is going to be used in the play; an informal, uneducated diction and a stream of consciousness, as in many of the songs like "My Man's Gone Now". It's the exact right word, and that word is worth its weight in gold. "Summertime when the livin' is easy" is a boring line compared to "Summertime and". The choices of "ands" [and] "buts" become almost traumatic as you are writing a lyric - or should, anyway - because each one weighs so much".
Musicologist K. J. McElrath wrote of the song:
"Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use (one exception: the note B under the word "high") of the pentatonic scale (C-D-E-G-A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a "blues". Because of these factors, this tune has been a favorite of jazz performers for decades and can be done in a variety of tempos and styles".
While in his own description, Gershwin did not use any previously composed spirituals in his opera, Summertime is often considered an adaptation of the African American spiritual "Sometimes I Feel Like a Motherless Child", which ended the play version of Porgy.
NOTE: No copyright infringement of any kind is intended with this video whatsoever; posted for educational and entertainment purposes only.
Enjoy, and have a wonderful summer!!!
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