00:00 - Intro 00:20 - Borrowed Chords 01:11 - Other Names 02:13 - Borrowed Chords vs Modulation 02:57 - Apply to Happy Birthday 03:20 - Lead Sheet 03:47 - Level 1 (Beginner) 05:28 - Level 2 (Intermediate) 06:50 - Level 3 (Advanced) 09:07 - Index 09:41 - Conclusion
@colllm
Жыл бұрын
This is one of the best lessons you folks have produced! I never stop learning from ye!
@alamolalamol9426
Жыл бұрын
This is so very good as it demonstrates how to put modal theory into practice beginning with a simple tune. Thank you
@georgemason1116
Жыл бұрын
Hello Jonny, thanks for your lessons. They are really great. Please Jonny in the video on passing chords and reharmonization. Thanks very much
@user-rj8bw1qq8e
6 ай бұрын
Awesome lesson ! Thank you for taking the time to share
@wandamusictube
Жыл бұрын
Hmmmm if I see a D or D7 chord in key of C leading to the dominant, I think V7 of V, not borrow F# from Lydian.
@waynehoughton770
Жыл бұрын
I think Barry Harris has a much simpler method to "borrow" notes from diminished chords related to the major / minor scale to create movements between chords. He talks about the 6th diminished scale which consists of "resolved" scale tones maj 6th chord inversions vs tension notes diminished chord inversions. I suppose it's all down to personal choice and what works best for you to get the same result, but it would be interesting to hear your perspective on Barry's method Paul?
@jimmysmusic828
21 күн бұрын
great video thank you
@jm302music
Жыл бұрын
I don't mind having John present the quick tip instead of Jonny, but please remember that it isn't an official lesson until you raise your left hand, point to the right above your head, and say, "then let's go ahead . . . . and dive in" 🤪
@georgereynolds8797
Жыл бұрын
I completely agree with @wandamusictube comment. Thinking about chord substitutions as borrowed from some other mode gives me no information on why it sounds "good". Thinking of a chord as simply the tritone sub for the V of V, and it makes total sense. And now I only have to learn about Tritone subs not vague references to modes. If you want to make an interesting lesson explain why these parallel modes sound "good".
@BrendaBoykin-qz5dj
Жыл бұрын
Thank you,John and Jonny.🌹🌹🌹🌹
@guitaristdotcom
Жыл бұрын
Interesting lesson! Using Happy Birthday is such a good idea.
@iBharat108
Жыл бұрын
Nice lesson, thank you.
@msi6104
7 ай бұрын
Hi Jonny, great lesson, thank you so much! Can we assume that the borrowed chords have the same harmonic function of their corresponding diatonic chord from the original tonality? For example, Fm can be considered a subdominant in the C major harmonic field as F major? At 5:23 you mentioned the borrowed chord Bb9 from Aolian, but it has the note Ab in it which makes it Bb7/9 instead, right?
@scenesfromamemory118
Жыл бұрын
Great lesson. But what I've always struggled to understand (as a classical based pianist) is "why" (or how) do you choose these specific modes when re-arranging/improvising?
@mikemolaro4198
Жыл бұрын
I think of it in 3 ways. 1 is about the melody. Does the chord support the melody, either by containing it or suspending or anticipating. Then secondly, if it's not in any obvious way backing the melody, I just view the chord as cool harmonic movement in the context of the broader chord progression. And lastly...WHY!? Why does a leading tone want to resolve up? Why!? WHY!? Haha. Sometimes there's an explanation after the fact. But the fact that something works is true whether or not we have a WHY. Whether or not there even is a WHY.
@axeljosemancillaalfaro9744
Жыл бұрын
Excelente trabajó
@ElectricEddieDaus
Жыл бұрын
At timestamp 5:05 you selected the Fm/C from the Aeolian scale. But why did you choose to pick the 4 chord as opposed to any other chord from that Aeolian Scale. Also same question goes for the 6th chord from the Locrian Scale Ab7 at timestamp 4:36? Also how do you know which Mode to choose, or why are you choosing a specific Mode? Thx a Bunch ElectricEddie😎
@igorlukac2621
Жыл бұрын
Backdoor progression❤
@blueeyedsoulman
Жыл бұрын
If someone joins with a membership, are the lessons laid out in order of difficulty? Is there a way to not bother with things that are two hard for an intermediate or beginner? Or is it hit and miss?
@johnrodgers4773
Жыл бұрын
Been a member for a year and a half. The site is organized into nine tracks for levels from rank beginner through advanced with three sublevels in each.
@BlessedOne686
Жыл бұрын
🔥🔥🔥🔥
@michaelzimmer1115
7 ай бұрын
Interesting as a demonstration, but I did I miss where you discussed the rules for deciding which mode and which chord on a degree to be used? It went by too fast. Seven Modes, 7 triads per mode, 7 sevenths per mode, gives (7 +7) x 7 possible chords in the total palette. There will be repeats. Ignore more complex chords. Assuming that you just use degrees I, IV, V in the Ionian for the original, there must be some logic for choosing a mode and degree to borrow from. You could just substitute a chord from the coresponding degree in some mode, but I am not sure you did something as simple as that. You still leave unstated, as far as I could see, the reason for choosing one mode over another. The video went too fast for my limited perceptions, so maybe you did make your thought process explicit. Apologies if so. I know it is music, and subjective to a large extent, and creative, but trial and error choice would be rather haphazard; too many chord choices, even if using functional thinknig to reduce them. I am wrestling with this for my own songwriting, branching out from the diatonic chords in the original key. I guess we could call it not modulation, but at least a temporary change of tonicity. I like the idea of starting with a simple Ionian mode and I, IV, V chords as a basis for borrowing. Thanks, I did appreciate the demonstration.
@dominiccottrill2387
Жыл бұрын
Great vid! Interesting you call it the "Spy Chord", it's used in the theme of my all time fave spy movie the Ipcress File by John Barry. (Both the film and the theme are my fave) Check it out!
@user-eo9rw9dn1n
8 ай бұрын
I dnt understand what u teach
@chupeauxx
Жыл бұрын
at 6:45...wow!!! A♭/G♭ yeah, this sounds like - "No, stop the music! We need no G/F" hahaha magnificent!!!
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