Doing the Work - Building Post-Colonial Curriculum and Exhibitions | As Seen at Symposium | Costume Society of America
In this “As Seen at Symposium” webinar, Anastasia Goodwin, Joshua D. Simon, and Ginger Stanciel discuss how they recontextualized colonial objects to produce new angles of learning for undergraduate and graduate students. In this conversation, Anastasia Goodwin will outline how she used the latest educational theories and curriculum design to upend the traditional timeline approach to fashion history. Ginger Stanciel and Joshua D. Simon will then recap how their university department’s commitment to social justice ideology provided the structure to develop an exhibit on reinterpreting colonialist museum collections. Our three speakers, who all presented at the 2022 Symposium, will then reflect on what they would do differently if they were to develop another course or exhibit, how these experiences have impacted their work, and what they have continued to think about since the symposium. The discussion is hosted by Dr. Caren S. Oberg.
See these links for resources for costumers and educators:
www.atcacommunity.com
www.thresholdadvising.com
Other links mentioned in the webinar:
Fashion Forward: Centering Justice in Fashion History Virtual Exhibition: sway.office.com/GPiQyf09VpAeBwil
KZitem walkthrough: • Virtual Walk Through -...
Clickthrough tour: tour.klapty.com/t6L0VSDWXC/?d...
Textiles and Clothing Museum at ISU KZitem Channel: / @tcmisu
The link for CSA members to the Symposium Abstract Archive to find those mentioned in the webinar is csoa.memberclicks.net/symposi...
2022 Abstracts
Anastasia Y. Goodwin, “Answering the Call for Better Teaching: Insights from Current Education Literature for the Costume Classroom,” page 62
Kyra Streck, Ginger Stanciel, Joshua D. Simon, Dr. Kelly L. Reddy-Best, Dr. Jennifer Farley Gordon, “Fashion Forward: Centering Justice in Fashion History - A Museum Exhibition,” page 70
Joshua D. Simon and Dr. Jennifer Farley Gordon, “Luis Estévez: Fashion, Elegance, and Exoticization,” page 100
2021 Abstracts
Dyese Matthews and Dr. Kelly L. Reddy-Best, “Collegiate Fashion and Activism: Black Women’s Styles on the College Campus - A Mounted and Digital Museum Exhibition,” page 33
Did you enjoy this video? Please consider supporting our mission and our free webinar series by clicking here to make a contribution: csoa.memberclicks.net/contrib....
Anastasia Goodwin is a costume designer and educator currently based at Saint Mary’s University of Minnesota in Winona. With many production credits under her belt, she is thrilled to usher in the next generation of entertainment and media artists. Her professional work includes theatrical as well as film titles at companies in the Pacific Northwest, upper Midwest, New York, and Santa Fe. An immigrant from Russia, Anastasia holds a BFA in Technical Theatre from the University of Central Missouri and an MFA in Theatrical Design: Costume from the University of Washington in Seattle.
Joshua D. Simon (he/his) graduated with a Bachelor’s degree from Central Michigan University in 2019 and a Master’s degree from Iowa State University in 2022. He is currently working on his PhD at Western Michigan University. He is a dress historian and has researched the Gibson Girl, women's military uniforms, the style of former First Lady Betty Ford, and queer fashion history.
Ginger Stanciel is the Programming, Engagement, and Exhibition Development Coordinator for Civic Projects Architecture in Chicago. Some of her exhibition and programming projects include The Obama Presidential Center Museum and The Museum of Science and Industry, Chicago. She completed her Master’s degree at Iowa State University studying Apparel, Merchandising and Design, with an emphasis on museum studies and fashion history. Ginger received her Bachelor’s of Arts in Fashion Design from Kent State University.
Our host for the evening, Dr. Caren S. Oberg, studied at the University of Minnesota and received PhD in Dress, History, and Culture. Her research foci include the relationships between materiality, meaning, and memory. Dr. Oberg became the Curator of Collections and Exhibitions for the Valdez Museum and Historical Archive in Valdez, Alaska, in September 2022. Her first exhibition, "300 Inches of Fashion: Clothing and the Stories of Valdez" acknowledges the importance of clothing in community memory and Valdez's average snowfall.
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