Leon W. Couch III plays the Passacaglia in D Minor, BuxWV 161, by Dieterich Buxtehude on the 69-rank Schantz organ in Shattuck Auditorium at Carroll University on October 7, 2012, as part of a lecture-recital on musical rhetoric of the 17th century. Notice the historical fingering: This fingering is convenient in this music.
The stop changes are intended to reflect the affection and serve the interests of the audience listening in this specific venue--not registrations for people who passed away several centuries ago. This is a rhetorical approach: We adjust what we do as the performer to suit the audience. It is a-historical to play things without consideration of the audience.
Also, please note that these registration changes really are no problem for a performer on a true historic organ. I've played these there of course and can pull all my own stops with very little effort.
So, I hope listeners will accept that informed artists can still be creative musicians.
Please forgive a few moments. In real performances, human beings are rarely perfect.
Dr. Leon W. Couch III, organ
DrLeonWCouchIII@gmail.com
LeonCouch.com/o...
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