What does “repetition” mean to Sang-Hwa Chung?
After playing a key role in the emergence of Korean Art Informel in the late 1950s, Sang-Hwa Chung became one of the pillars of “Dansaekhwa” (“Korean monochrome”) in the 1970s. Living in France and Japan in the 1970s and 1980s, Chung independently developed his own unique style of monochrome based on a repetitive procedure that he continues to follow to this day. Each of his works is made by coating the canvas with kaolin clay, allowing the clay to dry, folding the canvas along the lines of a precise grid, and then filling in the gaps of the cracked clay with acrylic paint. In this interview, Sang-Hwa Chung expounds upon the meaning and importance of repetition, which represents the core of his artistic vision and production.
Негізгі бет Chung, Sang-Hwa | Leeum, Meet the Artists #15
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