Brazilian Jazz for the Classical Guitar - Steven Saulls, Classical Guitarist
About the music and the composer…
"The Gentle Rain" ("Chuva Delicada") is a 1965 bossa nova composition by Luiz Bonfá, with lyrics by Matt Dubey. Originally written in A minor key and 4/4 time, this song was first released as part of the motion picture soundtrack of the 1966 film The Gentle Rain of the North-American director Burt Balaban. The music of the film was a collaboration of Luiz Bonfá as a composer and Eumir Deodato as orchestra arranger and director.
Luiz Floriano Bonfá (October 17, 1922 - January 12, 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons.
As a composer and performer, Bonfá was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção style that predated the arrival of João Gilberto's more refined and subdued bossa nova style. Jobim, João Donato, Dorival Caymmi, and other contemporaries were also essentially samba-canção musicians until the sudden, massive popularity of the young Gilberto's unique style of guitar playing and expressively muted vocals transformed the music of the day into the music of the future. Camus' film and Gilberto's and Jobim's collaborations with American jazzmen such as Stan Getz and Charlie Byrd did much to bring Brazilian popular music to the attention of the world, and Bonfá became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York's Carnegie Hall.
Bonfá's major legacy continues to be his compositions from the Black Orpheus soundtrack, most notably the instantly recognizable bossa nova classic "Manhã de Carnaval". But Bonfá's discography also attests to his uniquely inventive mastery of Brazilian jazz guitar. Bonfá's guitar style was brassier and more penetrating than that of his major contemporary, João Gilberto, and Bonfá was a frequent and adept soloist whereas Gilberto plays his own suave, intricate brand of rhythm guitar almost exclusively. Bonfá often played solo guitar in a polyphonic style, harmonizing melody lines in a manner similar to that made famous by Wes Montgomery in the US, or playing lead and rhythm parts simultaneously. As a composer and as a guitarist, Bonfá played a pivotal role in bridging the incumbent samba-canção style with the innovations of the bossa nova movement. (Wikipedia)
About the performer...
Steven began studying the guitar at age nine and has attended some of the finest music schools in the world including the Berklee College of Music (Boston), and the Mozarteum (Salzburg, Austria). He holds both a Bachelor of Arts degree from Western Washington University (1980) and a Master of Music degree from the University of Arizona (1982).
Over the past 40 years, Steven has performed hundreds of concerts throughout the United States, Central & South America, and Europe. His debut recordings ‘Espressivo’ and ‘Steven Saulls Plays Works by Ponce, Torroba & Bach’ have received wide acclaim both nationally and internationally. In addition to solo concerts, he has performed over 200 chamber works including guitar concerti (with orchestra) by Vivaldi, Ponce, and Rodrigo.
About the recording...
Recorded at The Steven Saulls Guitar Studio, Sahuarita, Arizona
2023/Guitar handcrafted by Martin Blackwell.
Copyright© 2023 Steven Saulls, Sahuarita, Arizona
For additional information please contact Steven Saulls at sdsaulls@gmail.com
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