Color grading Sony A7 iv's Slog3 with ACES: it's actually easy.
ACES sounds very fancy, with the Academy word in there. Also, Color Space Transforms sound like serious business.
The truth though, is that these methods are there to make your life easier so that you don't have to do a ton of guesswork when working with log footage. In our case today: Sony A7 IV's Slog3.
Episode shot on:
Sony A7 iv amzn.to/3SaKCPI (US), amzn.to/3djRkEp (UK)
Sony 16-35mm f/4 PZ amzn.to/3BKYDhG (US), amzn.to/3S751Ft (UK)
Tamron 28-75mm f/2 G2 amzn.to/3UdL8yq (US), amzn.to/3BLbjFv (UK)
Sony 70-200mm f/4 amzn.to/3BpiyBs (US), amzn.to/3BpiyBs (UK)
Davinci Resolve 18.0.1
DaVinci YRGB Color Managed, SDR Rec.709
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