This is literally the first video I watch that helps me understand color grade (and believe me, I watched SO MANY). You are awesome, dude! Thank you!
@michaelbennettphoto
3 күн бұрын
Thank you much for the kind words Anne!
@mark12345697
5 күн бұрын
Great video! From what I’ve heard from professional colorists, the Film Looks provided by DaVinci Resolve aren’t intended for use in that manner. They’re designed for scanned film that has been processed as LOG footage. Additionally, why not use the Arri Log C transform in the RAW tab?
@michaelbennettphoto
4 күн бұрын
Thank you Mark! I'm using the film looks because I like the way that they look. I shoot a lot of film and love the results that I get from shooting it so using the film looks in DaVinci gets my footage to a place that I quite like. And as far as I know, you can't do a color space transform to log in the raw tab.
@shueibdahir
14 күн бұрын
I was absolutely BLOWN AWAY the first time I handled FP CDNG footage. I've never seen a camera that shoots RAW with that little noise in the image. It's astonishing. What's even crazier is the second native ISO is actually one stop above the a7siii sensor. It's 3200 for the FP and ISO 1600 in RAW photo mode but boosts up to 12800 in Slog3 (the a7siii sensor is still at 1600 despite the +3EV jump in slog3, it's simply raising the shadows of the raw signal to map them properly in log aka capturing the full DR)
@slackingsource
12 күн бұрын
How does it compare woth the blackmagic if you (or anyone else reading this) can compare them?
@shueibdahir
12 күн бұрын
@@slackingsource as a colorist with just about 10 years of experience, i'll tell you the FP is miles ahead of blackmagic BUT and I really mean But only if you know how to color grade and push them to their limit. Blackmagic looks nicer from the starting point but with some color grading skills, it will be quickly overtaken by the fp in sheer image quality. Also with the properly sharp lenses like the sigma art primes of zeiss milvus lenses, it has the capability of capturing more detail than the blackmagic 6k is capable of resolving. It's that good. So yeah i'd recommend getting the blackmagic until youre a seasoned veteran
@michaelbennettphoto
12 күн бұрын
I fully agree. Shooting in 4K gives me absolutely amazing low light performance. The camera is a certified beast.
@POW.CREEPER
13 күн бұрын
You dont know how hard I have to beg to get anyone to share their power grade. Sometimes they have 3 subscribers, and when they reply they act like I will steal their success. Anyways, thank you so much, Im trying it out today.
@michaelbennettphoto
12 күн бұрын
No worries! Let me know how it works!
@POW.CREEPER
7 күн бұрын
@@michaelbennettphoto From my test, this is the best work flow so far by a LOT. I use it as a starting point, then tweak the contrast down and change the white balance and it looks excellent in 95 percent of the shots. I wish more people were like you. Funny enough I asked another KZitemr to share his power grade and he replied "Oh, sorry, Im not able to export them from Resolve, but im working on a lut and it will be out shortly for $19.99." So exporting a power grade doesn't work, but you are exporting a lut, not suspicious at all lol. Anyways, thanks a lot, you made me enjoy the footage out of my SP.
@TheCriticalSystem
23 күн бұрын
Thanks Michael for this video, can you make us a video about its dynamic range and how much of highlights can be recovered.
@berlin03030
23 күн бұрын
You just have to use EL Zone to underexpose by about two stops (el zone stops) if you're shooting at high iso values. The higher your iso is, the more information can be recovered in the highlights. If you shoot at ISO 100, you can bring up the shadows significantly. This means you can expose lighter skin tones in a way that would normally be used for darker skin tones, so in el zone their skin will look dark green. while still maintaining detail, as you will see in post. In any case, if you just quickly expose with EL Zone, you will always have a well exposed image, and about 13 stops of Dynamic range. It's a Sony sensor, so it naturally has good dynamic range.
@michaelbennettphoto
12 күн бұрын
The information that @berlin03030 said is spot on. The biggest tip I'd give is to be careful about not blowing out the highlights, especially if your ISO is at 100. I typically shoot at 800 ISO so I have the most balanced dynamic range above and below middle gray. I made a video about how I rig my FP for filmmaking where I briefly talked about this. You can watch it here if you're interested. kzitem.info/news/bejne/x6Cjz2mrjHirdWUsi=vYSb7UTA2I0HPv4-
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