This is second part of Getting the Shot I want to talk about shooting commercially in active work areas and how to make the most of them. It would be a perfect world, if every time we worked with a client that we had the best location and complete control of it. Trust me, when that happens it's pretty damn cool, but it rarely happens. And that's ok. As a working photographer you can't simply throw your toys out of the pram so to speak because the environment isn't perfect, you just to roll up your sleeves and get stuck in and work with it.
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Негізгі бет Commercial Sports Photography: Shooting in Busy Workspaces
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