In which I compose a track for a theatre play on a Eurorack modular synthesizer.
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I still hear that modular synthesizers are fartboxes, can do only bleeps and bloops or are mainly a source of happy accidents. With the tools available today, its easy to use a modular to precisely score what you have in your mind, and shape just like you would on a multitrack workstation. The added advantages are the joy of hands on control, the sounds of analog circuitry and modulation send to many signals, creating a more cohesive mix even before hitting tape. Recall is of course only possible as long as you keep the patch, or get really exact about manual patch-sheets.
The play is Woyzeck by Georg Büchner and premiered rather successfully last weekend. Learn more:
www.mecklenbur...
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