Concerto Nr. 3 in G for Violin, K. 216, “Strassburg”
Wolfgang Amadeus Mozart | Hilary Hahn, vln, with Gustavo Dudamel conducting the Stuttgart Radio Symphony Orchestra
0:00 Allegro
10:30 Adagio
20:56 Rondo: Allegro
Composed when he was only 19, Mozart’s third violin concerto in G major, Köchel 216, remains his most popular and most played of all his violin concerti. At the time, in 1775, the young Mozart was living in Salzburg, where he was the Konzertmeister at the Salzburg court. In fact, Mozart completed all five of his violin concerti the same year in Salzburg. He wrote the pieces for his fellow-violinist Gaetano Brunetti, to perform at court.
The opening theme of the first movement was borrowed from Mozart’s opera “Il ré pastore,” premiered in Salzburg a few months earlier. While his pen never ran dry, it is supposed that the young man wished to give the violinistic idiom of the phrase a better setting. The second movement, marked Adagio, is, like most other Mozart middle movements, heartbreaking. The last movement, a lively Rondo, is the origin of the concerto’s nickname. Two interludes cut the movement in half. The first is an elegant gavotte of the briefest span in G minor. This is followed by a followed by a folksy section, sung Papageno-style, before the Rondo returns. That Papageno tune is of Alsatian origin, hence the concerto’s nickname of “Strassburg,” an old Alsatian city.
American-born violinist Hilary Hahn plays with Gustavo Dudamel and the Stuttgart Radio Symphony Orchestra. This performance was played before Pope Benedict XVI.
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