It seems that “cutting through the mix” is one of the top concerns we have as musicians when it comes to our sound. We all want to be heard, right? In this first part of a two part series on how to cut through the mix, we’ll address some of the most frequently overlooked aspects of how to get all of the elements of the music to blend and balance.
PATREON:
This season is made possible by our Patreon supporters. Join us on Patreon for access to exclusive content such as Cymbal Sounds, our long awaited cymbal series, and MUCH more: sladl.ink/Patreon
PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): sladl.ink/GIK
AKG Audio (microphones): sladl.ink/AKG
Evans Drumheads: sladl.ink/Evan...
ProMark Drumsticks: sladl.ink/ProM...
Signal chain:
Mics - Focusrite Clarett 8Pre USB & OctoPre - MacPro w/Pro Tools 12.8
Recorded at 48kHz / 24bit
Overheads: (Matched Pair in Glyn Johns - Cardioid) AKG C314 sladl.ink/C314...
Toms: AKG C518M sladl.ink/C518M
Kick Drum: AKG D12vr sladl.ink/AKGD...
No EQ or compression in use with drum demos unless otherwise noted
Acoustic Treatment:
GIK 242 Acoustic Panels: sladl.ink/GIK242
GIK 4A Alpha Pro Series Diffusor/Absorber: sladl.ink/GIK4...
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber: sladl.ink/GIKE...
GIK Tri-Trap Corner Bass Trap: sladl.ink/GIKT...
Drums:
Pearl Masters Maple Custom Extra w/Ludwig LM400 70’s Supraphonic
Cymbals:
22” Jesse Simpson Clone of old Zildjian A, 14 Jesse Simpson old K Clone over Zildjian Prototype New Beat top
Drumheads:
Snare: Evans G12 / Snare Side 300
Toms: Evans G1 Coated / G1 Clear
Kick Drum: Evans UV EMAD / EQ3 Coated White Reso
Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media 👂🏼👉🏼🥁
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*NOTE: Troll comments will be deleted. You're welcome to disagree with whatever you like but let's keep the conversation civilized and focused on drums.
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