Das Vereinigte, Langsam Zerfallende Reich, in A Major
With sincere thanks to K-Dub for the conversations that inspired these compositions.
#originalpianomusic #jazz #unitedreich #butler #pa #originalpianomusic #jazz #unitedreich #butler #pa #milesdavis #theloniousmonk #oscarpeterson #johncoltrane #herbiehancock #keithjarrett #countbasie #dukeellington #charlieparker #djangoreinhardt #billevans #chetbaker #chickcorea #colemanhawkins #maxroach #budpowell #arttatum #polyrhythm #polymeters #modes #counterpoint #trump #biden #guncontroldebate #mentalhealth #election2024
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This composition uses the following compositional techniques:
#Polyrhythms, #Polymeters, #Counterpoint, #Modes & #Polytempo (or #Polytempi). Polyrhythms & Polymeters, in particular, are compositional techniques that describe pulses which are de-synchronous between two.
☆ A #polyrhythm is the simultaneous use of two or more #rhythms that are not readily perceived as deriving from one another or more sequences of music. Given 2 bars of the same length and #tempo (stacked vertically), a polyrhythm would be dividing the upper bar into 4 beats and the lower one into 3 beats.
☆ A #polymeter is where two sequences are played using different meters, but with the same tempo. For example a pattern that repeats a sequence over 5/4 played against one repeating over 4/4.
☆ #Phasing is a compositional technique in which the same part is played on two musical instruments, in steady but not identical tempi. Thus, the two instruments gradually shift out of unison, creating, first a slight echo as one instrument plays a little behind the other, then a doubling effect with each note heard twice, then a complex ringing effect, and eventually coming back through
☆ #Counterpoint is the relationship between two or more musical lines (or voices) which are harmonically #interdependent yet #independent in rhythm & melodic contour.
☆ The term #mode or modus is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic & harmonic behaviors.
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"Das Vereinigte, Langsam Zerfallende, in A Major" extends beyond its predecessors, "Das Vereinigte Reich, Kapitel Eins, in A Major" and "Das Vereinigte Reich, Kapitel Zwei, in A Major." Its purpose is profound: to serve as a cautionary tale-a musical mirror reflecting our societal vulnerabilities. The title itself hints at gradual decay, akin to the erosion of ancient stone sculptures by wind and rain. In this symphony, we explore the fragility of essential pillars: freedom, democracy, and liberty.
These concepts are not mere abstractions; they are the beating heart of our collective existence. Freedom-the ability to express, to dissent, to choose-is a fragile bloom, easily trampled. Democracy-the delicate dance of voices, the symphony of ballots-is susceptible to discordant notes. Liberty-the oxygen of individuality, the right to breathe unencumbered-is as fragile as spun glass. The composition's notes weave these gifts into harmonies, urging us to cherish them.
The music whispers a warning: complacency and cynicism are silent assassins. When we grow complacent, assuming that freedom's flame will forever burn, we risk extinguishing it. Cynicism corrodes our belief in the possible, rendering us passive observers rather than active guardians. The composition's crescendos mirror this danger-the swell of indifference threatening to drown out our vigilance.
Imagine our civilization as an intricate tapestry, woven from threads of institutions. The judiciary-the loom that interprets justice. The press-the ink that chronicles truth. The rule of law-the warp and weft that hold us together. Yet, these threads fray. The music's motifs echo their interconnectedness-the delicate balance between checks and balances. When one unravels, the entire fabric trembles.
The composition unfolds like a timelapse of decay. It's not a sudden cataclysm but a slow erosion-an insidious whisper of entropy. The strings tremble, the woodwinds sigh, and the brass intones the passage of time. The melody captures the gradual unraveling-the unnoticed chips in the marble, the hairline fractures in the pillars. We must listen keenly to hear the symphony of decline.
"Das Vereinigte, Langsam Zerfallende" implores us: Protect these gifts. Cherish them as if they were rare orchids in a vanishing rainforest. The music's final notes linger, leaving us with a sense of responsibility. We are the custodians-the guardians of freedom's delicate symphony. The baton passes to us, and our movements shape the score. Let us play it well.
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