"Destructive" loop manipulations are those that are imprinted into the content of the loop itself, altering the basic sound. "Non-Destructive" manipulations affect the playback of the loop temporarily, but don't permanently change its content. Enso is unusual in that it allows both approaches, via its "dub in place" option. In this video, we look at applying frequency filtering and pitch manipulation in both destructive and non-destructive ways.
0:00 Building up a new loop from scratch
1:21 Destructive vs. non-destructive looping
1:31 Lowpass and Highpass filters used non-destructively
2:07 “Dub in place” and applying filters destructively
3:39 New overdubs, and non-destructive filtering
4:18 Revisiting destructive filtering
4:54 Applying pitch changes non-destructively
6:07 Destructive pitch modifications
6:39 Feedback, reverse, and pitch changes to evolve the loop
7:25 Further Pitch Destruction (tm) and overdubs
Deep thanks to the following Patreon supporters for helping to finance this tutorial:
(in alphabetical order)
Randolf Arriola
Richard Atkinson
Steve Ball and Tiny Orchestral Moments
Dan Burke
Steven Clements
Phil Clevenger
Laurence Cramp
Hal Dean
Tony Douglas
Rejyna Douglass-Whitman
Jeff Evans
Christopher Evans
Shawn Farley
Christopher Fedak
Jason Fink
Jens-Christian Fischer
Pepe Flores
Gaetano Fontanazza
Ross Garren
Joel Gilardini
Randy Greene
Anthony Hancock
Phil Heiliger
Louis Hesselt van Dinter
Philipp Hirtler
Bob Holub
Fedor Indutny
Ted Killian
Zak Kramer
Todd Lainhart
Jeff Larson
Rebecca Lee
Ken Luke
Dino Meneghin
Jesse Nason
Michael Peters
Matt Pogue
Matt Rowe
Gene Schwartz
Keith Spicknell
Darin Stewart
Chris Stromquist
Nik Tembe
Nakarin Teerapenun
Bernhard Wagner
Paul Weber
Frank Welte
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Негізгі бет Музыка "Destructive" vs. "Non-Destructive" Live Looping with Enso
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