Good comparison. When deciding I bought a7c ff because of low light. Now people compare iPhone 15 pro to everything but they are missing the low light comparison where iPhone will be unusable basically and ff with low mp count will shine compared. And the light setup required to shoot something indoors will also cost money. The lenses for crop will also need to be lower f stop and you can get 1.8 viltrox set for same price as 1.4 crop for Sony.
@JoATTech
7 ай бұрын
True, although most of APS-C and M43 bodies are half of the price of ff bodies. But most APS-C cameras are crippled in some way. They are basically gateways for the system and then most people when hooked switch to FF anyway.
@flyingfox2005
7 ай бұрын
@@JoATTech the majority of true cinema cameras are still S35 - its only mirrorless stills cameras, that also happen to shoot video that are crippled.
@flyingfox2005
7 ай бұрын
You can get lights for an interior shoot super cheap in 2024. It's also worth remembering that a FF sensor doesn't automatically equal better low light performance... it depends on the design of the sensor. On a S35 camera - a T2 lens on S35 gives the same exposure as a T2 lens on FF / 135 - the difference is only in depth of field when using equivalent focal lengths.
@JoATTech
7 ай бұрын
@@flyingfox2005 yeah, I know I got BMPCC6k (the original). But I'm comparing YT scrub cameras here :D
@jabomedia
7 ай бұрын
Ive been really racking my brain recently, ive been looking at a zv-e1 (full frame) vs the fx30 (aps-c) im not even sure what to get.
@JoATTech
7 ай бұрын
I'd say it depends on the main use. If it's more casual I would get zv-e1, but check the overheating if it's not a deal breaker for you.
@jabomedia
7 ай бұрын
im thinking of doing professional real estate tours, travel videos and cinematic videos. It would mainly work related @@JoATTech
@TaylorPassofaro
7 ай бұрын
There's a saying in photo/video world: if you don't know that you need it, then you don't. If you are truly struggling to tell compelling stories with your current camera and you know that a full frame sensor will help you tell better stories, get it. But otherwise, stick with cheaper options where you can learn who you are as a filmmaker. The zve1 and fx30 are fantastic, but if you don't know you need the specific features they offer, I'd recommend the zve10 as a good starting point. Way cheaper, excellent quality 4k, and room to grow. By the the time you outgrow that camera, you'll know what you need in your next camera and what you don't. If you're frustrated with the smaller sensor, 8bit, lack of 4k60/120, lack of raw video, lens selection, or no weather sealing, then you know that your next camera should include all of those, and it's worth it to save up for them. But on the other hand, if you don't need those features to tell compelling stories... you've saved a ton of money.
@jabomedia
7 ай бұрын
thank you!@@TaylorPassofaro ill keep filming away with the ZV-E10 and come back to this comment when its time to upgrade
@Wildridefilms
7 ай бұрын
It's down to overheating. If you live in a tropical or hot country, definitely go for the FX30. The ZVE1 overheats very quickly in ambient temperatures over 30C
@truthseeker6804
7 ай бұрын
the image quality of the C just looks better. the colors, exposure, dynamic range.
@JoATTech
7 ай бұрын
C is actually 2 cameras :D. 18mm is S5IIX with Lumix 18mm (VLOG converted to REC709) and Sony A7IV with 35mm (SLOG3 converted to REC709) :D. Regarding colors you can push and pull each log profile (here each is just standard conversion so pure luck one looks better then the other in terms of colors or dynamic range). It's more about depth of field or lack of DoF :D. But with standard settings it happened FF looks the best.
@Wildridefilms
7 ай бұрын
B looked consistently bad with the colours. C became bad at the 35mm test. I assume both are the Sony cams
@JoATTech
7 ай бұрын
Yep. Both are Sony's. I'm not sure why A6600 (B) looks so bad. It's SLOG3 with Auto WB and just SLOG to REC709 conversion LUT (I didn't wanted to use any custom LUTs for this test). For 18mm I can blame it on Samyang, cause their lenses usually give some green tint, but I'm not sure about 35mm 🤷♂ Maybe it's just the LUT fault. I will recheck, I'm usually using Dehancer or Film Convert LUTs, so both Sonys looks quite ok.
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