Don’t get confused by all the thousands amateur “guitar instructors” on KZitem. This guy is the real deal, pay attention!
@displaychicken
4 жыл бұрын
I think that actually following Duveds style of playing in a strictly old fashioned way could be very helpful for a beginner. It removes a lot of options and streamlines the harmonic/melodic choices which often overwhelm newcomers.
@JazzGuitarScrapbook
3 жыл бұрын
I once had a an early jazz purist shout at me for a whole gig (while I was playing) about how my voicings were all messed up. Drove me up the wall. Thing is; he was right! I now often prefer the simplest voicings for this stuff. It’s good to exercise control and precision in your harmonic choices, and it all starts with the basic building blocks however you aspire to play…
@enzolo2420
2 жыл бұрын
while he MIGHT have been right in terms of content he has no right at all to shout at You during the gig... he might as well shout at Bireli, might as well have shouted at Miles Davis, John Coltrane, Monk and many other innovators. but on the other hand... often thats the beauty of it. the way that guy acted towards You... Did You ask him wether it wouldn't be smarter to do his own puristic thing, stand by it, stand with it, stand for it, like Duved. Then he might not be afraid of others leaving the box xD
@JazzGuitarScrapbook
2 жыл бұрын
@@enzolo2420 tbf with Miles he might have a point as he was always playing the wrong changes on tunes
@JazzGuitarScrapbook
2 жыл бұрын
@@enzolo2420 Monk on the other hand always played the exact changes he meant to….
@austinbertak917
5 жыл бұрын
My favorite part of the video is at the end when he calls the b7 a “small 7”
@dennisn.9583
4 жыл бұрын
Weil it’s correct to Call the b7 a small Seven. In German we say „kleine septime“ which exactly Means „small Seven“
@marcosking8
3 жыл бұрын
in swedish its the same. he is probably just translating directly from his own language.
@oldmaterizz4516
Жыл бұрын
He also sometimes uses the DoReMi namings like a lot of languages .
@retiarene6340
4 жыл бұрын
Wonderful moustache and wonderful sneezing! Ignore negative comments, you are terrific!!!
@i6g7f
2 жыл бұрын
enjoyed it very much. Thanks!
@johnrothfield6126
5 жыл бұрын
In the 30s, chords could be simple, like in Dixieland and Ragtime. Melodies still vary in notes used.
@paulgibby3340
3 жыл бұрын
Cold or cocaine
@mysas5983
5 жыл бұрын
Short question, coming from blues: In Blues the (b)3 and b7 are shell voicings. Over Minor 6, is it the b3 and 6? And i see a lot of harmonic minor in Gypsy Jazz, so would b3, 6 and major seven also work? That part confuses me a bit, because the b6 is in the scale, while the 6 is in the chord...As far as i tried it, the only thing to make it work is the melodic minor...
@maxmilligan5672
5 жыл бұрын
Coming from blues first look at using the harmonic minor over the 5 chord in a minor key. For instance in Minor Swing, usually played in A minor. Use the A harmonic minor over the 5 (V) chord E7 to hear the scale function. The E7 is often preceded by a Bm7b5. So play A harmonic over this change, Bm7b5 / E7/ to A minor. This is known as a minor II V I progression. B diminished arpeggio sounds cool and in context too.
@mysas5983
5 жыл бұрын
Thank you for answering. Over the IV-V (or subs) the harmonic minor works great, but if i get to the tonic, do i stay on chord tones and avoid the b6 and b7? I can make it work, chromatic and like i said with melodic minor, but i am not so sure if thats the way to do it in Gypsy Jazz. Edit. I just looked into Djangos solo on Minor Swing. He sometimes plays the b6 and 7 (harmonic m.) over the tonic. I get the 7 as leading tone, and b6 on 6 is also not to dissonant, but still not so sure what role the 6 plays. It isnt so strong as chord tone, just a "harmonic fill" as far as i can tell. He mostly plays around 1, b3 and 5 on tonica. Its not like blues, where the b7 gets emphasized. So am i better of in not targeting the b6?
@maxmilligan5672
5 жыл бұрын
@@mysas5983try reverting to natural minor for the tonic, A B C D E F G you can use your A blues scale too. Work on passing notes into the chord tones. So an Am bar chord shape at the 5th fret try playing a semi tone below each chord tone. e.g. fret 4,5 on 1st string 4,5 on 2nd and 3rd strings and 6,7 on the 4th string to land on a root note. Check out the tune Josef Josef :)
@SanMaiero
5 жыл бұрын
He is simply in the wrong time born
@user-ic5xu4jh6z
4 жыл бұрын
I prefer to say the time is wrong- but also for me too ;-)
@rinotopolovo
5 жыл бұрын
Your nose !
@duved
5 жыл бұрын
marc le jeann it was -20 outside and probably 40 in the room
@Ruvfua
5 жыл бұрын
shave your moustache please ..is out of style...
@enzolo2420
4 жыл бұрын
i find it really really cool. its a snurrbart, djangostache
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