Baltsa is brilliant here, she brings such intensity!!!
@nispen
2 жыл бұрын
Holy mother of all that's sacred. Incredible.
@user-rv5ux6gd3w
2 жыл бұрын
Боже!!! Какие голоса изумительные и сколько артистизма!!!
@arsoperae
8 жыл бұрын
I return to this clip from time to time. AWESOME!!!!
@enriqueluismelone1488
5 ай бұрын
Este dúo con estas dos inmensas es de agarrarse la cabeza!
@ernestlow
12 жыл бұрын
The best! Baltsa and Gruberova!!
@oooooo2062
6 жыл бұрын
¡Bravissimas!... El mejor dúo de esta Ópera, ambas poseen en su garganta el dramatismo y la pureza vocal, sus voces quedan tan perfectas juntas... simplemente grandes.
@saol67
2 жыл бұрын
Much better than the studio recording !
@Leanrosso
3 жыл бұрын
LA AMOOOOOOOOO!!!!!
@pauloribeiroal1370
6 жыл бұрын
Maravilhoso papel da dupla Baltsa e Gruberova! Parabéns!
@stefanoolcese
5 жыл бұрын
The best ones in this scene, for me there is really NO DOUBT!!!!
@rogalesi58
5 жыл бұрын
Agnes bravissima
@daniel_5606
2 жыл бұрын
Omg this is amazing.. 😄👏
@pmg9817
3 жыл бұрын
Thriling! Superb
@68bobsport
12 жыл бұрын
Electricity!
@heinzeronald
12 жыл бұрын
Thats right, with no doubt ... What a pitty that this production is not published as DVD
@alexishenri6124
2 жыл бұрын
Tout à fait d'accord, incompréhensible qu'on ne puisse trouver en Dvd original cette œuvre d'art
@thegreatagnesbaltsa3948
5 жыл бұрын
3:00 Yeah!!! That's the real confrontation. The energy is so intense..This is marvelous, but seems like Edita Gruberova is a bit weak for the role, not the voice but the character, Maria Stuarda. Yet I love her singing and interpretation in the studiorecord and her crystal clear voice. Both are my favorite singers. Frau Baltsa has such a powerful aura, unique timbre and clear accurate notes.. Each time I listen to this, I get stuck on her force, the force of nature. They were truly fantastic in Bellini's 'I Capuleti e i Montecchi', too. I wonder if there's a full video of this performance. 5:59
@mladenkahlina2313
8 жыл бұрын
Agnesa di Balza...solo e Agnesa,che canto con forzza nell pianissimo-piu bella dall Frenni.
@maiireyna1816
2 жыл бұрын
the best
@OGrauMusic
2 жыл бұрын
Great Baltsa !!!
@xaby8345
2 жыл бұрын
2021/09....
@gabrielbelimo9762
2 жыл бұрын
👍👍👍
@vivianbelissima
2 жыл бұрын
👏👏👏👏👏👏👏
@user-tr1be3lx5s
3 жыл бұрын
Where's the full opera?
@amadorleoniel
7 жыл бұрын
where could i get the whole opera?
@pmg9817
3 жыл бұрын
I would like to know the same. If by chance you got this, can you share with me? Thanks! :)
@pabloporrase
5 жыл бұрын
Where did this performance take place?
@AustrianAdrian
5 жыл бұрын
Vienna of Course :)
@romantschannen657
3 жыл бұрын
The both also performed in Zurich in Giancarlo Del Monaco’s production.
@josemedina-nt1uv
5 жыл бұрын
4:01 ?
@jasonhurd4379
6 жыл бұрын
Baltsa is fabulous, but this is not Gruberova's role. She has a weak middle and lacks the all-important chest register, which is a prerequisite for proper declamation of 'Figlia impura di Bolena'. In addition, she misses the essential nobility and devotion of the character. Check out the other online clips of Baltsa with Mara Zampieri and also with Lucia Aliberti; they are superior to this.
@jasonhurd4379
6 жыл бұрын
Andy Candy I agree with you about Zampieri: in that clip her singing is harsh, thick and unresonant. The reason I rate it higher than this one is mainly for Baltsa, whose acting and singing both I feel are more vivid and secure in the 1986 Vienna performance. Zampieri does rather well dramatically, though, and as the curtain falls she performs the angriest, most defiant sign of the Cross I've ever seen. But I do agree about her inadequate vocalism.
@podkowalesna
3 жыл бұрын
@Andy Candy fully agree...... Zampieri sounds awful, impossible to listen to
@janm.c.munich3513
3 жыл бұрын
Gruberova is fabulous together with Baltsa,. Useless armchair critics writing nonsense as per usual.
@jasonhurd4379
3 жыл бұрын
@@janm.c.munich3513 I have given specific examples of why I feel Gruberova is inadequate in the role of Stuarda. Unless you can get more specific than a vague 'fabulous' and a snarky insult to my critical abilities, then it is your comment that is nonsense, not mine.
@spyridonroumeliotis7831
6 ай бұрын
@@jasonhurd4379your so-called examples remain purely subjective and not very relevant. Gruberova’s middle is strong and the chest register, though never quite voluminous, is well placed and accented in the Italian manner. Gruberova was notoriously known to provide dramatic commitment and truth to all her portrayals and her acting remains until today one of the most definitive of being full of a certain emotion. Richard Bonynge conducted Gruberova’s debuts in both Elisabetta and Bolena some years later to this performance while Sutherland was in the audience applauding what she later called an exceptional belcanto soprano. Do you actually consider yourself as someone who knows better than these two? Here’s is some food for thought to you “critical abilities” that very much made me laugh. Especially when you actually compared Edita to Zampieri calling the later better. Cheers,
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