Sziget 2013 was a show that caused me all sorts of problems when I still had the Archive's first KZitem profile (you're currently looking at the second one), and it's been like a nagging ache in my psyche ever since. Only two other gigs hold this kind of power over me, and they are Glastonbury 2016 and Werchter 2016. If you've been around here for any length of time then you'll know why.
I attempted to upload Sziget 2013 shortly after it happened and, true to form, I was issued with one of the many breach of copyright notices I achieved during my initial brief tenure at KZitem. The system of recognition they use to locate material that breaches copyright laws is a little bit mysterious, very temperamental and impossible to second-guess. Fearing I might end up with a ban from the site at the time, something that actually ended up happening anyway thanks to the extremely overzealous BBC and Skynet legal departments, I just relented and made Sziget 2013 a download instead of a stream as a precaution. I then walked away from this post in a bit of a sulk, vowing that I was "done with this show forever" and vowing never to revisit the damn thing. Not the most proactive way to deal with the situation, I know, but if felt incontrovertible in that state of mind.
Now, and after many years removed from all of the surrounding trauma that I experienced from my first failed endeavours as a KZitem user I've decided to revisit this gig, if not without some anxiety. When I uploaded it again to the site just over a month ago I was immediately slapped with a breach of copyright notice. In the time that followed I appealed the decision and, possibly due to the complainant's inability to follow up each and every counter argument rather than my persuasive reasoning abilities, it's available at the Archive again. So why did I do this?
Purely for preservation, should the worst ever happen to the Sziget KZitem profile.
Their presentation of the event is a collection of separate clips in a playlist format, with the full show being unavailable as a singular smooth and flowing entity. I decided that it might be fun to take all those fragments and assemble them into one video, making them easier to watch and to ensure they stay around. Luckily for us as fans, the good people over at Sziget actually remedied this situation for the band's 2016 slot by live-streaming the event as a whole, something that I don't believe happened in 2013.
The problem is that the standalone clips all had Sziget Festival idents at the beginning and end of each song, often over the top of the band as they were still performing. So you'll notice there are moments where it's just unavoidable and I couldn't remove them without affecting the music itself. Aside from that, what you have here is the 18 song set in order. I was doing some checking and the running order in 2013 is actually 4 songs longer than the one in 2016, where they were arguably a much bigger band. Comparatively, the 2016 setlist is the same length as the one they did nine years earlier in 2009. I think the principal reason being that a lot of the songs they played in 2016 were longer in length. That setlist had Marching Orders, Papillon and The Pulse which all clock in at about double the time of a regular Editors song, and therefore gobble up much more of the stage time. Not that this is a bad thing, of course ;)
The Setlist
Sugar 0:00
Ton of Love 4:28
Bones 8:35
Munich 13:34
Smokers 17:34
Formaldehyde 22:46
All Sparks 26:46
Two Hearted Spider 30:30
The Phone Book 35:09
ITLAOTE 39:42
AEHAS 43:55
Bullets 48:24
The Racing Rats 51:35
ERM=BD 55:45
Nothing 1:00:42
Bricks and Mortar 1:04:12
Honesty 1:10:44
Papillon 1:17:20
Editors at Sziget 2009
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Editors at ziget 2016
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For more Editors stuff, drop by the Archive
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brought to you with lots and lots of lemming-love ) x
Негізгі бет Editors - Sziget Festival 2013 (Lemming Archive Single File Edition)
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