"With the project Beethoven Reconstructed pianist Emil Gryesten and music theorist Thomas Solak want to investigate how the so-called Schenker analysis - a corpus of theory and analysis technique originally developed by the Austrian music theorist Heinrich Schenker (1868-1935) - can contribute to an innovative interpretation and performance of the late piano sonatas by Ludwig van Beethoven (1770-1827). In the presentation at the symposium Gryesten will talk about, why a deconstruction of the performing musician’s traditional role as an interpreter and the associated regulatory concept of work has been a prerequisite for in the project by opening an ethical space for a new type of performer-actor, who is not only the steward of a tradition, but also a visionary co-creator of the tradition of the future."
The presentation was Part of Artistic Research Salon #1, October 28.
Not Only: A Symposium on Artistic Research October 28-29 2021
On October 28th and 29th 2021, the International Center for Knowledge in the Arts organized its annual symposium which this time explored how artistic research promotes art as a practice-based form of knowledge, but not only that: it also promotes new artistic spaces for action within and beyond formally defined knowledge cultures. It took place in the Festsalen of the Royal Danish Academy of Fine Arts.
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Негізгі бет Emil Gryesten - Beethoven Reconstructed | Not (Only) A Symposium on Artistic Research 2021
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