The most important tips and tricks I've ever encountered in this biz. Good to know these facts before playing with fire in full ignorance. Thanks, Jesse !!! This video is very important guys, pay attention. Wow
@ArnoldBru
4 жыл бұрын
Thanks!
@soulfulandnice
3 ай бұрын
Great and thorough! 😊Thank you for explaining it in an easy and digestible way for people to understand. I will definitely be sharing your video when I teach people about this business.
@SyncMyMusic
3 ай бұрын
Glad it was helpful!
@eddiep6771
4 жыл бұрын
Your content, professionalism and consistency is absolutely amazing. You are helping me in so many ways. Have a blessed Thanksgiving sir. I’m thankful for you Jesse.
@KarlSchoenberg
Жыл бұрын
Thank you, that was really helpful.
@JohnBrewsterMusic
3 жыл бұрын
Thank you, Jesse! I'm learning so much from your content and also being part of Sync Academy!
@SyncMyMusic
3 жыл бұрын
Glad to hear that!
@KeithHutchinsonYT
3 жыл бұрын
This is exactly what I needed to hear at this turning point in my career. Thankyou.
@SyncMyMusic
3 жыл бұрын
Glad to help Keith!
@MissJudyB
2 жыл бұрын
I appreciate you making this video, this is a very complicated world.
@SyncMyMusic
2 жыл бұрын
Glad to help!
@AllanGildea
4 жыл бұрын
Wow. What a comprehensive overview. So helpful - thank you Jesse.
@SyncMyMusic
4 жыл бұрын
You got it Allan!
@Itstmera
2 жыл бұрын
Super informative, thanks!
@Kris_jellybeard
2 жыл бұрын
I think it also is different when you have an existing track on spotify and a music director approaches you for an exclusive license for a series. You still can withdraw that one track from any platform. Usually tales a week or two...
@PattyRichardson1
2 жыл бұрын
Thank you! A great presentation!!! Love your videos! 👍
@MysteryWoodsMusic
2 жыл бұрын
Great informations, thank you!
@Soundnautic
4 жыл бұрын
Thank you so much for all of the great information that you provide. Support! Cheers!
@jamieshorter7093
3 жыл бұрын
You always have good info....Thanks for explaining this very well....
@SyncMyMusic
3 жыл бұрын
You're welcome!
@alices.5661
4 жыл бұрын
Excellent information. Thank you!
@noteman48
4 жыл бұрын
Thank you this video Jesse!
@dafingaz
2 жыл бұрын
Had to rewatch this. Any insight with regards to making trailer music specifically?
@SyncMyMusic
2 жыл бұрын
You gotta have top notch music and if you want to do Trailer music then it should be your 100% focus. I don't recommend just dabbling in it.
@dafingaz
2 жыл бұрын
@@SyncMyMusic Yep. On it. 🙂 Album dropping this week.
@LucyHasAChannel
3 жыл бұрын
Thanks for the great advice this was so good!!
@SyncMyMusic
3 жыл бұрын
Glad to help!
@SapphireUnique
4 жыл бұрын
ur a legend thank you for this golden advice
@bobjohnson7441
Жыл бұрын
Appreciate your vid.
@SyncMyMusic
Жыл бұрын
Glad it helped!
@AlanAbi
4 жыл бұрын
Very helpful sir, thank you!
@MarvillousBeats
5 жыл бұрын
Great video. Appreciate it!
@deboman81
4 жыл бұрын
So pretty much you are saying I shouldn’t go through Tunecore or like CD Baby in this aspect correct?
@Soundnautic
4 жыл бұрын
Question: when you write a track and it is exclusive for a library. Can you make a new version of it with the same foundation and change various instruments on top so it sounds a bit different and use that again for another library and re ename it?
@SyncMyMusic
4 жыл бұрын
You'd be playing with fire. My advice - just create all new tracks for an all new Exclusive agreement.
@karlas55
3 жыл бұрын
Thanks for a thorough explanation of a subject. I would like to ask do you still have to re-title your track if you only upload it to non-exclusive royalty free/stock libraries and a track is not registered with PRO?
@SyncMyMusic
3 жыл бұрын
It would still be a smart move so you know which company is actually getting you the sales/placements.
@ryandebock6277
3 жыл бұрын
So with retitling, do you re-register the song with the new title to your PRO’s like BMI/ASCAP/Songtrust etc? Also, is there a way to find these licensing companies? I know of Broadjam and Taxi and they both require fees. I was under the impression you had to use these “middle-men” because otherwise your music is unsolicited and they can’t listen to it.
@SyncMyMusic
3 жыл бұрын
Yes, for a retitle you would create new registrations with the PROs (as if they were new songs). And yes you can skip the middle man services and find these companies on your own: kzitem.info/news/bejne/qJh_yoWGbKWpf6g
@creativestudioz6277
4 жыл бұрын
Amazing content my man. Any E Labs or NE Labs you'd recommend to work with?
@SyncMyMusic
4 жыл бұрын
kzitem.info/news/bejne/qJh_yoWGbKWpf6g
@JustDeraj
4 жыл бұрын
Thanks so much Jesse! Really great insights!! I’ll make my question quick. Does retitling mainly happen when libraries or agencies are taking publishing splits? Or can they rep your catalog non exclusively without taking any publishing royalties?
@SyncMyMusic
4 жыл бұрын
Non-exclusive deals can include publishing splits or not (sometimes they ONLY take a portion of the up-front Sync Fee). But ALL non-exclusive opportunties will deal with re-titling for the simple fact that the same track may be found in multiple Libraries (so it keeps the registration & royalty distribution issues sorted out appropriately).
@JustDeraj
4 жыл бұрын
@@SyncMyMusic Hmm very interesting. I have a song being repped by a very reputable boutique agency who's been placing songs with big brands for years and they do not retitle. Their single song agreements are non-exclusive as well. They just collect on the upfront sync fee (all in). I could see why retitling might be necessary for backend splits but wasn't sure why it'd be needed if they're only collecting upfront sync fees.
@jackledgerdowse
3 жыл бұрын
This was really useful, thank you! I am a student doing a degree in music so obviously don't have as much time as others might to dedicate to producing and uploading tracks - would you say there is a particular difference in how time flexible (time-wise) working for non-exclusive vs exclusive libraries is?
@SyncMyMusic
3 жыл бұрын
Definitely. Non-exclusive has really no time requirements since they usually don't create very close reliable relationships with their composers. It's the exclusive Libraries that really depend upon you to deliver consistently.
@arcadiadragoons5467
4 жыл бұрын
when i go to another non exclusive library where i have to change the name of the tracks.. do i have to create the new PRO ISWC codes, etc? Or do they keep some of the publishing do they do it on their new library? hope that makes sense
@BrianKarkovicemusic
4 жыл бұрын
Thanks for all the great info! Should I retitle my tracks if they are in royalty free non exclusive libraries and also libraries like songtrader, pond 5 and Getty music? Thanks
@SyncMyMusic
4 жыл бұрын
Yes, any multiple non-exclusively distributed tracks needs to be retitled.
@BrianKarkovicemusic
4 жыл бұрын
Ok, thanks
@4oresightmusic
4 жыл бұрын
Question. So I'm currently with a non-exclusive music library (We'll call this Library A), and I want to send my music over to another non-exclusive music library as well (Library B). However, my concern is that music Library A is registering my tracks through KZitem Content ID, which might cause issues for music Library B, to use those same tracks. So is there a way for me to have my music on both of these libraries without KZitem Content ID for Library A, flagging Music Library B for having the same music? I really appreciate your help with these videos man!
@SyncMyMusic
4 жыл бұрын
This is why non-exclusive companies are starting to crumble. Their business model just causes a lot of problems in the modern digital age. You could certainly tell Library B NOT to put the tracks into KZitem Content ID, but I doubt they'll be willing to do that.
@4oresightmusic
4 жыл бұрын
@@SyncMyMusic Thank you for the response! It definitely didn't make sense to me as to why they would do this, but yet claim to be non-exclusive. It completely contradicts everything about being non-exclusive lol. I will ask if it's possible to be removed from it and see what happens. Smh
@musicengineer08
4 жыл бұрын
Ahhhhhhh I really thought that exclusive was for the person and not individual track
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