Muti's version (though incomplete) is, in my opinion, infinitely superior to Wong's with the Hong Kong Philharmonic (Naxos). The upload here has, where necessary, a raw, visceral power, darkly brooding and emphasising the distinctively idiosyncratic instrumentation. The Greensleeves theme, for instance, almost becomes an exercise in deconstruction. Turandot occupied the composer with revisions for several years, culminating in a one-act opera which uses this astonishing incidental music as well as spoken dialogue.
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Details in order to be able to find this work for performance Ferruccio BUSONI (b Empoli, 1 Apr. 1866; d Berlin, 27 Jul. 1924). Italian composer, active chiefly in Austria and Germany Turandot, op.41, K.248: Suite 3[1.2/pic.3/pic] 3[1.2.3/E.H] 3[1.2.3/bcl] 3[1.2.3/cbn] - 4 4 3 1 - tmp+4(sd, td, tambn, t-t, glock, tri, cym, bd, 2nd tmp) - 2hp - str. Optional women's chorus in one movement. 2nd harp used only in mvt 5, where much of the part doubles 1st harp. 37' The Muti Recording: I. Die Hinrichtung, das Stadttor, der Abschied aus der Musik zum ersten Akt II. Truffaldino (Introduzione e marcia grotesca) III. Altoum. Marsch V. Das Frauengemach. Einleitung zum III. Akt VII. "Nächtlicher Walzer" aus der Musik zum vierten Akt VIII. "In modo di Marcia funebre" e "Finale alla Turca" aus der Musik zum fünften Akt. The Breitkopf listing: 1. The Execution, the City Gate and the Departure. 2. Truffaldino. 3. Altoum's March. 4. Turandot's March. 5. Zenana. 6. Dance and Song. 7. Night Waltz. 8. In modo di farcia funebre e Finale alla Turca Pub: Breitkopf . US rental agent Music Sales Classical. www.breitkopf.com/work/1603/turandot-suite-op-41-k-248 Luck’s lists the material for sale in their catalog.
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