The "biggest salt mine" article under your bio was golden 😂
@analogue_cat
9 ай бұрын
I am waiting for the Northern European summer to try it. Probably plenty of day light, F12-F16 and ISO 100 is my go to strategy
@gomahony6282
9 ай бұрын
Ireland's antihalation weather? 👌 Try Sweden in December...
@SprocketHoles
9 ай бұрын
That's some remjet level antihalation
@houstinwehaveaproblem
9 ай бұрын
Oh deer? What test models I need to pick up a few rolls, but I have such a hard time going back to 35mm after getting so into 120. The E6 cross-processing was an interesting note. I have some ECN2 mixed up at the moment, I should give that a try.
@Grumskiz
9 ай бұрын
loving the silversalt that your mine produces :)
@GlaciaDay
9 ай бұрын
If Adox Color Mission is still around, I would definitely choose that over Phoenix 200. These 2 stocks do show a lot of similar characters imo, makes me wonder if Harman had some connection to that "mysterious company" and purchased formula from them.
@headwerkn
8 ай бұрын
I spat my tea at "Ireland's anti-halation weather" hehe. I've just got back my first roll and Phoenix and, gotta say, don't bother getting your lab to scan it for you in a Frontier or other automatic 35mm system. It looks like total arse, bad colours and less dynamic range than a Quicktake 150 from 1997. Presumably they're unable to account for the lack of orange mask. Hopefully I'll get better results with DSLR scanning and NLP when I get a free afternoon. Jason's scans turned out pretty good I thought. Still, the fact Ilford/Harman actually chose to start making a brand new colour film is something everyone can get properly excited about, and support by trying at least one roll.
@randallstewart1224
9 ай бұрын
I think it is great that Harmon is wiling to invest in the development of a color film. The idea that the hedge funds and pension managers who drive decision-making at Kodak are in control of manufacturing the great majority of color negative and positive film stocks today is at best unsettling. On the other hand, what Harmon is dumping into retail with "Phoenix 200" is so not ready for prime time that I wonder what their motivation was. It's not ISO 200, and it sure isn't rising from the ashes either. Apart from the curiosity of a film junky, there is no real motivation for anyone to buy this stuff to actually use. If Harmon is so financially impaired that it needs public donations to afford to develop this film stock, then it seems better economics to offer a subscription to a future film when it is fully ready to use and avoid all the expense of launching this "concept" product into retail sales. If Harmon/Ilford is so cash strapped that they must sell this product in its present condition to afford the project at all, I'd rather they just put the start-up money in a "rainy day" fund to secure what it likely to be their future as the last major producer of B&W film.
Пікірлер: 9