This music composition lesson demonstrates an idea for alternating inversions and an associated melodic pattern above an ascending scale in the bass line. Ascending scales in the bass can be awkward to harmonise satisfactorily without generating parallels. This alternating 5-6 pattern illustrates one way of handling the situation in a way that is musically interesting and which activates an engaging use of musical tension. These kind of structures are useful for composers working in any genre and are especially for building bridges or other connections between musical ideas.
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🕘 Timestamps
0:00 - Introduction to harmonizing an ascending scale with 5-6 alterations
1:41 - A simple solution
7:14 - Playing the piece
7:48 - Ideas to make it more interesting
8:11 - Reversing the upper parts
8:49 - Conclusion
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