White balance is an integral part of color management for both Photos and video. In this tutorial I’ll show you where this feature is hidden in the Final Cut interface. It goes without saying that for best color results “White balance” should be set when filming. Whatever, it is a good idea when setting the white balance on your camera during the shoot, that you use a grey card or even a white sheet of paper and take a shot of the card, or paper so it can be viewed in post production.
Alternatively, if the camera is set at full auto, white balance will be set by the camera. If this is the case, it is even more important that you are able to adjust in post production. Final Cut can do this for you, but it doesn’t scream out how to do it.
Use these TIMESTAMPS: to jump directly to the time in the video.⏰
Beginning: 0:00
Grey Card 00:30
White balance selector in Final Cut Pro 01:01
Select the Inspector 01:31:
Eye Dropper 01:49:
Color Scopes video 02:20
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I’m Bruce Macbryde and my goal is to improve your knowledge and speed up your workflow in Final Cut Pro. 🎬 Final Cut Pro. 👨💻
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