In this tutorial video, Nick teaches you how to graph tune your vocals using Melodyne to achieve pitch perfect vocal tracks without sounding too processed.
Melodyne has the capability to edit the intonation of each word in your vocal track. It’s a very powerful tool for tuning vocals. However, you might be tempted to overdo the tuning resulting in robotic vocals.
Nick gives you the tips and tricks, the thought process, and shows you how to tune your vocals professionally on a sample rock track.
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Timestamps:
00:00 - Intro
00:12 - The project that we're working with
00:40 - Listening to the vocal tracks
01:12 - Starting the tuning process
01:22 - Focusing on the main vocal track
01:45 - Why putting Melodyne on top of plugins is bad
02:09 - Creating a tuning track
02:58 - The techniques are applicable to all versions
03:29 - Transferring vocal tracks to Melodyne
04:20 - Getting familiar with Melodyne's layout
04:40 - The key to getting tuned vocals sounding natural
05:19 - Using the note separation tool to make cuts
05:42 - Using the pitch tool to level out the intonation
06:10 - Applying more tuning to a phrase
06:30 - Too much fine tuning can sound robotic
06:42 - Tuning the next word
07:19 - Manually tuning using pitch deviation
08:13 - Comparing robotic to natural sounding tuning
08:30 - Tuning raspy vocals
09:58 - On to the next phrase
10:41 - Make cuts on the humps and dips
11:03 - Flatten the sections after separation
11:18 - Beginning of words can be imperfect
12:38 - Tuning pitchy words
14:10 - You don’t need to edit all of the words
14:58 - On to the next word
15:37 - Editing long, held out words
16:42 - Tuning words that are supposed to on a same note
18:20 - Why you should avoid drastic tunings
19:36 - Fixing jaggedy parts
20:51 - On to the next word
22:00 - Making “deep” edits
23:48 - On to the next parts with drastic movement
25:06 - On to the next word
25:29 - Applying “bright” tuning
25:48 - Cut on the red line plateaus
27:20 - Making a “three-point cut”
28:08 - An “eternal” struggle to tune
29:06 - A “fight” to make the pitch right
30:01 - Making another “three-point cut”
31:12 - Editing a “wild be”
31:54 - Taming another wild word
32:10 - Checking if a raspy note is in tune
32:33 - Fixing a “painfully” bad take
32:45 - The third “three-point cut”
33:32 - For words that aren’t really hitting a note
34:06 - Making a wild edit
34:35 - Melodyne doesn’t pick up raspy vocals well
35:09 - Fixing the end of a word?
35:16 - Tuning “fuel”
35:33 - Look for the big dips that catch your eye
36:21 - Fixing the last word “ignite”
38:10 - The next step after tuning: Render or Bounce
39:05 - Mind your volume when rendering or bouncing
39:22 - Listening to the final track
39:59 - Conclusion
40:20 - Outro
About Nick Ingram
Nick Ingram is a music producer, recording/mixing engineer, science nerd, and cheese fry enthusiast. Over the past 13 years, Nick has worked hard in the music industry creating a unique sound and making a name for himself. Artist credits include Beartooth, Hawthorne Heights, Like Moths To Flames and more.
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