How does it work if you release a song with an artist (as a producer)? That’s where I am completely in the dark!
@trevelation_
3 жыл бұрын
Same
@tragedyyy
3 жыл бұрын
same, i think you only get a 50% of the writers share, other 50% gets the artist, and no publishing, so you get 1/4? but im very unsure about this
@nmcbraine
3 жыл бұрын
Man you're an amazing helper for the world music society, thanks.
@addyexo
3 жыл бұрын
Am I missing something? This is titled "How to collect royalties as a producer" yet you and the other guy only talk about collecting royalties as an artist. What do you do as a producer, where you're not uploading music to streaming platforms, but artists are uploading music using your beats?
@avianant6029
3 жыл бұрын
I have the exact same question!
@Kartelbeatmx
3 жыл бұрын
I have the same question
@splashgvng
2 жыл бұрын
@@Kartelbeatmx you've gotta make sure you communicate with the artist using your beats and get your royalty split. any time i send out beats i make sure i state it right away that im expecting a split on royalties and publishing.
@TIMESAUCE6
2 жыл бұрын
It’s the same process just about
@soneiricmusic5236
2 жыл бұрын
@@splashgvng yes but we’d like to know how you actually physically collect those royalties
@d1nmx721
3 жыл бұрын
Deecap you are the f*****g man my bro, you're content is truly valued, so informative its crazy much love my bro!! Thanks for putting us on !
@patrickpostlewait8453
3 жыл бұрын
Great video. I've unfortunately been slack on some of this for years and finally starting to get up to speed in the past year. As creatives we don't want to think about this stuff. One thing I might add, and this mainly applies to people who are writing or producing for an artist on a label: as a writer/producer who doesn't own the masters of the songs, don't expect large sums from streams. Spotify, for example, keeps about 30% of revenue from subscriptions and ads. The rest, 57% goes to the master owners(often the labels), and 13% to the payout of writer, publishers, mechanicals etc. And beyond that, the compensation can vary quite a bit based on region, paid user streams vs ad supported streams. It's so complicated, I don't even think the people at the streaming platforms fully understand it. Anyway, Thanks Decap for another informative video.
@HGCProd
3 жыл бұрын
Was hoping you'd post this...Decap coming through 🤜🏻🤛🏾
@joey2673
3 жыл бұрын
What I don't understand is how you get mechanical royalties AND performance royalties from the same song (ex. streaming on spotify)? I assume you don't get paid double the money, so whats the split for how much goes through your distributor and how much goes through your PRO?
@tannerblake7745
3 жыл бұрын
bump
@djrobflow
Жыл бұрын
This was dope. Thank you for doing this
@GeneralSigh
3 жыл бұрын
Thankyou for always sharing a wealth of knowledge
@unggoysolid940
3 жыл бұрын
Thank you sir, more power on what ever you doing
@legendarydjmarcus1212
3 жыл бұрын
I appreciate this content✊🏾
@neadobeatz7711
3 жыл бұрын
Thanks bro you are a lifesaver
@baiijoune
3 жыл бұрын
Thank you Decap🙏❤️
@fahedriachi
11 ай бұрын
The big issue with this video it is confusing composition and recording royalties, also the use of word "artist" is apparently assuming the music is being 100% produced by a single person, the "artist"... If the song/music is fully auto-produced, then this video is helpful, but in general it still misses the details and clarification regarding the rights owners of the Master Recording, which is some time fully owned by the performing artist (not the "artist", but actually the person who recorded his/her instrument/voice on the Master), or fully owned by the producer, or fully owned by the label, or a mix of negotiated shares between all the mentioned. I am no lawyer, but I can share what I know through an example.... Approximately 70% of a DSP revenue, such as Spotify, is payed as royalties. Suppose this number is 1M$ (too little😂)in a given month, then almost 200K$ (20%) is paid out as mechanical and performance royalties for the AUTHOR/COMPOSER/PUBLISHER, paid by spotify, to the PROs, CMOs and their asspciated publishers and composers/authors... (note for mechanicals, it is paid to distributors if the music is played in the US, as explained in the video). On the other hand, the remaining 800K$ (80%), are paid to the distributors, regardless if the latter take a fee/cut or not, still these 80% are for MASTER RECORDING, and thus they are owed to whoever owns the MASTER. It could be a performing artist, which can be me recording or signing your music compoistion/lyrics as a cover, or be the original artists who wrote the song/music, but he/she is getting paid here only if 1) he/she actually recorded/performed on the master, and 2) if they have negotiated with the label and/or producer a slice in the ownership of the masters... Sadly most of the time only labels own the masters, performing artists and even producers are left behind through the use of work-for-hire contracts, so labels pay a one-time fee and case closed, Or in best case performing artists and producers take a 20% share in the master, while the label, takes all the rest. So to dear fellow producers and performing artists (speically when you improvise on a track or bring value that could define the track character, you could be a beatmaker, an orchestra conductor..), please take ownership in your masters, or at least just LICENCE for labels to exploit only for a defined term and territory, this way you will always have control on the biggest revenue stream, the Master Recording. So how producers should collect their royalties, well, what I know is: sign good recording/master agreements to take part in the master ownership and/or royalties coming from digital and physical sales, also register in producers-oriented societies for example like Sound Exchange in the US, SCPP or SPPF in France...etc, these societies will help collecting Neighboring rights royalties, which are due on the RECORDING/MASTER, and they are for 1) Public Performance, like plays on TV, Radio, pub, and 2) for Private-copy (which is a tax the societies collect any time somebody buys a device that is able to copy data like ipads, phones, hard disk, usbs)... For Public Performance neigboring rights, the U.S didn't sign the Rome treaty, so basically your master will not generate performance royalty when played on a U.S Radio for example, but it will generate such royalty when played on a french or german radio for example, so to collect it, unfortunatly, the only way is to register yourself in a Producer-oriented society, which will collect for you royalties on performances (and private-copy) in their territory (and maybe sometimes extend to couple of countries if they have treaties)... I hope this helps and please correct me if I mentioned anything that contradicts your experience.
@Zemira.Israel
2 жыл бұрын
How does the producer collect their mechanical publishing royalties iff the artist signs up with cdbaby? If the artist makes sure to put the correct splits, the artist will only recieve their royalty due to them? Or does the artist recieve 100% of the funds that come from for example, cdbaby?
@jacko_justchill
2 жыл бұрын
4 months later…no response lol This is important info that we needddddd!!
@marvinjean-baptiste668
Жыл бұрын
You need to collect the metadata (ISRC code, song title name, artist name, song writer name, your publishing split, and record label if applicable) and register it with the MLC so that they can collect your mechanicals.
@marvinjean-baptiste668
Жыл бұрын
I answered let me know if you have other questions
@Zemira.Israel
Жыл бұрын
@@marvinjean-baptiste668 yes thank you! I actually do have another question. If I put out a single but I want to also put out it’s a capella, instrumental and karaoke version, can I use the same ISRC code for all of them. It’ll be basically a Digi Pack single.
@Zemira.Israel
Жыл бұрын
@@marvinjean-baptiste668 thank you!
@beatsbypharaohofficial
2 жыл бұрын
Great video bro, some real gems💎
@melaniepenelope_
2 күн бұрын
When it says "Perfromer Name" on ASCAP etc, do I use my stage name that the song was released under, or my legal name? I know to use my legal name for writer and publisher, but not sure about performer.
@djcj
3 жыл бұрын
Thanks decap
@Weak_Hand
3 жыл бұрын
Really helpful! Cheers mate! 👊
@bonjr2854
2 жыл бұрын
I'm with songtrust and I am seeing that a good portion of mechanicals are coming from the US, however in this video you both mention that US mechanicals should be going directly to our distributor, am I missing something here?
@Rxcch
3 жыл бұрын
thank you so much
@rainymfday
Жыл бұрын
youre a king!
@zuprabeatz
Жыл бұрын
🙏🙏
@pacmanbudda
2 жыл бұрын
thanks
@benjiebarker
2 жыл бұрын
How can i put songs on amazon music without distributor?
@shandimclovin1320
3 жыл бұрын
les go a long vid!!!
@starhollywood
3 жыл бұрын
I registered my first ever song 🎧 on ascap and I received the blue check mark ✔️!!!! From this point how will ascap know thats my song? In order to collect my royalties on my half ? I feel like I’m missing a piece to the puzzle 🧩 do they track it by the title of the song ? Or should I purchase an ISRC and attach it to my song on ascap ? So they can better track where my song is playing?
@mcintoshavara
3 жыл бұрын
Thanks alot.. I was wondering how can I actually make money from music production. Im just starting out and this helps alot
@shaquillewilkinson4510
5 ай бұрын
When it comes to performance royalties .. if I’m already on bmi .. it’s out of 200% so I have to get admin publishing and would that mean the break down is now 100% composer and 100% admin publishing company
@paculiarbeatz
2 жыл бұрын
So let’s say somebody Dm me for a beat I made and they actually use the beat do I register the song under the name the rapper chose to name the song or what ?? And also do I put the artists name down when I’m registering ?
@sg1200able
3 жыл бұрын
What is this video from?
@Lata69
3 жыл бұрын
This is knowledge man decap fuckingg awesome luv from india❤️
@WalkerRanchSales
2 жыл бұрын
Good stuff. Who is the other guy in the video? Where is that content from? Thanks
@P4TCH5S
3 жыл бұрын
LEADER
@johndoe7109
2 жыл бұрын
Ok how does the publishing work? If i register as a publisher, doesn't that affect songtrust? Can i be a publisher and have song trust? I thought songtrust was my publisher??? And what are my duties as a publisher?
@marvinjean-baptiste668
Жыл бұрын
A publisher collects publishing royalties for songwriters and get them opportunities, you can still be with songtrust even tho you are a publisher, you can assign them to collect your royalties for you!
@bboymac84
3 жыл бұрын
Hey Decap, you should start a room on "Clubhouse"
@peezyBeaticide
3 жыл бұрын
how do you get an invite?
@bboymac84
3 жыл бұрын
@@peezyBeaticide I can send you one. What’s your IG?
@peezyBeaticide
3 жыл бұрын
@@bboymac84 beaticide.8 thanksss
@courtneydedwardsjr6935
Жыл бұрын
If I’m on a different platforms can I collect royalties from a different publisher than the one I’m signed up on ?
@naytfb739
3 жыл бұрын
U saying that u got millions of views on your music somewhere on yt and they didn’t pay you ?
@vocaloidluffer
3 жыл бұрын
Good video but def credit the OG guy who made the explanation
@WalkerRanchSales
2 жыл бұрын
Ever get info on who the other guy is? I would like to know where his content is. Thanks
@mikediamond6906
2 жыл бұрын
💎💎
@SplurgeTheGod
2 жыл бұрын
I use identifyy for my KZitem content ids
@noface718
3 жыл бұрын
Why does nobody use SoundCloud re-post to distribute their songs
@FatKingdom
3 жыл бұрын
I Do
@RealityBoat
2 жыл бұрын
How do i set up myself too collect royalties when selling a beat? When somone sends there song off to be published how do i get the royalties to land in my bank account? I assume i dont give them bank details directly so do i have to register as an artist with my bank connected?
@marvinjean-baptiste668
Жыл бұрын
If you negotiated splits you can register your song directly with your PRO(ASCAP/BMI) and MLC. Be sure to get all the meta data from the PA so that you can register the song properly and get paid for your split of the song
@YoungKProductions
2 жыл бұрын
If the artist registers the song on distro kid, do I still have to register the song on my end as the producer?
@marvinjean-baptiste668
Жыл бұрын
Yes, if you have a Pub admin you will need to register the work on your end with them (with your split) and they will collect it for you
@SoundDon
11 ай бұрын
@@marvinjean-baptiste668I'm a music producer, and I'm currently using beatstars publishing, will they collect all my royalties ????
@miguelpacheco8091
Жыл бұрын
Awesome thank you man
@LionheartBeatz
3 жыл бұрын
basically u just repeat what he said in the video?
Is alltraacks good PRO they claim to work with artist like Sophiemarie.b i am not from the us so bmi is not for me can you aasure alltracks is good or atleast help me research they said they worked with ty dolla sign too
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