It’s reassuring to know that even professional musicians go through these kinds of things.
@davidpickar7614
Жыл бұрын
Rob, this is excellent! This perfectly describes the frustration I feel while self-recording and preparing excerpts, and gives a method to help tackle the obstacles I'm facing. Keep up the great work! - A grateful auditioner! :)
@ThriveOnWheels
Жыл бұрын
It’s funny how many of us just practice without thinking so strategically, but happened to be instinctively doing the alternative way you explained. And yes, usually I cram concert music in a few days and each day it gets more secure and easy until the first rehearsal.
@gleabesguitarchannel3305
Жыл бұрын
You’re back! Amazing!
@robknopperstudio
Жыл бұрын
thanks! 😊
@kylekolanowski23
Жыл бұрын
Amazing - I love the transparency in sharing the tough moments in the beginning of practice. Thanks for the great ideas!
@danielliang9266
Ай бұрын
I think I've heard this learning concept called Interleaving, and it's applicable to other things too. Nice channel!
@lisanickl7025
Жыл бұрын
Awesome, Rob! I love how you have nicknames for each excerpt!
@mz4802
Жыл бұрын
The return of the (audition-)king 😎
@lucscott3631
Жыл бұрын
So excited to see you back!!
@dianafarahflorido200
Жыл бұрын
Amazing. I am a violinist from Brazil and your videos are helping me a lot. That's excatly what I needed. Thank you !
@byoung1150
Жыл бұрын
Thanks for this excellent technique and for being transparent enough to highlight your mistakes. I've got an idea for a future video. I'm a marimba player, so I'd like to suggest a video that shows how you might mark up an excerpt from a marimba solo to help you learn/practice/perform it. Maybe walk us through an example of how practicing something with proper phrasing after initial read-through helps us progress to performing better. Basically- a master class on marking up a solo and seeing how those markings show up in playing an excerpt. Thanks for considering!
@kristenkinnear-ohlmann4674
Жыл бұрын
I'm glad you are back making these videos! This comes just in time for some repertoire I need to learn, and I feel like this technique will help me nail the music!
@bgclarinet
Жыл бұрын
I’ve been showing this to all of my students, not to encourage the technique, but to tell them, “See? One of the best percussionists in one of the best orchestras in the world makes mistakes the day after getting it ‘perfect’.” So many students these days lose their mind if they make a single mistake, and I constantly have to remind them mistakes are part of the learning process!
@MiguelPadillaOficial
Жыл бұрын
Thanks for your content. Is amazing 🎶🙏🥁
@robknopperstudio
Жыл бұрын
thank you!!!
@spidernh
7 ай бұрын
this is how i've been practicing my pit orchestra music recently. not because I watched your video or because I thought it would be better, but because I keep getting annoyed at difficult passages and so I switch to something else. after about a week I was able to run through a few sections and play them first try!
@robknopperstudio
7 ай бұрын
excellent!!
@MusicaBambi
Жыл бұрын
Great video! I'll be trying this out on some excerpts of my solos I'm prepping!
@finleyjones1780
Жыл бұрын
Oh my god Rob is back babbby!!! 😮
@robknopperstudio
Жыл бұрын
woohoo!!
@SWilla00946
Жыл бұрын
This is the problem I've been having lately so I'm going to try this out over the next couple weeks and hope it works :)
@JoshuaVonderheide
Жыл бұрын
Genius, Rob! Very helpful
@haydenfloro5561
Жыл бұрын
He’s back!!🎉
@BassAwareness
Жыл бұрын
this was awesome thanks Rob!
@mohammedkebir8696
Жыл бұрын
Amazing video! Thank you Rob. Could advise when to use this strategy and when you use your ROAM strategy? For me it is difficult not to practice slowly first.
@mlevitt
Жыл бұрын
I love this approach and have found this effective for smaller sections of music. How could this be applied to a longer piece of music? Say, a whole movement of something like a sonata?
@valerieplushie1031
11 ай бұрын
in my experience, after a certain amount of time in a longer solo piece I get 'in the zone' and the music flows. so my guess is that it's good to practice the entire piece as you would just to know it, and then use this method on the first 30 seconds of music or so, in order to work on getting comfortable and settling into it from the get go. then the rest should hopefully just follow on
@Feedback13
Жыл бұрын
Fantastic!
@erinmarks4079
Жыл бұрын
Thank youuuuu
@musokid89
Жыл бұрын
Rob! I love all your videos so much! So great to see you’re back! What’s with the black rock looking thing in front of your laptop? Something to hide the mic? 😂👍
@marcushawkinsmusic
Жыл бұрын
Yesss!!!
@JTBPercussion
Жыл бұрын
so im currently working on Bach's violin concerto in a minor on xylophone, which as im sure you know, is 3-4 mins of constant playing. how would you use this method on that? im overall very good with it, (i played it for a youth orchestra concerto contest and was picked!) but there are still multiple spots that i just cannot get right, and i will practice those out of context, but when i work them back into the piece, i still play them wrong. love you videos Rob, so glad you're back!
@gleabesguitarchannel3305
Жыл бұрын
I suppose that this method works great only for excerpts. Maybe you should choose two or more tough places and use that method. This is just my opinion, maybe it will help you. (Sorry for bad English)
@brianyoung2368
Жыл бұрын
Dragonfly ebonite 👀 nice.
@TubaTones
Жыл бұрын
If I was you, I wouldn’t pull faces when you makes mistakes, and I wouldn’t give negative names to the difficult sections. Just my two cents. Great video, nice that “lick from hell” was at a more comfortable tempo in the pit. Shows how valuable it is to practice things at a higher tempo correctly.
@reillybova
Жыл бұрын
I think there’s some real educational value in the negative names here - they remind us that even the pros struggle to conquer the very same challenges everyone else faces. This relatability helps draw a stronger connection between teacher and student - we’ve all been there. Plus the names and faces add some humor and levity 🤪
@GumzOnTheTrack
Жыл бұрын
What do you think about back and forthing with multiple excerpts? For example back and forthing between snare drum, triangle, castanets and tambourine in capriccio espagnol. How much do you think is too much?
@robknopperstudio
Жыл бұрын
that's an incredibly effective technique to get used to switching between instruments! i've used it extensively. not sure what you mean by how much is too much, but if it's working for you then go crazy!
@chrystalvillalongo7658
Жыл бұрын
I wonder, if the excerpts are more than two staff. Do you practice only the beggining or do you go through all the excerpt and then switch?
@DanLoFat
Жыл бұрын
Is there like a an original cast recording of this I'm assuming it's some kind of a male or musical or play with music and that there is a recording of you guys or recorded by another group altogether or is this such a new piece for that hasn't been done?
@robknopperstudio
Жыл бұрын
i think it was performed on a concert stage by the philadelphia orchestra before we did it.
@tmossperc2716
Жыл бұрын
🤘🏾
@wilesnic2
Жыл бұрын
wonderful advice! but you talking about consistency then having only one collar button buttoned is driving me crazy.
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