Also check out: "Do You Really Need a Reamp Box to Reamp Guitar?" • Do You Really Need a R...
A Reamp box is just a really cool tool. If you have just a hundred dollar reamp box, you can be exposed into any sort of guitar effects that any body would bring into your studio. You can also borrow guitar amps from your friends and borrow effects pedals that you do not have now but maybe you could borrow one or something and reamp into them.
It just opens up the possibilities of all the effects that you can do.
There is some real key advantages to knowing how to reamp your guitar tracks. Obviously the selection of the tone is one. It is great. If you do not know what you are looking for then you can always decide later. You can set up something that is a safe bet for you to play to, for you do just make the music feel good. If you do not always know what tone you want, you can always change it later.
Secondly, if you are in a live situation you can always reamp and get a better tone in the studio in a controlled environment with really good microphones.
Thirdly, if you do not have a guitar amp that you really like, you can reamp later with something better. If you have a friend that you will be seeing two weeks from now and you can ask him to bring his amp. I want to play my tracks through your AC-30 or something. You can actually take your tracks, play them through a better amp owned by someone in your network of friends or whom you have played shows with. You could help each other by using each others gear to reamp your guitar tracks.
Of coarse you can send anything in there. You can reamp drum tracks into a guitar amp, you can send vocal into a guitar amp.
A few episodes ago I did a episode on purely sending a vocal into a reverb of a princeton reverb so it had a great lush reverb and I want to tap into that. So I used the reamp box to get into that amp.
In general, if you can, be tapping into that direct signal after your performance based pedals. After the specific delay pedal, after any sort of wha wha pedals or anything that is very much attached to the guitar players foot when he is playing that guitar you wanna keep in dry signal. You really should be recording this as much as possible. Unless the DI Box is degrading the signal. Always do an A to B check to make sure that it is not doing something wierd, but if it sounds the same then go for it. Go ahead a track that dry signal and track the amp with a microphone. And hopefully you will be able to keep that original guitar amp because if you can get tones that you like at the beginning when you are in the moment of the song creatively and in that headspace then awesome. You will be able to make decisions that are good for that song. But if you are just confused. If the session is fast paced. You get flustered and you are not sure of your guitar tones and your decisions. Then go ahead and track that direct signal and it can really save your butt in the future.
I hope you have a lot of fun with reamp possibilities.
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