This music composition lesson explains and demonstrates how the voice leading rules apply to the resolution of the Dominant 7th chord. An investigation of how to resolve the 7th and the 3rd in a V7 chord is followed by various options for the application, including how best to follow the chord with I or VI, how to organise the part writing, how to decorate, and how to enhance the resolution. Particularly useful for those writing four part harmony who want to gain confidence in the use of the V7 chord.
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🕘 Timestamps
0:00 - Introduction to how to resolve a dominant 7th chord
0:13 - What is a dominant 7th chord?
5:55 - Example 1 (triple root)
8:57 - Example 2 (getting around the triple root)
10:54 - Example 3 (with decoration)
12:23 - Example 4 (with decoration)
13:56 - Example 5 (with decoration)
14:48 - Example 6 (exceptions to the rule)
17:18 - Example 7 (using a suspension)
19:54 - Example 8 (cadential 6-4)
22:11 - Example 9 (going to chord VI)
27:19 - Conclusion
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