Discover the intricate beauty of bingata textiles from Okinawa Prefecture through a talk and demonstration by Odo Azusa and Ueda Miki.
The culture of Okinawa is distinct from having long been influenced through trade links with China, Korea and Southeast Asia. Bingata resist dyeing techniques originated at the time of the Ryūkyū Kingdom (present-day Okinawa) and date back to the 14th century. The design of bingata textiles draws inspiration from the stunning natural beauty of the subtropical Ryūkyū archipelago. Its turquoise seas and diverse fauna and flora are represented on these vibrantly coloured and meticulously crafted textiles.
During the event, dyer Ueda Miki from Chinen Bingata Laboratory and Odo Azusa of the Ryukyu Bingata Preservation and Expansion Consortium discuss the aesthetics and production process of bingata, as well as its history, current forms and possible futures. The speakers elaborate on their efforts to preserve the dyeing technique and foster appreciation for this Okinawan craft among the younger generation.
About the speakers
Ueda Miki
Born in Naha, the capital of Okinawa Prefecture, Ueda joined Chinen Bingata Laboratory in 2018. The Chinen family was one of the main families specializing and excelling at creating bingata textiles during the time of the Ryūkyū Kingdom. The family also played an important role in reviving the craft after World War II. Ueda studied bingata dyeing techniques under Chinen Toma, the 10th-generation craftsperson of the Shimogiho Chinen family.
Currently, she not only creates textiles, but also teaches online courses and conducts workshops to promote bingata.
Odo Azusa
Born in Naha, Okinawa, Odo Azusa has been involved in the management of the Ryukyu Bingata Preservation and Expansion Consortium. Her responsibilities include utilizing intellectual property of bingata designs, collaborating with craftsmen, and the popularization of the craft through design competitions.
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Негізгі бет HYBRID | Bingata - Patterns of Nature: In conversation with Odo Azusa and Ueda Miki
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