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@MrLuridan
Жыл бұрын
As a former lutenist and vihuelist, I had the great pleasure of playing contemporary intabulations of Josquin, Arcadelt, Agricola, and other great composers of this and adjacent time periods. The quasi-improvisational treatment of these pieces by Francesco da Milano, Narvaez, Mudarra, and others was really rewarding and enlightening. Great content and thank you for posting!
@MusicMattersGB
Жыл бұрын
Excellent
@jayducharme
Жыл бұрын
That was very interesting. I'd never heard of des Prez. You've inspired me to go look up more of his music.
@MusicMattersGB
Жыл бұрын
That’s great
@stephenbashforth8257
Жыл бұрын
Hi Gareth, Really interesting - my understanding of music and music theory is all self-taught. I have listened to Palastrina and Gesualdo, who are later, and though I have heard of Josquin (courtesy of Radio 3) I have never otherwise listened to nor studied him. The only other early music I am familiar with is Hildegard of Bingen. You painted and interesting picture and stirred an interest in early music. Thank you.
@MusicMattersGB
Жыл бұрын
That’s great. There’s plenty to explore
@carlstenger5893
Жыл бұрын
My introduction to Josquin was in high school through an excerpt taken from his Ave Maria (for four voices), “Ave Vera Virginitas”. I was instantly hooked. I’ve (since then) sung many other pieces composed by him. Several of my own compositions were heavily influenced by his motets. In my opinion, Josquin’s motets represent the very epitome of choral writing (especially a cappella) in all of mankind’s history. There are only a handful of composers who could be considered comparable in skill. Byrd, Bach, and Palestrina are the only three that quickly come to mind. Thank you, Gareth, for this delightful dive into the world of Josquin. These longer videos into the life, times, and music of great composers remind me of the wonderful hours I spent in Musical Literature courses at University 40+ years ago.
@MusicMattersGB
Жыл бұрын
He’s certainly an amazing composer. Glad you enjoyed the video.
@davidwhite2949
Жыл бұрын
Interesting that we returned, with jazz, to modal music. Knowing what we know now about musical function and 20th century harmony
@MusicMattersGB
Жыл бұрын
Fascinating. I agree.
@dezangerman
4 ай бұрын
This was really very interesting. I have written a short study about the Franco-flemish school of which Josquin is the central figure. However my musical knowledge was still minimal so the whole thing was more based on historical facts rather than musical developments. This talk has taught me a lot and I am going to add it to my history of the Franco-flemish school. Thanks a lot.
@MusicMattersGB
4 ай бұрын
A pleasure
@corrinneloudon525
Жыл бұрын
Thank you, this has been fascinating!
@MusicMattersGB
Жыл бұрын
A pleasure
@darkyangel99
Жыл бұрын
Thank you sir for all the hard work you have put into it❤❤
@MusicMattersGB
Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
@abagatelle
Жыл бұрын
Excellent video Gareth, I'm off to the 15th century now in my Tardis. Au revoir!
@MusicMattersGB
Жыл бұрын
Enjoy the trip!
@hei7586
Жыл бұрын
Thank you very much for this interesting lecture!
@MusicMattersGB
Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
@conforzo
Жыл бұрын
Magnificent video David! Really cool with a video from Reneissance composer! How about one from Monteverdi?
@MusicMattersGB
Жыл бұрын
Perfectly possible
@patrickemmanuvela957
Жыл бұрын
Hi Gareth It's really very Informative thank you for this Video do lot like this it means a lot :)
@MusicMattersGB
Жыл бұрын
A pleasure
@teijostahl4380
Жыл бұрын
One present-day example of "hybrid style" is Spes (Hope) by Mia Makaroff, hybrid of old church latin texts and Sami Joiku.
@MusicMattersGB
Жыл бұрын
Excellent
@heyguille
Жыл бұрын
Thank you for this incredibly insightful video. How about adding Byrd’s “Ave Verum Corpus” to the list of future videos? Right at the end of that piece there’s a beautiful imitative section and I would love to get your insights on it. Thanks again Gareth! :)
@MusicMattersGB
Жыл бұрын
Could do. It’s a wonderful piece
@TheCompleteGuitarist
11 ай бұрын
It's quite likely that the mixture of chanson and motet, Latin and French was an attempt to make the music accesible to those that could not sing in parts and did not speak latin, the common folk, give them a chance to partake in something. Just speculating. Thanks for sharing this, I love this kind of music for voice. So happy that someone like Arvo Part keeps the power of the human voice alive but these are its fairly humble beginnings.
@MusicMattersGB
11 ай бұрын
Absolutely
@kleberveridianogoncalvesde6293
Жыл бұрын
Thank you !
@MusicMattersGB
Жыл бұрын
A pleasure.
@mjmn1000
Жыл бұрын
Most interesting.
@MusicMattersGB
Жыл бұрын
Many thanks. Much more at www.mmcourses.co.uk
@patrickcunningham618
Жыл бұрын
💫
@MusicMattersGB
Жыл бұрын
😀
@elierouhana1181
Жыл бұрын
❤️🙏
@MusicMattersGB
Жыл бұрын
😀
@nickdryad
Жыл бұрын
I’d love you to do an analysis of Zadok the Priest.
@MusicMattersGB
Жыл бұрын
Good idea
@EuphoniaPooch
Жыл бұрын
" AaaahhhaAAAAhhhhAAAAAAHHHh, What is this about anymore?" LOL
@MusicMattersGB
Жыл бұрын
Just the style of the period.
@tomheikkinen8494
Жыл бұрын
Thank you so much Gareth. If any of your viewers would like a specific listening recommendation for a Josquin motet, I can't think of a better one than "Praeter rerum seriem". A work for 6 voice parts, the title means "Beyond the order of this world", and that is definitely what it sounds like! Here is a performance with score to follow: kzitem.info/news/bejne/yYaYx6yQn6l8iKA
@MusicMattersGB
Жыл бұрын
Excellent recommendation
@kornsuwin
Жыл бұрын
So, what's the deal with the name on the sheet music?
@MusicMattersGB
Жыл бұрын
The Latin title of the piece
@steph1918
Жыл бұрын
Thanks for this session on Josquin, Gareth. You might be interested in one of his pupils, Jean Richafort. He wrote a wonderful requiem for his master. → kzitem.info/news/bejne/y3dqtXp_b6ZhY44 And something quite surprising happens at bar 40. Have a listen.
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