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Richard Atkinson discusses examples of "irregularly metrically shifted counterpoint" in Josquin's "Ave Maria Virgo Serena" motet, in multiple Haydn string quartets, and in the fugal finale of Nielsen's 5th Symphony.
Richard Atkinson's other related video:
"Hilarious Counterpoint in the Finale of Haydn's Op. 64 No. 1 Quartet in C Major"
kzitem.info/news/bejne/toCay31nqaZ8mWk
This is a fair use educational commentary that uses excerpts from the following recordings:
Josquin "Ave Maria Virgo Serena" performed by the Tallis Scholars:
kzitem.info/news/bejne/zK6C3GamiZuCiX4m6s
All Haydn quartet performances by the Festetics Quartet.
Op. 50 No. 1 quartet, mvt. 3:
kzitem.info/news/bejne/mKWpsHeanXl7hpgm42s
Op. 71 No. 1 quartet, mvt. 1:
kzitem.info/news/bejne/xoWLvaKkrmVjh2Um8s
Op. 71 No. 2 quartet, mvt. 1:
kzitem.info/news/bejne/lZxrrqGfqaR4nG0m53s
Op. 71 No. 3 quartet, mvt. 1:
kzitem.info/news/bejne/16OqsX6efJ-ph6gm22s
Carl Nielsen, Symphony #5, finale, performed by the BBC National Orchestra of Wales conducted by Thomas Søndergård:
kzitem.info/news/bejne/kWlqnZOwqoKAi34m29s
00:00 - Josquin
03:13 - Haydn
10:44 - Nielsen
Негізгі бет Музыка Josquin, Haydn, & Nielsen: Irregularly Metrically Shifted Counterpoint
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