I'm very active in the music industry right now, working w/ all these artists & labels & I can tell you, THIS interview is the most important 1 on this channel. The avg ent lawyer wouldn't dare give all this information out FOR FREE. Y'all should really thank this man. This is literally EVERYTHING you need to know.
@PhenomDaDON
5 жыл бұрын
NOOOOOOOOOOOO CAP ON THAT!!!
@MillionaireMims21
5 жыл бұрын
FACTS‼️🏁
@dalarrianfeatherston7848
5 жыл бұрын
Most underated comment been followin dough for while. He aint lying
@JerelVision
5 жыл бұрын
DOUGHBOY Beatz sad thing is people still gone look past this
@eman0828
5 жыл бұрын
There's a *HUGE* difference between just making a beat and sending off to get a placement vs acutally physically collaborating with the Artist in the studio producing the finished record. *P-Diddy, Pharrell, Timbo, Dre, and Scott Storch* are real Record Producer's like Quincy Jones as they all oversee the entire production from A to Z all the way to the mixing and mastering stage. None of them acutally sells beats. They have their own set rates as they charge an Advance per Master Recording. Timbo was charging around $200,000 per Masters.
@retr0beatz347
5 жыл бұрын
Y’all should get a engineer I think it would be cool bc I don’t think engineers get a lot of credit for what they do
@dollarsigndavebeats4649
5 жыл бұрын
they did caveman
@iOWNyouFOOLaskYOmama
4 жыл бұрын
@@dollarsigndavebeats4649 when cave monster?
@laptoplegends1464
5 жыл бұрын
I like how he explains things without making you feel stupid lol good interview guys
@Producergrind
5 жыл бұрын
Laptop Legends haha fasho no problem bro
@DJPain1
5 жыл бұрын
Ay, appreciate the shout-out!
@GoodxJ
5 жыл бұрын
"DJ BEATS 1!"
@DJPain1
5 жыл бұрын
@@GoodxJ you just had to ruin my moment 😭
@blackmel3112
5 жыл бұрын
If you a producer you need to watch this...really know your rights
@Producergrind
5 жыл бұрын
Black Mel 💎💎
@FaithMonaco
5 жыл бұрын
we're lucky the lawyers aint tryna hide the knowledge like most producers 😤
@steaktacobeats783
5 жыл бұрын
Bro your drum kits just keep getting better and better! keep it up!
@Jon_cb
5 жыл бұрын
lawyers don’t hide knowledge but they usually charge you for their time.. this dude seems to have good intentions
@chimneyOWN3D
5 жыл бұрын
@@Jon_cb also take under consideration the fact that him being in the interview gives him kind of more recognition, so it's a win-win situation i would say. the community gets knowledge and he gets more recognition :D
@steaktacobeats783
5 жыл бұрын
Producers forget that the music industry is a business, and you have to have your paperwork right.
@XRXONE
5 жыл бұрын
Steak Taco Beats I see you everywhere man 😂
@steaktacobeats783
5 жыл бұрын
@@XRXONE thanks for checking up on me lol
@zayotb
5 жыл бұрын
Steak Taco Beats so do I
@mannywiggins6952
5 жыл бұрын
Definitely gonna watch this over and over to make sure I miss nothing 😂💯🤷🏿♂️
@Glow0110
5 жыл бұрын
make sure you peep the truth here: kzitem.info/news/bejne/0HmItX-lcHmbiaQ
@GavinDiDifferent
5 жыл бұрын
faactss
@ego2bank991
5 жыл бұрын
great interview!
@saitakeover4336
5 жыл бұрын
For every producer starting now please negotiate your own agreements. Tell the artists how much your want for your work. Know your worth. Trust me if an artists wants your beats they will paid for it. Stop selling out when you need to eat.
@eman0828
5 жыл бұрын
Instead of selling beats, why don't people Produce the finished record in the studio with the Artist as the correct way? DR. DRE, Timbaland, Scott Storch, Pharrell Williams doesn't even sell beats as they are real Record Producer's like Quincy Jones as they acutally collaborate with the Artist and Engineer in the studio that sees the whole thing through all the way down to the mix.
@ACMadeThis1
4 жыл бұрын
💯💯
@ClassEBeats
5 жыл бұрын
I hope you guys do more interviews like this💯💪🏾
@Producergrind
5 жыл бұрын
ClassE Beats most def got u bro 💯
@ClassEBeats
5 жыл бұрын
Producergrind 2.0 appreciate y’all, keep up the great work🔥
@sooesossstudiotutorialsses6240
5 жыл бұрын
Fact check all that you hear do your research the music business is business.... Watching one podcast will not get you where you should be...
@speedyrio2365
5 жыл бұрын
Why go to school when there's producer grind 💪🏼
@Producergrind
4 жыл бұрын
speedy rïo lol no cap 🤣💪
@JulienEarle
5 жыл бұрын
thats why you have to have a youtube channel, so you can have a business to support you while you're out here chasing placements and clout
@gordonmoore2671
5 жыл бұрын
Keep in mind Songtrust works with harry fox . Harry Fox only deals with us mechanical royalties.
@MGTheFuture
5 жыл бұрын
In so many words...its a cap era. No money
@voiceofreason4u147
5 жыл бұрын
TO ALL RECORD COMPANIES LISTEN...U DON'T WANT PRODUCERS TO GO ON STRIKE FOR 2 MAJOR REASONS...1...SHOW ME ONE ARTIST WHO CAN SELL SHOWS WITH NO MUSIC BUT ACCEPELLA????...2...A STRIKE WOULD NOT ALLOW U TO PUSH YOUR MESSAGES ON THE MINDS OF PEOPLE....NOW GO THINK ABOUT THAT
@Kevironio
5 жыл бұрын
You should do a compilation of the most important gems that have been dropped on the show
@liltimmydidit
5 жыл бұрын
Def an informative podcast everyone that makes music should/needs hear this
@audiodopebeats
5 жыл бұрын
PG, really appreciate y'all listening to the community and getting an entertainment lawyer to break the ugly side of music (the business side) down. Please keep in touch with him and keep bringing on more music business related content for the community to get educated on. Gonna have to rewatch this a few times to let it all sink in.
@Producergrind
5 жыл бұрын
audiodopebeats for sure bro this just the beginning
@juandusse335
5 жыл бұрын
It would be so fire if yall got Poo Bear on here.
@Astroandy1
5 жыл бұрын
This interview is a gem 🙏🏼 thank you
@IAmLeeBlackman
5 жыл бұрын
This interview is key
@Producergrind
5 жыл бұрын
LEE BLACKMAN 🔑🔑🔑
@64gb85
5 жыл бұрын
At first he was saying “loops cannot he protected” and then when asked again in a different way, he says, “there’s definitely some recourse for that” yet doesn’t explain. Since when can music not be protected? FOH.
@reven6e531
5 жыл бұрын
64 GB maybe he was referring to chords or that the producer gave the loop out for free with no legal binding
@Therealsamso
5 жыл бұрын
16:07 can’t believe they actually answer my question 💪📈📈📈🔋💯
@Producergrind
5 жыл бұрын
Sam So ayye thanks for submitting bro 💯
@demencha-1
5 жыл бұрын
need more content like this! really thankful for yall at Producergrind. and s/o Karl Fowlkes for dropping GEMS!
@stylzkeyz
5 жыл бұрын
Interesting...Before I signed my Pub-Deal with Dreamworks my attorney said I had to make a publishing co. I see my company and Dreamworks split percentages on the BMI site. I understand if you dont have a pub-deal then you need to get your publishing administrated...They call it a Admin deal. The difference is an Admin deal on gets like 10-12% where a traditional Co Pub-Deal gets 50% with 10 reversion!
@MrRyanBarr
5 жыл бұрын
Thanks bros for this foreal we need to be educated with this game
@Producergrind
5 жыл бұрын
Ryan Barr yessir we all need it
@JayWickTv
4 жыл бұрын
Probably the best episode so far no cap
@mfyrisingmayo1913
5 жыл бұрын
southside fallout with interscope should be a red flag not to sign with labels... signing with 808 mafia however is a different topic
@JuliusStJames
5 жыл бұрын
Some producers are looking for them quick beans because they need to eat. Getting paid $400 for exclusive rights... then that beat makes millions and you're left with $400.
@2gproducedit
5 жыл бұрын
Julius St. James thats why you dont sell publishing rights
@action903
5 жыл бұрын
Exclusive means that rapper will exclusively use that particular beats doesn't mean u lose your rights/backend as a producer. Thats misinformation. Now if u do a work for hire all the producer will get is the advance payment and no back end.
@eman0828
5 жыл бұрын
@@action903 an Advance is pre-payment of future royalties. If you get no Royalties, then it's an up front flat fee. Only real Record Producer's gets an Advance that goes against Points on an Album based on the SRLP or Net Receipts pro-rated by the number of Masters on the Album that the Producer produced that comes out of the Artist share of their Record Royalties. Let's say 3% is the basic rate. In a Producer Agreement, the Producer's rate can also be pro-rated for other exploitation of the Masters such as Master Use License in audio-visual Synchronization, forigen sales that maybe one-half the of the basic rate, record clubs, etc. Beat Makers generally don't get points because they aren't real Record Producer's like Quincy Jones.
@scoobydoo6836
5 жыл бұрын
@@eman0828 get help
@eman0828
5 жыл бұрын
@@scoobydoo6836 Who needs help? Your talking to some one that's been doing music for the past years as I know what the hell I'm talking about.
@fresh2354
5 жыл бұрын
Thank you guys! This really pushed the bar & you guys did a real nice switch up
@FrankGotThePack
5 жыл бұрын
Essential video for any producer good looks y’all I learned alot
@skoolhitdabutton
5 жыл бұрын
I have watched alot of these type of videos. I am thinking...get a decent job......and just rock and make beats for family and friends....this shit just is not easy fam....No stress
@eliremy6979
5 жыл бұрын
On God
@retro9934
5 жыл бұрын
😂😂😂😂😂😂😂
@gcornelius308
5 жыл бұрын
The money left when cds and tapes left.
@PRNCEXP
5 жыл бұрын
Yoo every producer big and small needs to watch this multiple times and take notes!! Too much game right here and for FREE!! Producergrind the real MVP 🔥
@consiglieremusick9079
5 жыл бұрын
I feel like he doesn't know what he's talking about at certain points tbh.
@notsogood9449
5 жыл бұрын
I feel the same way too. He's having trouble answering a lot of the questions. He needs to study the music business a little more before he try's to teach other people about the music business.
@64gb85
5 жыл бұрын
Consigliere Musick he doesn’t.
@gcornelius308
5 жыл бұрын
And what are your credentials?
@franfranfrancis
5 жыл бұрын
He's straight lying in several parts yo
@eman0828
5 жыл бұрын
I do agree as I've had conversations with experienced Music Attorney's with over 20 years of experience as this guy is not very experienced and a very young kid just fresh out of college. I'm way older than this young cat as I'm in my 30s. Check out Canadian Entertainment Attorney *Kurt Dahl.* Very well experienced as I learned a alot from him. *Steve Gordon, Esq.* another brilant Entertainment Attorney sadly he passed away. I've been a Record Producer for the 15 years and know the difference between the two distinct Copyrights and the difference between a Beat Maker and a real Producer. Points for the Master he was talking about has nothing to do with some that make beats. Those royalties are for Real Record Producer's that produce the finished record that embodies the Artist Vocal Peformance. I have an 18 page Producer Agreement that goes in depth of of Royalty Points, based on the SRLP as the basic rate, pro-rated by the number of Masters on the Album that the Producer produced as well as other exploitation of the Masters such as Audio-visual.
@notsogood9449
5 жыл бұрын
This dude didn't do a good job of explaining what Mechanical royalties are. Mechanical royalties are what you get when your composition is manufactured on a CD, downloaded from an online music store like iTunes, or streamed on an online music service like Spotify.
@eman0828
5 жыл бұрын
Mechanical royalties are only issued out to Songwriter's and Publishers for the underlying musical composition embodied on the Masters each time it's duplicated. Technically a Beat Maker is a Songwriter as they are Composer's on the Music side. A Song is 50% Music and 50% Lyrics. real Record Producer's on the other hand get Points on the Album Producer known as the Producer's Royalty which is a percentage of the Artist record royalties based on the SRLP pro-rated by the number of Masters on the Album that the Producer produced. You have two copyrights, the Master Recording and the Underlying Musical Composition.
@gcornelius308
5 жыл бұрын
You should buy everything you need to know about the music industry.
@DJPain1
5 жыл бұрын
@@eman0828 Not true. Mechanicals are paid out on the master side as well through Soundexchange.
@eman0828
5 жыл бұрын
@@DJPain1 Nope. You are getting the Copyrights mixed up bro. Take the time and research instead making assumptions because I did the homework for you. I'm pretty well experienced in the Music Publishing. Mechanical royalties is for the *Underlying Musical Composition* embodied on the Masters which is for Publishing, hint where *Harry Fox* comes in to the equation. Songtust pays out Mechanical royalties. Did I not talk to you before about *Songtrust?* Sound Recording royalties and Mechanical royalties are two entirely different royalty streams and two different Copyrights. Might want to check the 1976 Copyright Act. Sound Recording royalties such as digital Peformance Royalties from SoundExchange is for the Master Recording. Points on the Album that a Record Producer negoicates is for the exploitation of the Masters. In my Producer Agreement, my Royalty Point's are based on the *SRLP* pro-rated by the number of Masters on the Album that I contributed. The *Record Royalties* comes out of the Artist record royalties as an all-in deal from their Recording Agreement. Let's say the Artist gets 18 Points of Net Sales of the SRLP and Producer gets 3%, the Artist gets 15 Points as an All-in. There is this Mechanical License clause in my contract called *Controlled Compositions* when a Producer is a Co-Writer on a song such as composing the beat or writing the lyrics. The Controlled Composition clause states Mechanical royalties payments as a license for the musical composition based on the percentage share of the song each time the song embodied on the Masters is duplicated.
@DJPain1
5 жыл бұрын
@@eman0828 I was just on tour with songtrust. Before that, I uploaded 3 interviews I did with a songtrust rep. Songtrust themselves called what soundexchange collects a 'mechanical.' They also call it a 'digital royalty' and it might be semantics. Appreciate the condescension either way, I expected no less from you.
@KillahDameBeatz
5 жыл бұрын
Good Gems in this interview. Thanks producer grind.
@eman0828
5 жыл бұрын
Only Artists signs up for Sound Exhange as the Label or Artist owns the Master's. Producer's, Mix Engineers and Audio Engineers are only eligible for SoundExchange royalties via a *LOD (Letter of Direction)* when a *Mixer* or *Record Producer* ask for Record Points. The Artist is the one that has to send out the LOD to SoundExchange to account to Producer of Artists share royalty percentage. These types of royalties aren't made for some one that makes beats because Beat Makers are considered Composer's which is why they get Publishing as they aren't acutally producing the finished record with the Artists Vocal Peformance which is the Masters. Thats where real Record Producer's and Beat Makers differ. Real Producer's get Points as they don't even have to Make beats or compose anything to receive Points. *P-Diddy* is a Producer and doesn't make beats.
@PBLargeBeats
5 жыл бұрын
more like this "with lawyers" good ?'s
@awedensetheanalysis180Regiment
5 жыл бұрын
MAD LOVE ! THIS WAS HEARTFELT. Im a producer of 2-3yrs now. From a lil city called Lawrence, ma and I tell you its tough out here for a producer. Especially, when your in a different lane of production. GOTTA stick to your guns and stay knowledgable, seriously.
@zainababdul-malik6543
5 жыл бұрын
Aye as a producer and artist this helped me a lot
@Producergrind
5 жыл бұрын
Zainab Abdul-Malik glad it helped bro 💯🙏
@Craftmaster3
5 жыл бұрын
The reason why the Producer points are so low is because the actual role of the producer isn't to write and play the music on the record. The role of the producer is to put the talent together to make the record. But, since the hip hop community is so bent on beatmakers being referred to as producers you are putting yourself in a role that isn't beneficial when it comes to actual busniess.
@marcusdavis9011
5 жыл бұрын
Craftmaster Productions big facts hints to why young berg is eating but no “beatmaking”... sounds like people need to step their pen games up and actually make demos
@eman0828
5 жыл бұрын
Yeah there is a HUGE difference between a Beat Maker and a Record Producer. Real *Record Producer's* don't get signed to Labels as they work independently with the Majors that are hired by labels as an Independent contractor via a *Producer Agreement* for the engagement of their service's to produce and deliver the Masters on behalf of the *Signed-Artists* label. It's the same contract, that *Dr. DRE, J.R Rotem, Rodney Jerkins, Pharrell Williams, Scott Storch, Timbaland* etc enters in each time they are *HIRED.* Many Record Producer's run their own Production Companies esp *Teddy Reily, Tricky Stewart* or have their Vanity Labels or Imprints as a Joint Venture with a label such as *Timothy Mosley Group.* I'm not sure what these weird Production Deals comes from because far as I know, a *Production Deal* is when a Record Producer signs an Artist to a Production Company into a demo-deal to develop the Artist and shop the Artist's demos to the labels to secure a Recording contract. This weird Production Deal must be a modified Producer Agreement specially for Beat Makers not real Record Producer's as I never heard of a real Producer like *Quincy Jones* get signed to a label. I have an 18 Page Producer Agreement with a label it discribes my role as a Record Producer to produce the Masters that embodies Artists Peformance. I'm engaged to Direct, Supervise and control the recording sessions.
@marcusdavis9011
5 жыл бұрын
Eman 08 the problem today is that kids get all weird with this shit... it’s ok to be a beat maker... wanna be a producer then get in the damn room and connect the dots
@eman0828
5 жыл бұрын
@@marcusdavis9011 Yup. The labels are using the wrong type of contracts for these beat makers that call themselves so call Producers because Producer Agreements aren't even designed for selling beats. I've seen some modified ones, and was reading some of the clauses and didn't make any sense to what I have. The labels are taking advantage of these beat makers as they get give them what they think the beat is worth. On the other hand, real Producer's have their own set rate that they charge per Masters that comes out of the Recording Budget funds as they are basically paying themselfs. Timbo was charging around $200,000 per Masters.
@FashowPeople
5 жыл бұрын
Best channel for Musicians!
@Producergrind
4 жыл бұрын
Fashow People United 🙏🙏 thank you
@eduardocovarrubias8042
5 жыл бұрын
The information in this video!! Thanks Producer Grind and Karl Fowlkes
@FLAMFilmsForever
4 жыл бұрын
One of the best interviews ! s/o Karl Fowlkes - every article I've read from homie is A1
@BasedTj
5 жыл бұрын
Wow
@ericdavidwallace
Жыл бұрын
16% of your own Music is INSANE!!! Why would any artist sign such a horrible deal! Even 25% is horrible!
@heftyhalo9909
5 жыл бұрын
Thanks
@burnyftw
5 жыл бұрын
Great Interview!!! Hmu for beats hahah!!!!
@gshine500
5 жыл бұрын
Important episode guys, I needed this fr fr.
@bmeproductions5926
5 жыл бұрын
I would have paid for this one it's that valuable
@JayJean
5 жыл бұрын
Big Thanks producergrind for this interview it clear up alot of questions i had. I appreciate it. Knowledge is Power.
@Producergrind
5 жыл бұрын
Jay Jean glad it helped fam 🙏💯
@Ast3rixMusic
5 жыл бұрын
This was a great session!! Thank you for providing this valuable information. I have more work to do... always learning!!
@SmokinAcesProd
5 жыл бұрын
First off, thank you guys for answering my question. I much appreciate it!! I do have a general question, because I’ve heard it said by everyone... what’s constitutes “real money” ?
@VicTheMonster
5 жыл бұрын
BEST ONE YET! YALL KILLIN IT!!!!!!
@franfranfrancis
5 жыл бұрын
Yo what the fuck is he talking about you should join BMI and ASCAP? You can only belong to one or the other and BMI has to invite you. Then he saying that you won’t collect performance royalties and that ASCAP doesn’t pay? All the other info I’ve been looking up says the exact opposite. It’s much harder to get mechanical royalties than performance royalties. I think this dude is an industry plant to confuse people about how to get paid
@mistercalisthenics
2 жыл бұрын
Just rewatched....SXSW is that deal....This interview is that deal, too....
@tthornton4
5 жыл бұрын
Can do an interview with marketers in the industry?
@johnlesliemusic6402
3 жыл бұрын
So that’s why producers get paid on the front end because according to what I’ve seen royalties are paid quarterly such as January September so forth correct me if I’m wrong
@benicioprod
5 жыл бұрын
Artists don’t shout out their producers and it upsets me... producers are already getting fucked behind the scenes, you can’t acknowledge them publically? It’s not about clout, more attention more fans puts you in a position to create and take more opportunities for yourself... Producers deserve 50% of the master The percentage that the label takes from the artist, should be out of the artist’s 50% Im not gonna quit but damn this interview pissed me off, a lot of things I didn’t know I learned watching this. It’s a great interview guys I’m just mad that the truth
@enzigenes
5 жыл бұрын
A lot of these young producers sign with indie labels because they're groupies. They will be a groupie and get fucked before they handle their real business. A lot of producers don't like to do business, they rather stay in the studio, get high all day, and make beats. I see this shit all the time. Artist will take their beats, record music, the song gets hoit, do shows using their beats, and don't give the producer who did the beat a dime.
@alexmmusa
5 жыл бұрын
please get more real info like this
@706HITZEntertainment
5 жыл бұрын
This guy is half confused about a lot of things.
@Producergrind
5 жыл бұрын
706HITZ Entertainment wym?
@notsogood9449
5 жыл бұрын
Yep... he clearly needs to study the music business a little more.
@consiglieremusick9079
5 жыл бұрын
PG2.0, I've spent alot of time on this topic and he's flat out wrong throughout the discussion. Please reach out to others and get their knowledge. I emailed you a requested guest months ago who's been in the game since the 90's. Please reach out to them.
@Producergrind
5 жыл бұрын
Consigliere Musick what topics is he wrong about?
@706HITZEntertainment
5 жыл бұрын
@@Producergrind mostly about royalties. I has some things correct but kinda the way he answered most questions like he was unsure of himself.
@Materva-hv6sz
2 жыл бұрын
I wonder if producers can find opportunities with NFTs
@dukeneukem4747
5 жыл бұрын
ayo tlyall really are appreciated on this end. keep up the incredible work fellas
@Glow0110
5 жыл бұрын
Don't miss the keys: kzitem.info/news/bejne/0HmItX-lcHmbiaQ
@bboymac84
2 жыл бұрын
The big producers have leverage! Key word “leverage”!!!
@amanisun8293
5 жыл бұрын
On everything!! Best interview yet !
@Producergrind
5 жыл бұрын
Amani Sun 💎🔑💯
@scottgildedv222
Жыл бұрын
Who's here watching this in 2023?
@reginaldhodge8132
2 жыл бұрын
Almost not worth getting into music!!!!
@ayoonine
5 жыл бұрын
Favorite episode to date. Appreciate everyone for this.
@sickduck9865
5 жыл бұрын
Thank you, producergrind crew!
@sampleshifter
5 жыл бұрын
its unethical fs we need that producer union asap
@eman0828
5 жыл бұрын
Beatmakers whining that they aren't getting paid. The problem is they are still just Beat makers as the labels take advantage of them as the Label gets to pick and choice how much their beat is worth. A Real Producer produces the finished record from A to Z in the studio with the Artist as they have their own set rates they charge per Masters. You don't see Scott Storch, Pharrell Williams or Timbaland complaining because they are real Record Producer's, they don't sell beats. Timbo was charging around $200k per Masters.
@sampleshifter
5 жыл бұрын
@@eman0828 word
@SUPATHOWEDTV
5 жыл бұрын
I LOVE YA'LL QUESTIONS!!!!
@Producergrind
4 жыл бұрын
St. Nicc Supa Thowed thank you!!
@cowboylemonheadmedia
5 жыл бұрын
Thank you. I subscribed.
@ibsenproducer
5 жыл бұрын
Amazing Episode Guys!!! Karl explain very good! Good Job!
@joonxciv
3 жыл бұрын
Engineers and Producers are truly.... The Man behind the Suit tbh. Without these two roles Singers, Rappers, Songwriters... Would be less Inspired.
@johnnyloomin8135
5 жыл бұрын
Producergring for the culture
@Producergrind
5 жыл бұрын
TheMobs Beatz ✊✊
@nevacaredmosen
5 жыл бұрын
Fr
@MarouanDridi
5 жыл бұрын
DOPE
@Bam2skreet
4 жыл бұрын
Interview mr.2-17
@yungraptor9864
4 жыл бұрын
Had to come back to this
@HTXRECORDS
5 жыл бұрын
What u mean u dont need a publishing company ? thats the other half of the copyright of composition..
@clarkflavor
5 жыл бұрын
Man, I'm confused. There's extreme amounts of music being released every single day. How is producers NOT getting payed? On the other hand, where is the money supposed to come from? I need to learn more about this.
@Naveed111uk
5 жыл бұрын
Awesome interview my bros. Thank you for getting him on!! So many gems - this will help artists big and small. Keep it up. Love for the UK
@mahibbalde1433
5 жыл бұрын
Y'all arent gunna do the craziest numbers on this interview but its one of the most valuable interviews you have ever done and you need to have more conversations like this, the kids are listening and for anyone who wants more information I would suggest reading "All you need to know about the music business" by Donald S. Passman
@youngpharaohbeats8818
5 жыл бұрын
Bless this channel
@Produced.by.nobody
5 жыл бұрын
Sometimes you just gotta pull the stick out to get half
@KillaKiRawBeats
Жыл бұрын
Yes please.
@talibanmari
5 жыл бұрын
Read books on the music business as well ! I’m glad i did and i am still reading. These terms where listed and talked about in the books
@NateAmbrose
5 жыл бұрын
Fantastic interview fam, you have to take out your pen and paper for this one! So much to learn.
@SadiqakaSTH
4 жыл бұрын
Too many gems 💎
@jtPrime
3 жыл бұрын
This the most fire interview you guys have had so far...period.
@BobAquatic
5 жыл бұрын
Major props on putting this out. It was so helpful!
@THEPR3SID3NT
5 жыл бұрын
The reason why Producers do not get paid correctly, is because when the music industry started, the Producer was basically the Engineer. He/she did not play a instrument/make beats. They were 99% of the time, just a engineer/mixing and mastering. Which to me is the best part of the song, because a good Master can make a corny song Hot. @Karlfowlkes if you want to change it bro, you have to start with what i said. Once you distroy the old meaning of the word Producer, producers will get paid and respect. Peace fam good show.
@eman0828
5 жыл бұрын
You got that backwards the Producer and A&R was a one person role. The Producer was the director as the Ochestrator and Label A&R that scout for talent. Now those roles have split. The primary objective of a Producer still to this day is to oversee the entire production from A to Z rather if you make beats or not. Many Record Producer's wear many hats as it varies by genre. P-Diddy is a Producer and doesn't make beats. He's the dude that sits behind the mixing board calling the shots. Rodney Jerkins, Bryan-Michael Cox, Timbaland, Scott Storch, Pharrell Williams, Dr. DRE, Teddy Reily are Hybrid Producer's as they are a real Record Producers that are basically wears two hats as the Ochestrator and Composer as it doesn't just end at the beat. They all see the whole thing through all the way down to the mix.
@THEPR3SID3NT
5 жыл бұрын
@@eman0828 You are saying the samething that i am saying. When the Recording industry was started, the Producers job was basically to Direct, and find talent, and than Mix and Master the song/songs. So nobody is going to give a Producer any Points or ownership on a Recording for doing those things. He/She will just get paid and there name on the record. You used Diddy as an example, but the only reason people like Diddy can get Points or even be called a Producer is because he owns the Record company. If he did not own the Record company a person like him wouldnt even be mentioned by todays standards. Nowadays Producers do everything, so we have to bring that to the table and seperate the jobs of the Producer of the past from the more current Producers. If we do not state the diffrence, we will never win or have a case. Peace Fam
@eman0828
5 жыл бұрын
@@THEPR3SID3NT When was the last time you saw a *Producer Agreement?* I have an 18 page one from UMG I can post a screenshot in this thread so that you can see for yourself. It's the same contract, that Timbaland, Scott Storch, Pharrell, P-Diddy, DJ Kahled, enters in each time they are hired by an Artist, even Producer's outside of Hop such as Jazz, Gospel, Country, Raegae, Classical uses this same contract. Producer's never mixed records back then, that was the Engineers job. P-Diddy is a real Record Producer. The role of a Record Producer still remains the same today as like I said the primary objective is to see the whole thing through. DJ Mustard said that he oversees the entire production as he said, if you think you a Producer that makes beats, that's not necessary the case as a Producer oversees the recording, mixing mastering. Scott Storch pretty much said the same thing in his 2015 Beat Camp video as he said he don't send beats out to people as he said he works with the Vocalist in the studio to help get the best vocal peformance just like what P-Diddy does. Yes many Producer's wear many hats than others but not all of them do as some are strictly directors esp in Rock, Country, Jazz genres. Look outside the box as there's more genre's than just Hip Hop. Most Rock Producer's are dual role Producer / Engineers like *Chris-Lord-Alge.*
@THEPR3SID3NT
5 жыл бұрын
@@eman0828 All of the Producer's you are speaking about have Power now. So they can get all of the rite titles, points, money etc. But in the Beginning they gave up EVERYTHING, and you can put your Top Dollar on that. So they are irrelevant to this conversation, unless you're going to speak about there humble beginnings and how they we're all Used. And in the Beginning of Recording the Producer's did Everything. But you're only focussing on the late 60s or 70s when they invented better equipment. So All companies hired Real Electrical Engineers. To build mixing boards, eqs etc. Like I said if you don't start at the (BEGINNING) you can't repair the problems, or see them. And Diddy or people that do what he does, are not Producer's. When Diddy started he was something like a Producer because he was doing the sampling. So he had the main idea for the song, but at the end of the day, just sampling doesn't make you a Producer. And I'm sure every real Producer will agree with me. So forget the contracts that are giving out nowadays, we have to be honest and give out the money and credit to the people/ person who's truly doing the work. Not to the people who have power or the people that understand a contract better that the next man. Peace Fam
@eman0828
5 жыл бұрын
@@THEPR3SID3NT What are you talking about? P-PIDDY DOES NOT MAKE BEATS! as I said hes a Record Producer. The contracts do matter esp when it comes to getting paid, who owns the Masters, RECORDING budget, RECORDING Cost etc. Here's what a label contract looks like with the engagement of a Record Producer. I have another one for myself when working with Indie Artist's that hires me to produce the Masters. s682.photobucket.com/user/anonymous777/media/Mobile%2520Uploads/20190515_142259_zpskpwaszmd.jpg.html
@alkalynebeats7806
5 жыл бұрын
this episode was a blessing for those out of the loop! we appreciate you
@MORNINGSTARMEDIA.MP4
5 жыл бұрын
That's the standard for masters? Hellll nahhh shiddd
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