miyapon007 Along with his attempt at breaking dance stereotypes, masked scenes in “MOVE" were included to match Taemin's vision for a K-pop industry where artists aren't as tied to their appearances as they currently are. This was inspired in part by his love of Sia, who he called his favorite musician, and her approach to (mostly) faceless musicality. He said, “I really wanted my fans to understand that outer appearances really don’t matter. A lot of K-pop fans tend to react to what is shown on the outside due to appearances, and influenced by Sia, I wanted my fans to see that what I bring on the inside is more important than the outside.” While he’s motivated by his own personal desires to show different ideas of what it means to be a K-pop artist, Taemin admits that his drive to expand his musical styles and performances is driven in part by the foresight that no bubble of popularity is eternal. Though Korean music's presence is growing internationally, the momentum can't last forever, according to the artist. “K-pop has already entered the spotlight and it’s reached the top of its popularity so there’ll be a tipping point when it comes down one day, in the future,” he reflected. “So I feel that many artists, including myself, need to focus on bringing different styles of music and new things to the market rather than just focusing on what we’ve always done. Our aim should be to develop K-pop in a way that makes it more stable and less inclined to fluctuate musically.”Along with his attempt at breaking dance stereotypes, masked scenes in “MOVE" were included to match Taemin's vision for a K-pop industry where artists aren't as tied to their appearances as they currently are. This was inspired in part by his love of Sia, who he called his favorite musician, and her approach to (mostly) faceless musicality. He said, “I really wanted my fans to understand that outer appearances really don’t matter. A lot of K-pop fans tend to react to what is shown on the outside due to appearances, and influenced by Sia, I wanted my fans to see that what I bring on the inside is more important than the outside.” While he’s motivated by his own personal desires to show different ideas of what it means to be a K-pop artist, Taemin admits that his drive to expand his musical styles and performances is driven in part by the foresight that no bubble of popularity is eternal. Though Korean music's presence is growing internationally, the momentum can't last forever, according to the artist. “K-pop has already entered the spotlight and it’s reached the top of its popularity so there’ll be a tipping point when it comes down one day, in the future,” he reflected. “So I feel that many artists, including myself, need to focus on bringing different styles of music and new things to the market rather than just focusing on what we’ve always done. Our aim should be to develop K-pop in a way that makes it more stable and less inclined to fluctuate musically.”Along with his attempt at breaking dance stereotypes, masked scenes in “MOVE" were included to match Taemin's vision for a K-pop industry where artists aren't as tied to their appearances as they currently are. This was inspired in part by his love of Sia, who he called his favorite musician, and her approach to (mostly) faceless musicality. He said, “I really wanted my fans to understand that outer appearances really don’t matter. A lot of K-pop fans tend to react to what is shown on the outside due to appearances, and influenced by Sia, I wanted my fans to see that what I bring on the inside is more important than the outside.” While he’s motivated by his own personal desires to show different ideas of what it means to be a K-pop artist, Taemin admits that his drive to expand his musical styles and performances is driven in part by the foresight that no bubble of popularity is eternal. Though Korean music's presence is growing internationally, the momentum can't last forever, according to the artist. “K-pop has already entered the spotlight and it’s reached the top of its popularity so there’ll be a tipping point when it comes down one day, in the future,” he reflected. “So I feel that many artists, including myself, need to focus on bringing different styles of music and new things to the market rather than just focusing on what we’ve always done. Our aim should be to develop K-pop in a way that makes it more stable and less inclined to fluctuate musically.”
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