Some composers, Penderecki stated, had "forgotten about music" and were composing "notes only," while he wanted to compose "music with a human face" and distance himself from his peers and imitators.
@butsukete1806
2 жыл бұрын
That's a noble goal, but without someone as talented as Arto to actually play those notes, it's all meaningless drivel. Also, who was imitating Penderecki?
@user-ob9zo9cr4c
4 жыл бұрын
RIP Krzysztof Penderecki, forever goat, and G.
@JimmyGr90
4 жыл бұрын
Rest in peace
@VanoArts
8 жыл бұрын
00:00 Nr.1 17:56 Nr.2 53:13 viola and chamber orchestra
@SB-se7vb
2 жыл бұрын
The first concerto fills me with so much anxiety, and yet I can't stop listening to it.
@cminor3016
Жыл бұрын
This actually seems to reflect various changes in nature
@Scylla99
4 жыл бұрын
One of the best "album-videos" of the entire KZitem. Thanks.
@MegaCirse
3 жыл бұрын
Krzysztof Penderecki (1933-2020) is more than a reflection of an era. It’s a phantom asteroid who returns to set his sights on sound art. A decadent wave laden with paradoxes from which obscurantism and the irrational escape, hypnotic factors defying vulnerable souls in search of the infinity. This sound architecture is an translucid and short tunnel that leads to light, or perhaps, in chaos¯\_(ツ)_/¯
@darrylschultz9395
2 жыл бұрын
🤔Close, but no banana. "Translucid-ish", I'd have thought!?
@123must
10 жыл бұрын
A masterpiece ! Thanks for uploadin'
@kanar0508
10 жыл бұрын
Obscuridad y temblor... mayúscula obra. Gracias por la puesta. Aquellos posteadores que escriben puras idioteces mejor será que no pasen por aquí. Esto es arte y cultura.
@sangdasagriwa3698
Жыл бұрын
One of the best trips EVER
@No_name4321
6 жыл бұрын
Thank you so much for uploading this!
@kuang-licheng402
8 жыл бұрын
stunning
@averysax6429
3 жыл бұрын
The new music Tonal Scale is as thus: 12 7 5 2 3 : 1 4 5 9 14 Not 12 with 7 & 5 BUT 14 with 9 & 5 [2^(1/14)] These are the Tonal Scales growing from f (by cycles of fifths): All Scales build from the first mode: equivalent to Lydian f White keys are = & Black keys are | 12 with 7 & 5 [2^(1/12)] =|=|=|==|=|= {1,8,3,10,5,12,7,2,9,4,11,6} 1thru7are= 8thru12are| 7 with 5 & 2 [2^(1/7)] ===|==| {1,3,5,7,2,4,6} 1thru5are= 6&7are| 5 with 2 & 3 [2^(1/5)] =||=| {1,3,5,2,4} 1&2are= 3thru5are| Now evolving up the other end 5 with 4 & 1 [2^(1/5)] ==|== {1,3,5,2,4} 1thru4are= 5is| 9 with 5 & 4 [2^(1/9)] =|=|=|==| {1,8,3,7,5,9,2,4,6} 1thru5are= 6thru9are| 14 with 9 & 5 [2^(1/14)] =|=|===|=|===| {1,12,3,14,5,7,9,11,2,13,4,6,8,10} 1thru9are= 10thru14are| Joseph Yasser is the actual originator of the realization, that scales develop by cycles of fifths. www.seraph.it/blog_files/623ba37cafa0d91db51fa87296693fff-175.html www.academia.edu/4163545/A_Theory_of_Evolving_Tonality_by_Joseph_Yasser www.musanim.com/Yasser/ The chromatic scale we use today is divided by 2^(1/12) twelfth root of two Instead of moving to the next higher: the 19 tone scale 2^(1/19) nineteenth root of two I decided to go all the way down and back up the other end: So 12 - 7 = 5 & 7 - 5 = 2 & 5 - 2 = 3 Now we enter to the other side: 2 - 3 = -1 & 3 - -1 = 4 & -1 - 4 = -5 & 4 - -5 = 9 & -5 - 9 = -14 ignoring the negatives we have 1 4 5 9 14 Just follow the cycles how each scale is weaved together, as shown above. Each scale has its own division within the frequency doubling, therefore the 14 tones scale is 2^(1/14) fourteenth root of two
@lancemann3498
6 жыл бұрын
They are so fantastic I dig it
@Sound_Origin
11 жыл бұрын
This music is the BOSS.
@MegaCirse
7 жыл бұрын
I did not know that Bruce Springsteen had dipped in there!
@AZEM15874
8 жыл бұрын
Genial composer
@projekctgonzo
10 жыл бұрын
A Penderecki no se le va una. Cada concierto para cello es una belleza.
@abdorezamajdi3208
7 жыл бұрын
Mastet of direct expression on human ultra auditoria 🌞
@luisvalenzuela4327
8 жыл бұрын
master of the dissonant orquestal clasical !!!
@MegaCirse
7 жыл бұрын
Orchestral my dear, "orchestral"
@armandosikorski8300
4 жыл бұрын
@@MegaCirse Merci, my dear professeur de gramática.
@bertrochon1
8 жыл бұрын
Très exaltant j'aime bien .
@sputnikpencils3
11 жыл бұрын
Bold words. Some of us appeciate composers like Penderecki, Schnittke, Pettersson et al., just as much. I wonder whether you have the same tenacity outside of the classical idiom.
@pepperwilliams4428
8 жыл бұрын
Intense "Matrix" concerto!!!! I love this concerto!
@edithdzieduszycka5918
5 жыл бұрын
fantastico
@dariuszszarek8749
4 жыл бұрын
powinno byc fantastycznie.Szanowna Pani.
@iremozkaraalp
7 жыл бұрын
59:35 oh my god
@cminor3016
Жыл бұрын
I would love to hear the rest of this piece but I got to go to bed now 🌷❤️
@Kokorocodon
Жыл бұрын
Sublime!! Sublime!!
@Paololosax
6 жыл бұрын
MODERNA SENSIBILITA'. SI NASCOLTA VOLENTIERI
@user-ob9zo9cr4c
5 жыл бұрын
special
@MonastraOperaSymphonyClassical
3 жыл бұрын
CONCERTOS PARA VIOLONCELO DE LA ERA DEL ESPANTO | CELLO CONCERTS FROM AN HIDEOUS ERA Me puedo imaginar a participantes de un rito oscuro amando a esta música como se amaba a Beethoven o Brahms... por momentos me da ganas de maldecir y, en otros, dejarme llevar y decir "qué impresionante". | I can imagine participants of a dark rite loving this music as Beethoven or Brahms were loved ... at times it makes me want to curse and, at others, let myself be carried away and say "how impressive".
@otrebla567
3 жыл бұрын
18:09 Mr. Doctor made a reference in Devil Doll
@RemorfChuket
11 жыл бұрын
tbh I listen to a lot of metal stuff also. but a lot of those artists who wear do that whole gothic thing with the facepaint and black leather and spikes outfits and that whole evil attitude are usually nowhere near as evil and violent in their music as guys like these. and they did it all without the looks or satanic lyrics.
@jackiechan3932
6 жыл бұрын
RemorfChuket (I know this comment is old) Music is an amazing way to portray emotion, the way that this music is played conveys such murderous and evil intent because that is what it's made for. The composer more than likely made it with great emotion in mind.
@swinehorde9118
9 ай бұрын
Ain't nothin' but a G thang, baybee...
@gerardbegni2806
7 жыл бұрын
I do not understand why there is only the second concerto and not the first one and why there is a concerto for viola.
@davidtibbs704
5 жыл бұрын
The third piece is arranged for the cello
@ivantamezmusic3568
6 жыл бұрын
Penderecki vs black metal jajajajaj two entirely different things... enjoy both
@sofoclesmefisto
3 жыл бұрын
This is a great soundtrack for first world problems 🤣 brilliant !
@shinybeast8946
Жыл бұрын
That's pop music.
@teeniebeenie6338
5 ай бұрын
14:45
@teeniebeenie6338
5 ай бұрын
46:20
@teeniebeenie6338
5 ай бұрын
1:08:20
@peterlowe2753
8 жыл бұрын
The Exorcist.
@b980620
7 жыл бұрын
No melody가 음악인가? '소리의 변화'로만 들린다. 아름다움을 찾으라고?
@ericoschmitt
10 жыл бұрын
Second concerto is so boring... First one is amazing!
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