And again shows Christine Schäfer her qualities. In my opinion she's one of the best sopranos ever.
@officehomestudio
15 жыл бұрын
the voice, the movements, the tranquility, and a bit slower then we are used too ... just perfect !
@ut-testkanal2058
10 жыл бұрын
Danke, Christine Schäfer, für dieses wunderbare Musikgeschenk!
@nam2521
15 жыл бұрын
Christine Schäfer is just a great soprano. Great acting too!
@soojeongkim2307
8 жыл бұрын
What a performance !! I literally love her voice.
@swanningaround
16 жыл бұрын
I love Christine Schäfer's voice. She is so talented and her voice is so captivating. She is exciting and excels whenever she is given an offbeat role. She is also the soprano that is best known at the moment in the German speaking world.
@DE_OMNIBUS_DUBITANDUM
13 жыл бұрын
А мені завжди подобається "Voi Che Sapete", коли співають молоді, білі оперні співачки. Очевидно, що виконавиця вже досить заморена співом, проте, все одно гарно, я задоволений. Дякую!
@crilonsanvi
14 жыл бұрын
Fantastisk, jag älskar den!!! Tack
@Flurina1246
17 жыл бұрын
Absolutely beautiful singing. That's how it should be!
@kinda4664
6 жыл бұрын
She is so cute. Shiny performance. The slow tempo allows to enjoy this aria's beauty. The very time to say: Beautiful moment, do not pass away!
@515Hans
12 жыл бұрын
Very nice, I like this song much !! Great !!
@domalagn
15 жыл бұрын
Géniale magnifique !!!!!
@funkychihuahua
15 жыл бұрын
ich liebe ihre Stimme, ich liebe das Kostüm, ich liebe diese Arie. Perfekt :)
@harald144
16 жыл бұрын
This is beautiful !! both singing and movements
@pinguflap
14 жыл бұрын
I simply adore their adaptation! Very modern and stylish.
@glabrezzu
13 жыл бұрын
THE BEST NOZZE DI FIGARO EVER . I think Mr Mozart would freak out if he could see this.
@operamad
16 жыл бұрын
I love this production. And the slower tempo works esp. well for Schäfer and Röschmann, I think.
@dimitluc
14 жыл бұрын
Touching emotional expression. Very good!
@olympicfreak678
16 жыл бұрын
Even if the "category" did not exist, the voice did. The voice that sung this role later sung Despina. This is a Soubrette role but is often done by mezzo-sopranos. So it is a Mezzo role, but a high lyric one.
@1401JSC
15 жыл бұрын
I had always thought that "Voi" was a reference to Susanna & the Countess. Here Cherubino is singing - to the audience - to himself - to heaven but absolutely not to the ladies! An old-looking virgin boy! I would have enjoyed it just as much without the images.
@zourzouvili
10 жыл бұрын
fantastic performance!!! she uses in different way her body for singing! different sense and logic!!!
@MsLonelydrifter
13 жыл бұрын
why, oh why wasnt I there? the Festspiele are so elitist, silly politicians and so-called high society that just want to show off their wives and their dresses... and people who really love music, can't afford the tickets (or don't get any). anyway, this is an amazing performance and a brilliant production altogether!
@PzKpfw
16 жыл бұрын
I liked it as well...
@sophie-grace9143
9 жыл бұрын
The choreography and the look are ravishing. So is the singing. BUT.... well, not very boyish, is it?
@billipher
16 жыл бұрын
Thank you -- a thorough answer indeed!
@olympicfreak678
16 жыл бұрын
But soubrette can also refer to the voice type as well. Although it can be sung by two types (mezzo and sorpano), it has a certain colour, weight, range, tessitura, etc. It is both the Character AND the voice that make a soubrette.
@anel1109
4 жыл бұрын
Voi che sapete che cosa è amor, Вы, кто знает, что такое любовь, Donne, vedete, s'io l'ho nel cor, Женщины, посмотрите, есть ли она в моём сердце? Donne, vedete, s'io l'ho nel cor. Женщины, посмотрите, есть ли она в моём сердце? Quello ch'io provo, vi ridirò, То, что я чувствую, повторю вам, 'E per me nuovo capir nol so. Ново для меня, и я ничего не могу понять. Sento un affetto pien di desir, Я испытываю чувство, исполненное желания, Ch'ora è diletto, ch'ora è martir. Я то влюблённый, то мученик. Gelo e poi sento l'alma avvampar, Мёрзну, потом чувствую, как душа воспламеняется, 'E in un momento torno a gelar. А через миг снова замерзаю. Ricerco un bene fuori di me, Я ищу любовь вокруг себя, Non so chi il tiene, non so cos'è. Не знаю, кто ею обладает, не знаю, что это такое. Sospiro e gemo senza voler, Вздыхаю и стенаю помимо своего желания, Palpito e tremo senza saper, Трепещу и дрожу, сам этого не осознавая. Non trovo pace notte ne di, Не нахожу покоя ни ночью, ни днём, Ma pur mi piace languir così. Но мне нравится это томление. Voi, che sapete che cosa è amor Вы, кто знает, что такое любовь, Donne, vedete, s'io l'ho nel cor, Женщины, посмотрите, есть ли она в моём сердце? Donne, vedete, s'io l'ho nel cor, Женщины, посмотрите, есть ли она в моём сердце? Donne, vedete, s'io l'ho nel cor. Женщины, посмотрите, есть ли она в моём сердце?
@sch8mid
10 жыл бұрын
Eine ausgezeichnete Christine Schäfer, mir eine Winzigkeit zu manieristisch gesungen, der goldene Mittelweg zwischen ihr und Fricka von Stade wäre für mich stimmig.
@caro1274
11 жыл бұрын
amazing so good x
@andreatrucco
16 жыл бұрын
mozart didn't like castratos very much, he met in Bologna Farinelli in his last years, but even he decided to give a proper female voice to Cherubino because an adult woman give to the role not only the voice but the grace and turbolence of a real young paggio!
@aleduffoo
16 жыл бұрын
oh thank u for all the information! =)!
@BaroquePearl419
16 жыл бұрын
I tend to agree with you....this conductor has very interesting take on tempi and interpretation. I do enjoy the differences though.
@acacia-bloom
16 жыл бұрын
Another wonderful example is Sena Jurinac (Kleiber recording) who went on later to sing Leonore in Fidelio, Tosca and Marschillin. Her Cherubino is heavenly. I dont think one should try to put singers and roles in boxes - it makes opera so utterly pedantic!
@olympicfreak678
17 жыл бұрын
Of course it was! Cherubino was a trouser role, just like Mozart's earlier "Idamante" in "Idomeneo". Trouser roles were sung by mezzos.
@billipher
16 жыл бұрын
Sorry -- I didn't read your comment carefully -- duh! The countess, I think, is Dorothea Roschmann.
@Ritterjaegerjaeger
14 жыл бұрын
@Shmoofles It's an invention from the director. We talked about that in our opera course. He wants to show the power of destiny and that everything is already decided.
@operamad
16 жыл бұрын
//Christine is also a really nice person, to give this free singing lesson to Netrebko...// Well watch a bit longer...lucky Cherubino...to be ganged up by Susanna & the Contessa like that.
@acacia-bloom
16 жыл бұрын
Soubrette is a term referring to a type of female role-specifically, a stock character- in commedia dell'arte scenarios, often in the role of Columbina, coming from Provençal French, meaning "conceited or coy".The term soubrette describes a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy (a chambermaid or confidante of the ingenue) often displaying a flirtatious or even sexually aggressive nature eg.Suzanne in Beaumarchais' Le Mariage de Figaro (1784)
@negoescud
11 жыл бұрын
the best ..........
@Siebenmoon
11 жыл бұрын
The slower tempo make this interesting
@Crintingnut
14 жыл бұрын
Love the voice but what's with the angel? Not in any other production I have seen. May lose something by being an excerpt. But she is great!
@Octoberbird42
28 күн бұрын
cupid?
@stradgirl
14 жыл бұрын
I believe it is Christine Schäfer singing?
@billipher
16 жыл бұрын
I believe it's Christine Schäfer. I think she is perfect for Cherubino, but I have a little trouble making sense of the production. I enjoy oddball productions (like you see with Tales of Hoffman), but this undermines the whole idea of Cheribino being a scared little boy.
@BethDiane
16 жыл бұрын
Well, in Mozart's day, there really was no such category as a mezzo soprano, so it's interesting to hear something closer to what he might have written for. Likewise with Netrebko, a dramatic soprano, as Suanna, and Röschmann, a lyric soprano, as the countess--so that the voices are actually the ones most comfortable in the ranges in question.
@chiehwenwang
14 жыл бұрын
The tempo is slower than normal, but the voice is not bad at all.
@bogdiworksV2
11 жыл бұрын
I'm with you on the no buffo whatsoever. Before I actually saw it I couldn't believe it was possible to make Le Nozze unfunny but there we have it. I hate the direction with a fiery passion. However, although I'm no Netrebko fan by any means, I thought she was fine in this.
@robbicu
17 жыл бұрын
Just once I'd like to see Cherubino performed by a real boy soprano. I think it would make an interesting more life-like performance, although Mozart did intend a female to play the role.
@MrOpera67
14 жыл бұрын
Strange tempo but very nice!
@andreatrucco
16 жыл бұрын
she has a nice voice and clear italian pronunciation, but... the beat of this aria it should be little faster!!!!
@operamad
16 жыл бұрын
Regarding the slow tempi Harnoncourt sets here, I find their impact much more telling when this M22 production is taken as a whole. When broken up by aria, it does seem rather slow esp. when we all know what "voi che sapete" is *supposed to sound like*. I don't always like Harnoncourt's timing by the way. His *Ariana a Naxos* (Haydn) w/ Cecilia Bartoli is way too ponderous (not her fault and certainly not the orchestra). In this production however, I really like it.
@leschs64
15 жыл бұрын
Ihre Art, die Arie zu gestalten, passt schon sehr gut,gefällt mir sehr. Aber sie schleppt so sehr!Der arme Dirirgent...Als ob sie es nie mit ihm geprobt hätte... Außerdem hat sie hier irgendwie Ähnlickeit mit Tilda Swinton!:)
@billipher
16 жыл бұрын
I just realized that the winged figure is dressed like Cherubino (except the hat). Is he supposed to be Cherubino's guardian angel or something?
@Ortrudase
14 жыл бұрын
Christine in the role of Cherubino? Very interesting...
@Ethratian
17 жыл бұрын
As far as I know this aria could be sang by an mezzosoprano OR an soprano. Nevertheless Christine Schäfer shows everbody else in this performance how it should be sang.
@leoperarm
16 жыл бұрын
Why are they doing that strange dance back there? This is really weird.
@olympicfreak678
17 жыл бұрын
But Cherubino is known To be a trouser role done by mezzos!
@Shmoofles
14 жыл бұрын
what scene is this from, i remember no scene with an angel?! XD
@acacia-bloom
16 жыл бұрын
In modern times, the term is often used in Opera and esp. Operetta for a very . Reri Grist was a wonderful example of a soubtrette voice. I doubt wether Miss Schäfer would like to be called a soubrette. She sings Konstanze (not Blondchen) and Violetta. But let's not quibble about terminology. Either you like it or not. If any singer can vocally negotiate a role and sound good, why should they not sing it? In addition to this all Schäfer just looks sensational as Cherubino!
@312charlene
12 жыл бұрын
Who's the one wearing the while apron????? She looks like Anna Netrebko
@operalover67
12 жыл бұрын
è la regia che toglie tutto il fascino...mi pare che musicalmente vaDA BENISSImo...
@deadmandom
13 жыл бұрын
ive got to sing this for terry partchets maskerade
@Nicoco95310
16 жыл бұрын
Its a bit slower than usual but I think it's really neat because she has a amazing voice. But isn't this aria supposed to be a mezzo aria ??? Al the versions I own are mezzo and I think it's better.
@TheAlmaviva
15 жыл бұрын
Klasse Interpretation, Mozart entstaubt, selbst die Gymnastik ist erratisch. Christine Schäfer ganz groß
@olympicfreak678
17 жыл бұрын
I don't think he wrote it so that he (Cherubino) could make out with Susanna & Rosina during "Venite, inginocchiatevi". Have you seen it from this production? It is terrible! Even the audience thought so, with the slight applause at the end.
@josefminarik4105
10 жыл бұрын
Im Salzburger Opern Theater machen si mit ihre Experimente aus den schönsten Opern nur lauter Scheise. Jupiter
@prionse
12 жыл бұрын
@312charlene It's Netrebko indeed
@acacia-bloom
17 жыл бұрын
Nonsense! Where did you get that piece of false information from? The category "mezzo" didnt exist in Mozart's time.
@bendkidd
12 жыл бұрын
This is just before the weird three girl orgy scene. Very interesting production. Not sure about the angel/cherub thing. Tends to be a distraction rather than helping the plot be less confusing.
@60bui
5 жыл бұрын
A parte la lentezza dei tempi, la "regia", o presunta tale, è un orrore!!!!
@timoliphant
11 жыл бұрын
very interesting, but the slower tempo feels a little strange
@JSC1401
14 жыл бұрын
Is the winged creature one of the Boys from Magic Flute? Or Amor jumping out of the window? Oh no! Not Floria Tosca who mistook which opera she was supposed to be singing in.... And Cherubino-busker at the end: a down and out singer who wants us to put money in her sailor's cap. the more I look at this, the more there is to find! Extreme-ly interesting. :)
@aleduffoo
16 жыл бұрын
who's playing the contess here?
@karine6081
13 жыл бұрын
bonito lindo estonteante mente revelador e com carisma à mistura mas...não é um rapaz nota-se
@muziekacademiecello
10 жыл бұрын
little bit to slow...
@lussiedicodroip8220
8 жыл бұрын
too slow....boring...but the voice is well
@bluefandango
15 жыл бұрын
Frederica Von Stade
@Davidonaa
14 жыл бұрын
um...she's okay but i'm pretty damn sure you are not meant to scoop...
@olympicfreak678
17 жыл бұрын
What a weird production!
@mymozart
12 жыл бұрын
Szeretlek V.
@alexal3610
9 жыл бұрын
Єто охуенно!!
@iuliam5766
11 жыл бұрын
A beautiful rendition of this aria, brava la soprana. But the mise en scene is completely awful - unless one closes one's eyes to focus strictly on the music, the entire scene feels almost like patients in a derelict mental institution: the disheveled, boyish-looking Cherubino, the ladies dressed in clothes of mourning doing ritualistic movements, the dead leaves all over the place? PLEASE give me an economic boom so art will dump the gloom and the bizarre and become what it's supposed to.
@jm960
17 жыл бұрын
what were they thinking? schöne stimme aber so schlampig und lasch im rythmus und tempo und die rubati sind ganz seltsam. hätte ich von harnoncourt (oder doch?) nicht erwartet.
@operamusicfan
16 жыл бұрын
Hern other aria was way too fast.
@flippyrock19
14 жыл бұрын
ugh this is ridiculous
@ivma3535
10 жыл бұрын
is doch schwachsinnig, warum singt sie es so langsam übertrieben legato? in der arie ist er total nervös, schließlich singt er es seiner angebeteten vor (oder einer von ihnen XD). ich sehe es als liebesgeständnis, wenn mir das jemand erklären kann, wär ich dankbar... aber kommt mir nicht mit, ich zitiere, "eine besondere Note", sie soll schließlich die Rolle verkörpern und nicht irgendeine vom text und inhalt unsinnige eigeninszenierung. man könnte ja auch langsam nervös oder von mir aus genießend singen, aber nicht so, ich weiß nich, der zuschauer sollte es doch wenigstens verstehen können...
@fabrizietto1980
13 жыл бұрын
non mi convince. bella voce ma sembra poco disinvolta, come se arrancasse un po' forse dovuto al tempo. preferisco le versioni più"frizzanti" di quest'aria. Brava comunque
@jefgong
13 жыл бұрын
I hate that way of singing Mozart. Bad taste, awful portamenti & rubato. Most of all, no simplicity : everything seems sophisticated. It looks like a romance of french opera-comique. Tremendous.
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