So Kraftvoll so Charismatisch bester Sänger Schauspieler neben Facioli .Es schauert mich wohlig😊Bravo💞
@asclepius-thegodofmedicine3810
5 жыл бұрын
Bravassimo 👏👏
@tutti_frutti5793
3 жыл бұрын
Великолено!!!
@SalmaLevin
11 жыл бұрын
Actually, Mr. Minenko did very good job! May be I'm wrong, but I believe in Russia and Ukraine, talented countertenors aren't appreciated as much as they should be. I'm glad he managed it to perform in Europe! --Удачи и творческих успехов ему и в дальнейшем!! --
@Prostoya81
3 жыл бұрын
Шедевр
@Meinzul
11 жыл бұрын
muy bien interpretada esta aria por Y. Minenko,,,Bravo!! ... tremenda y potente voz
@abelbeau99
11 жыл бұрын
Lyrics by Pietro Metastasio Sogna il guerrier le schiere, le selve il cacciator e sogna il pescator le reti e l'amo. Warrior dreams for troops, woods the hunter, and do dreams the fisher for nets and hooks.
@abelbeau99
7 жыл бұрын
Sopito in dolce oblio, sogno pur io così colei, che tutto il dì sospiro e chiamo. Sleeping in sweet memories i do dreams too about her, who alla day long i call and sigh for.
@jmelen007
7 жыл бұрын
Awesome performance and fantastic voices !
@FoxMagos
11 жыл бұрын
More importantly, I strongly assert that the directors were extremely conscious of this staging, particularly the language of gesture and costume. In this aria we have a brilliant interpretation of the baroque trope of "hawk and dove" or male and female sexually polarized roles, Minenko in breastplate armor and black feathers, his hands clawed into talons as he circles Valer in his white plumed wedding cake fantasy dress. Please see my comments posted for his "non temer" aria for more.
@SalmaLevin
11 жыл бұрын
Да, Вы конечно правы. Из России приходится уезжать многим талантливым людям и это очень грустно! Страна теряет уникумы, да и самим артистам сложно пробиваться... Oстается надеяться что отношение к контрaтенорам вскоре изменится везде (Ведь позитивная тенденция, как мне кажется, все-таки имеется:) PS: Сразу хочу извиниться за возможные ошибки, уж очень давно не писала по-русски.
@svetlanabykova4825
4 ай бұрын
Миненко-украинец. И живет в Украине.Не путайте,пожалуйста.
@SalmaLevin
4 ай бұрын
@@svetlanabykova4825 извините, никого не хотела задеть. Из Украины так из Украины 👍
@tenor-haute-contre
Жыл бұрын
The melody was adapted a lot for the singer in the first time of the A part. Would’ve loved to hear the aria in its original version :)
@rodolfosandoval7178
Жыл бұрын
Could you explain us please, how was this aria adapted?
@jmelen007
7 жыл бұрын
Love it
@ulee594
8 жыл бұрын
want DVD!!!!!
@riwrestle158
7 жыл бұрын
I have it....its great!
@FoxMagos
11 жыл бұрын
which is my core belief regarding opera: autheniticity is so much less important, when it is even possible, that the artistic freedom to attempt multilple interpretations for as long as people sing and listen to singing
@FoxMagos
11 жыл бұрын
"Final" thought: in the Renaissance and Early Modern eras, conceptions of gender and even sex where far more fluid...not to say more free or even more liberal- though some of them might seem that way to us today - those scholars and artitsts were more likely to group humans into two polar categories of "Man" and "not-Man," which indluded not only women, but also children, even boys...and usually the castrato
@FoxMagos
11 жыл бұрын
really? a convention? that would mean there is a history of staging opera with several countertenors, to the exclusion of female singers, like 200-300 years ago, in Rome, when there were castrati...oh wait, these are no longer possible circumstances...so perhaps I am right to insist that these stagings are CHOICES and should be held accountable as such..and I, as a man, support them.
@FoxMagos
11 жыл бұрын
Not so final then :-)Remember that it was the Vatican that decided castration was not only acceptable but necessary so that these new singers could play women, whereas a man in a dress could be hanged. And, of course, no two writers from those times ever totally agreed on everything I'm mentioning here, so there's no way to say "this way, and this way only"..
@FoxMagos
11 жыл бұрын
Again, without castrati singers, an "authentic" performance is impossible...but not necessarily required..think of the general baroque practice of reproducing "ancient" instruments when the originals are not available. And let's remember that the costumes here were (deliberately) all over the place...Arbace's attendants in "Vo solcando" are wearing headsets!! Hardly a period touch!
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