Thumbs up for all the four series :)..love it love it love it! :)
@alejandracardenaspalacios1910
10 жыл бұрын
These are the best cinematography tutorials I've ever found. Thanks so much.
@EKGunnarsson
10 жыл бұрын
Fantastic! it´s so good to finally see proper lighting set-ups online.
@supermauro
10 жыл бұрын
Very very nice. I ve been looking for videos like this for long time. Really looking forward for the reverse!!
@joshpark868
6 жыл бұрын
So, it's been 4 years since the masterclass took place - lights got better and cameras are so much better at handling low light. I think you can safely switch out the lights a little smaller but get the same result. I think the cameras can be safely rated at 800ASA or even higher, all the lights can be switched to LED source base, all the large diffusion frames can be subbed for reflective lighting system instead, and investing in a bit more grip gear would possibly make the whole thing faster and lighter. It's crazy to think not even a half of decade went by and the film industry has so much more options.
@zfarahx
5 жыл бұрын
Hey! Thanks for writing this little bit of info :) What do you mean by "reflective lighting system" and how does that replace diffusion?
@mrbrakelol
10 жыл бұрын
Thanks. Waiting for part 3!
@JarredDavidson
10 жыл бұрын
Once again, most awesome indeed! Thank you so much for posting it! I can't wait for the next one!
@michaelwtapp
10 жыл бұрын
I like how he lit up the background in part two. It really looks like the room is lit up by daylight in part two. With that being said, there must be a way to get to this look without so much schmutz! Thank you for sharing this content. It's very educational!
@thefilmbook
10 жыл бұрын
Interesting question, Michael. Of course the lighting could be simpler, but you might not get the same look. Each light here does a different job, in order to get this complex look with fewer sources, you need to figure out a way to have a single source do several jobs. But it is a challenge to get complex lighting, for example sunlight plus soft fill from the same direction, with a single source.
@dukuzumuremyi
10 жыл бұрын
Awesome workshop and video! Great job, thank you. I could watch videos like that for hours! More please! Will there be more parts of this workshop?
@thefilmbook
10 жыл бұрын
Thank you for your enthusiasm! Yes, we will post part 3 in 2 weeks time. PS For stills from the workshop footage and more details check out thefilmbook blog on the ASC web site: bit.ly/ascKress2
@kscottcine
10 жыл бұрын
Good stuff. Appreciated.
@trance2fusion
10 жыл бұрын
A very good tutorial ... Big Up for that .
@andreshernandez
10 жыл бұрын
Very nice!
@thefilmbook
10 жыл бұрын
I have posted PART 3 of Eric Kress' Lighting Workshop bit.ly/ytKress3
@thekaiser4333
6 жыл бұрын
Why isn't she at least holding a knife or something during the embrace? That would have added some suspense. Like this the scene is irrelevant and not worth being lit by a master like Mr. Kress.
@ZoshLP
10 жыл бұрын
Unfortunately i didn't see the difference between finger and no finger. Can someone tell me what exactly changed and why it was used?
@thefilmbook
10 жыл бұрын
A finger is normally the word for a long black rectangular flag, by extension it's used here to designate a piece of gaffer tape on the window. Eric put in the gaffer tape "finger" to block the "sunlight" source from Matilda's neck, because he thought her neck was too bright without it. I agree that we did not do a good job of showing her neck with and without the finger.
@MustWorkWeekends
6 жыл бұрын
I had to stop watching this. Its too annoying hearing Ben talk over his guest.
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